Sentences with phrase «opening scene really»

The film's opening scene really pulls audiences into one woman's unforgiving life on the plains.

The opening scenes really exemplifies this, as Neville's red car travels down deserted streets which seem to go on forever.

Not exact matches

The opening scene is in Champion City, a metropolis in a slightly altered (but not enough to really work) comic book - style reality, where costumed crimefighters (many with mediocre «powers») are in oversupply, to the point that many of them are out looking for work.

In one of the opening scenes of the movie, before the plot really begins, the reverend is preaching a sermon in which he says, «We need never ask «Lord, what should I do?»

And after matching Nebraska's dominance blow for blow in 1971 — opening the season with a win over USC, beating a 10 - win Ole Miss team by 34, beating a 10 - win Tennessee team by 17, beating nine - win Auburn by 24 — Bear Bryant's resurgent Crimson Tide, back on the national scene after averaging just seven wins per year from 1967 - 70, got really, really roughed up by Johnny Rodgers and the Huskers in the Orange Bowl.

There's a scene toward the end of the movie that really resonated with me and it's when Maya tells Miles, who has been saving a very special bottle of wine for a very special occasion, «You know, the day you open a ’61 Cheval Blanc... that's the special occasion.»

Im 6» 4», light skinned, love going to the movies or just hanging round the house, don't really do the club scene but I'm open for whatever you ready for

In the opening scene of the film, Lomax stands over the lone survivor of the latest expedition, a dazed biologist named Lena (Natalie Portman), and demands answers she doesn't know how to provide — and that the movie doesn't really care to.

The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening scene of the film rewinds through the entire film, showing every action beat, which was a really bizarre move.

Regrettably, the film's place - setting opening lays the scene for a different, more exciting film that never really unfolds.

Based on the novel by Shûsaku Endô about a pair of 17th century Jesuit priests who travel to Japan to locate their missing mentor, «Silence» attempts to tackle big ideas like faith and sacrifice but never really makes it beyond its opening argument, like a broken record playing different variations of the same scene over and over again.

What's really interesting is its inclusion of a bonus DVD that contains promotional videos and cut scenes from various Sonic games, the most exciting of which is the Sonic CD opening cut scene.

It's not until the first shrinking scene that the pic really opens up, serving up some incredible macro photography and eye - popping special effects.

Not the fault of the actors but when you have the excellent Danny Huston (30 Days of Night) playing an evil German officer then there is the potential to create a proper villain, a mad genius with grand plans for world domination during a time of great sorrow for the rest of the world, and instead his General Ludendorff is resorted to cracking open gas tablets that give him Hulk - like strength for no real reason and never really pays off in any way; in one scene he locks a group of people in a room with a deadly nerve gas and then decides to snort on his magic capsule before cackling and running off - camera like Jack Nicholson's Joker.

Not that it really matters, though, as the movie is otherwise pure nightmare fuel, building in intensity from its artfully uneasy opening scenes to its closing gauntlet of horror.

Jason Hehir reveals HBO doc's original opening scene to TheWrap, and a really cool Hulk Hogan Easter egg

The opening scenes of Lynne Ramsay's «You Were Never Really Here» are jarring in a way that immediately throws the viewer out of balance...

The opening scene, in which Tommy and Greg (played by James Franco's brother, Dave) meet in acting class, does a really good job of making us understand, in such a short amount of time, why Greg would be drawn to a dude like Tommy in the first place: He's failing to connect with his own work, and then sees this wild, off - his - rocker older guy give an indescribable, balls - to - the - wall interpretation of Brando in Streetcar that makes zero sense.

Included there is an alternate four - minute opening scene, a great featurette about «Origins of Cars 2» and really cool virtual tour of the Radiator Springs set.

(Given the early Eighties milieu, that scene really called for a bittersweet new wave ballad like Yaz's «Mr. Blue,» Bananarama's «Cheers Then» or the Human League's «Open Your Heart,» which has practically the same words as that great Michael Stahlbarg speech.)

A Dangerous Method, which opens Friday at Landmark's Century Centre and Century 12 / CineArts 6, never really delivers on that promise, mainly because its scenes of two brilliant men discussing the nature of the subconscious can't compare with Cronenberg's visual rendering of that subconscious in earlier movies.

A lot of the pleasant changes in this year's Harry seems due to Yates allowing Daniel Radcliffe, who is truly becoming a terrific and confident actor, to really put his stamp on The Boy Who Lived, playing him for laughs brilliantly, as in the opening scene where Harry flirts with a comely waitress and later at Hogwarts feeling the buzz of a bottle of Felix Felices.

Except not really, since Parker spends most of the opening scenes being anything but subtle.

So if as an audience we're asked to get on board in those opening scenes, to suspend our disbelief for the moment, it's only really in anticipation of how far that will be stretched by the end of the film.

They get the job done and, in some instances (like the opening scene), really have a visceral power to them.

Angelina Jolie still deserves a lot of credit for succeeding where so many failed, and the opening act — which intermixes scenes from Zamperini's childhood and the 1936 Berlin Olympics with his pre-crash days in WWII — is really smartly handled.

When you realize the film spends more time in coconut opening than in Hanks relationship with Helen Hunt (Pay It Forward, Dr. T and the Women), you see how Cast Away needed a bit more shoring up in the thematic department if Zemeckis wanted to really drive his points home, especially when you consider those scenes have little to do with what the film is really supposed to be about.

BEST SCENE: There are a few different, cool flying scenes to choose from, but I really enjoyed the opening sSCENE: There are a few different, cool flying scenes to choose from, but I really enjoyed the opening scenescene.

Once again, that opening shot could easily be a new home theater demo scene, as the subwoofer action and surround sound effects really pull you into the scene.

The first film marked the directorial debut of longtime stunt coordinators and second - unit directors Chad Stahelski and David Leitch, and was one of those «out of nowhere» movies that really struck a chord with audiences — assuming you could make it past the opening scene.

Production is shutting down for the near future... Variety... and director Wes Ball tweets and open letter to fans about the injury and Dylan's recovery Guardian a biopic about Michael Jackson's chimp (no really) will be a stop motion animated feature And So It Begins names 10 bad scenes in great movies: Carrie, Cape Fear, The Godfather Part II and more

«We're open for business, so there really isn't a lot of transition on the public scene,» said Tyler Corder, chief financial officer for Findlay Automotive Group.

I recommend you check it out to see how well he crafted the opening scene to really pull the reader in:

I really believe that now would be the perfect time to get into the scene, because as things change the old publishers will fall opening up things for new entrepreneurs to take there place.

«People just need to really open their eyes and see what's going on behind the scenes,» Szczudlo said.

The opening scene takes place in a public restroom and it really conveys the grit and grime with the detailed textures in the room.

The visuals in the game are very smartly crafted and really showcases the dedication of getting the world to feel just right; it shows from the opening scene to the last.

Having the game on the Wii U opens our capabilities on what we can do with the technology, and we're really excited to bring fans a quality experience out of the indie game scene.

The opening scene is awesome, and I'm really digging the dilapidated feel of Wasteland.

From the opening cinematic to the final dramatic scene, Far Cry 2 offers up an unparalleled experience that I think will really engage gamers.

With a great opening video that really sets the scene for the game, Dead Nation takes place a year after the outbreak of a virus that has left the world decimated.

From the opening scenes, featuring a frantic boss battle, to the stealth elements later on I really felt part of something.

Opening with a brilliantly melodramatic cut scene («Is this really what has become of my brother?»)

Being around all those people and seeing their careers and their work, which was a very different scene from the Color Field artists, really allowed my work to open up and go in different directions.

«While there's been a lot of creative energy flowing, some of the work that is edgy and ground - breaking hasn't really found a niche in the local gallery scene, so artists have formed collectives to either open their own spaces or conduct pop - up shows elsewhere.

They were in that Color Field scene, which was really open, because it was a party scene.