Sentences with phrase «opening section of the film»

In one eye - opening section of the film, Thorning - Schmidt - who happens to be the former prime minister of Denmark - asks her husband why he is doing the interview before advising him on what to say.

That opening section of the film taps into a rich vein of culture - clash humor that dissipates as the film narrows its focus and becomes a duet, then finally a lonely one - man show.

Not exact matches

In throwing us off so cleanly in its opening section, the film amply demonstrates how the familiar trademarks of westerns are not restricted or confined by geography, any more than the ideas which such films attempt to address.

Unfortunately, their playful camaraderie isn't exploited nearly as much as it could be, because while the movie is incredibly lively in its opening and closing minutes (including one of the most ridiculous action sequences ever filmed), that sense of high - energy fun is absent for most of the middle section, when it starts to take itself too seriously.

Curiously, bar the middling Opening Night Eurasiapudding, A Prayer for Rain (Ravi Kumar), none of the disaster films from this section that I caught were terribly well attended.

The plot - dense film scripted by Gutierrez and Doug Langdale opens with sassy museum tour guide Mary Beth (voice of Christina Applegate) leading a group of unruly students to an off - the - grid section where the magical Book of Life is stored.

Populated by an eager groom (Alexander Skarsgård), eccentric parents (Charlotte Rampling and John Hurt) and arrogant brother - in - law (Kiefer Sutherland) in the first half, before making room for an intimate examination of the family dynamic in the second section, the cleverly compelling film captures attention from the operatic opening to the moving conclusion.

We're very excited to announce that, starting from the beginning of June, we're reopening the Short Films Showcase section of our website to open our doors for aspiring filmmakers to submit their short films for review and analysis.

«Rampage» feels like a cross section of different films, it opens like a sequence out of «Gravity», briefly looks like Johnson's 2017 winter hit «Jumanji», lots of «Jurassic Park Lost World» and «King Kong» moments thrown in there with a splash of «San Andreas», since we see three planes crash during the two - hour film.

«To offer independent films an opportunity to be perceived on a grand scale, we are, in the case of US - American director Miranda July, opening up the Competition for an extraordinary German - American co-production that will run out of competition in the Premieres section at Sundance.

There's a surface level opacity to many of PTA's films, whether it's the extended dialogue - free opening of There Will Be Blood or the narrative diffusion of Inherent Vice or the nigh incomprehension of some sections of Magnolia.

The film opens on a note of creation — as evidenced by the name of the score's opening track — with a liquid black pupil slowly penetrating a pearly white sclera, accented by the nervous swirls of a string section.

The films opens with the bear running at the camera before we cut to a man jolting awake; we see the fiery ursine figure again later from above, running through the forest, before cutting to a line of firefighters moving through a burnt - out section of woods.

The opening section alone evokes this seeming contradiction: Hu's constant camera motions, cutting judiciously to closer and closer views of the central fort, tease out so much of the haunted textures that define roughly two - thirds of the film, but crucially never come close to spelling out the layout of the structure.

No, not Fiennes» — that of Rosemary Harris, who plays Sonnenschein / Sors (the name that the family comes to adopt) matriarch Valerie in the film's second and third sections (Harris's real - life daughter, Jennifer Ehle, portrays Valerie in the opening section).

The film opens quickly — Bruce Willis and Mary - Louise Parker going shopping seems to be very fast, but turns out to be one of the slowest sections of the movie — and never stops.

The last third of the film takes place «a few years» after this opening section, per a later intertitle.

Both open with abortive space - docking action set - pieces, both involve brief explorative sections aboard the alien Derelict cruiser, and both tread the same hallowed ground of their source films with reverence that is sometimes so close to the films that it can be like playing someone's fan - fiction, in which they insert themselves into the story of the game as a way to replay the movie with themselves in the lead.

The parallel Un Certain Regard section also opened, and the Kenyan film «Rafiki» from director Wanuri Kahiu was one of the first films screened.

Framed by the conceit that Cinderella's vermin - pals want to write a storybook about their favourite human, Cinderella II opens with a strange section aping Rebecca, continues with a strange section aping It's A Wonderful Life, and concludes with a misguided apologia of the original film's Disney - patented subtext of «beauty makes right.»

Juggling upcoming roles and sweetly new to the world of press junkets and promotion, we spoke briefly with Garner at the Berlin Film Festival where the film played to a very warm reception on the opening night of the Generation Section.

(1) In my section of that book I say that film studies has opened up a huge gap between film criticism and academic, theoretical writing on film.

The motion picture based on the first book is opening on Valentines Day and this is leading bookstores to capitalize on the film by once again devoting a large section of real estate to promote the book.

Tags: adventures of sonic the hedgehog, anime, artwork & posters, canvas bag, cartoon, david cronenberg, dvd, existenz, film, home video, merchandise, miscellaneous, models & figurines, posters, satam, sonic the hedgehog: the movie, sonic underground, statue Posted in Merchandise Comments Off on Merchandise: New Additions and the Opening of the Home Video Section

Already featured this year in the Sharjah Biennial and the Armory Show's «Focus: MENAM» section, Dawood recently completed a residency at ICA London's buzzy fig - 2, opened a new show at the Honolulu Museum of Art, and will make an appearance at MoMA on April 20th with the screening of his 2013 film Piercing Brightness, which brings together UFO - sighting footage with the psychedelic colors of a Kenneth Anger.