Ayer establishes Wardaddy's coldblooded instincts in a shocking
opening scene where the America soldier rises from a corpse - covered German battlefield to ambush a German soldier riding on a white horse.
As for the lead performance, Quvenzhane Wallis is quite endearing as the latest incarnation of Annie, right from
the opening scene where she ostensibly takes the proverbial baton from a freckle - faced redhead (Taylor Richardson) resembling all the other actresses who've previously played the part.
So I couldn't help but cringe with the obvious metaphor
opening scene where Hugh Jackman's character (Keller Dover) experiences one of those life - bonding moments with his teenage son Ralph (played by Dylan Minnette).
The one - liners are nice and forced during
the opening scene where these two prove what kind of officers they are.
From
the opening scene where Bateman is shot in the face by his child's excrement to the perverse sexual antics of Reynolds, this film takes an unoriginal but funny concept and gives us the worst possible results.
A lot of the pleasant changes in this year's Harry seems due to Yates allowing Daniel Radcliffe, who is truly becoming a terrific and confident actor, to really put his stamp on The Boy Who Lived, playing him for laughs brilliantly, as in
the opening scene where Harry flirts with a comely waitress and later at Hogwarts feeling the buzz of a bottle of Felix Felices.
The opening scene where a superimposed Jess heads home the winning goal for her beloved United doesn't quite work.
I loved that movie too, primarily for the chase scenes like
the opening scene where 007 chases the smuggler; fights / kills the double agent in the bodego, changes into his clothes then meets the girl who takes him on another chase in her VW; and, of course, the boat chase with the corrupt politician.
The opening scene where Christian Bale bickers with Bradley Cooper even feels like Bale is channelling his best De Niro impression to harness the role of career criminal.
Take
the opening scene where listless civil servant Charles Richardson (John Heard) stops at a bodega to buy a candy bar.
From
the opening scene where Anthony, played by Luke Wilson is escaping from a mental hospital with the aid of his best friend Dignan, played by his brother and co-writer Owen Wilson, we know this movie is out there.
The issues can even be seen in
the opening scene where the voices are very bad, the character animations are amature and the scene lags.
Not exact matches
«The ability to track, navigate, map and recognize both
scenes and objects using Movidius» low - power and high - performance SoCs
opens opportunities in areas
where heat, battery life and form factors are key.»
The
opening scene is in Champion City, a metropolis in a slightly altered (but not enough to really work) comic book - style reality,
where costumed crimefighters (many with mediocre «powers») are in oversupply, to the point that many of them are out looking for work.
Those who were lucky enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting
scene in which the four of them escape from the prison - like television studio,
where worldly men are trying to get them to perform properly, and flee to an
open field for a few surrealistic moments of jumping, dancing, abandon.
The 6,000 - word piece, by Chris Smith,
opens with a
scene set at an early March meeting
where the governor apparently wowed a crowd of «left - leaning lunchers» with tales of his «New Democratic brand» and his on - time budgets, something Mr. Smith described as «a vivid illustration of the genius and expediency of the Andrew Cuomo method.»
«On arrival at the
scene on foot, the house
where a family of five was attacked, was a room and parlour apartment with an
opened window.
Next up was NASA's Dryden Center,
where camera crews once filmed a
scene for the
opening credits of the 1960s hit sitcom I Dream of Jeannie, in which astronaut Tony Nelson (played by Larry Hagman) walks into the center's main building.
And so the pair decided to start a website
where customers could buy products they'd seen on TV and in movies, like the Oakley sunglasses Tom Cruise wore in Mission: Impossible, or the backpack Leonardo DiCaprio wore in the
opening scene of The Beach.
Not only does it boast the cosy,
open - fire - lit snug
where Dylan dreamt up much of his finest works, but it's also the heart of Swansea's buzzing live music
scene — perfect for that all - important first dance!
The story started with a
scene where you found yourself in bed at the hospital when you
opened your eyesyou had been involved in a car accident.
After a brief montage of
scenes from the closing moments of last fall's «Harry Potter and the Deathly Hallows Part 1» (former Hogwarts headmaster Dumbledore's crypt being
opened by Ralph Fiennes «villainous Voldemort), we are right back
where we left off: heroic house elf Dobby is buried in the sand, and surviving members of the melee — among them Harry and his steadfast pals Hermione (Emma Watson) and Ron (Rupert Grint), along with a wand maker (John Hurt) and a nasty banking goblin (Warwick Davis).
The difference can be seen in «Flushed Away's»
opening scene,
where we meet a pet mouse named Roddy (voiced by Hugh Jackman) living in a spanking - clean white apartment in the posh London neighborhood of Kensington.
Bass response is extremely tight and can be felt immeadiately during the
opening credits
scene where the Nine Inch Nails track comes into it's own.
The film
opens with the obligatory but mercifully brief happy family
scenes where Pitt's character, Gerry Lane, is established as a stay - at - home Philadelphia dad who doesn't seem to do anything more strenuous than make pancakes for breakfast.
Franco wisely plays Longo as a serial charmer, from an
opening scene in Mexico
where he beds a German tourist, to a phone call to Finkel's wife Jill (Felicity Jones) that brims with surface - level pleasantness.
Actual depiction of the Civil War is pretty much limited to a single gory battle
scene at the
opening, followed by a corny sequence
where Lincoln chats with some young soldiers.
Boat chase, the helicopter chase), especially during the slow - burn
scene where Bond tricks Red Grant (played wonderfully by Robert Shaw) into
opening a
«If there's one place
where we can come together in these divided times, surely it's to appreciate a show that gives us
opening scenes like the one this week...»
«The Interpreter»
opens with a desolate
scene that sets the tone for the brutality suffered by the impoverished citizens of Matobo
where a disused soccer stadium serves as a hiding place for corpses.
But one last thing... in the previews, they showed a
scene where Lily and CZJ
open their doors to come face to face with brick walls... did I miss that
scene in the movie?
We've all been to that wedding
where there's some obnoxious family member or groomsman that's had one too many drinks at the
open bar and proceeds to make a
scene.
Guardians of the Galaxy Vol 2
opens with one of those
scenes where an older actor is recreated as their youthful self through the wonders of CGI — think Carrie Fisher in Rogue One: A Star War's Story.
But there is a
scene where it briefly
opens up to widescreen and in that moment I truly felt completely and totally in awe, realizing then and there that I was part of the way through watching a masterpiece.
After a hostage negotiation goes terribly wrong in the
opening moments of the first episode (one of the few
scenes where violence comes into play), Ford, a green agent obsessed with the connection between psychology and the increasing occurrences of violence in the country, pushes the FBI toward softening its typical understanding of serial killers.
But there's not a lot of suspense about
where the movie might go, even for the uninitiated, because the out - of - order
opening scene blatantly establishes that Wimbledon will come down to these two contenders (lest one fear they have to pay any attention to any of the matches leading up to the finals).
Speaking of Bisset, many filmgoers will remember The Deep primarily for that lengthy
opening dive sequence and the following
scene where she dries off in a boat with co-star Nick Nolte.
As he explains in a striking
opening scene, the world has in some ways returned to normal after the defeat of the Kaiju monsters, though their enormous skeletons are still a reminder of the fight, one right next to the pool
where Jake is enjoying a life of girls and parties.
I'm not sure, but I think the
opening scene at the bar with checkoff scotch and three glasses
where Kirk and Bones toast to the one in the middle is supposed to be the glass he would drink from.
The poet's played by Emma Bell — In the
opening scenes —
Where Emily embraces doubt — And authenticity.
Or maybe Isabelle's the problem; this is one of those movies
where people talk about sex more than they have it, even if the
opening scene features the heroine in the raw and in bed with a selfish married lover named Vincent (Xavier Beauvois).
The
opening sequence has an impossibly large spacecraft, though not doing the exact same thing that the Millennium Falcon did in its first screen appearance, a
scene in a cantina
where many strata of society and species meet while music fills the air, and a sun (only one) that sets with the same desolate glow on a desert planet that we first saw on Tatooine when Luke Skywalker (Mark Hamill) lived there.
From the
opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam —
where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final
scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.
Eros + Massacre foregrounds the idea that history remains a battlefield
open to the countervailing forces of interpretation with a surreal early
scene depicting a rugby scrimmage
where Osugi's burial urn takes the place of the football.
Following the
opening of his series
where he shot a bad guy from across the Texas / Mexico border, fans began wondering if we would see a similar
scene on the big screen.
MIKE AND DAVE NEED WEDDING DATES Director: Jake Szymanski Starring: Zac Efron, Adam Devine, Anna Kendrick, Aubrey Plaza, Stephen Root, Stephanie Faracy, Sugar Lyn Beard, Marc Maron, Kumail Nanjiani We've all been to that wedding
where there's some obnoxious family member or groomsman that's had one too many drinks at the
open bar and proceeds to make a
scene.
And that's
where Avengers: Infinity War (aka, «Avengers: Mega-Crossover Event»)
opens, with a direct continuation of Thor: Ragnarok's last
scene.
Other mask
scenes: There is a
scene at the
opening of the movie
where Michael Myers kills Nurse Marion Whittington, we are sure that the Halloween 6 mask was used for the part.
In the
opening scene, the bare - chested agent emerges from the icy water
where he's retrieved a cylinder of information from the bottom of a river.
It is soon revealed that unlike the exciting sequences of Tarzan
where true peril was repeatedly threatened, Tarzan II's
opening scene actually just depicts the wild child engaging in a bit of playtime fun with Terk (voiced by Brenda Grate), his savvy, sarcastic gorilla sidekick, and the red elephant Tantor (Harrison Fahn), who accordingly have reverted to juniority.