Sentences with phrase «opening sequence featuring»
As you begin Giana Sisters: Twisted Dreams, you are treated to a trippy opening sequence featuring to cute little girls.
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Another welcome addition is the alternate opening sequence featuring a different musical score cue.
The opening sequence featuring outlaws Purvis (David Arquette) and Buddy (horror vet Sid Haig doing his best Slim Pickins imitation) sets the stage for the brutal violence to come in the third act, as well as the film's crackling dialogue that's clearly influenced by The Coen Brothers, Quentin Tarantino, and Elmore Leonard.
Its opening sequence featuring the cunning Nightcrawler as he infiltrates the White House was talked about then and it's still relished today.
Three separate opening sequences feature a roster of female talent — including Anna Paquin, Kristen Bell, Shenae Grimes, and Britt Robertson — tear apart the idea of over saturation of horror, the shallowness of torture porn, and even the idea of the classic «dumb blonde» who always runs up the stairs instead of out of the door.
The opening sequence features two familiar comedic veterans, who dive right into the madness.
The opening sequence features contrived footage of T4 with the real presenters introducing Kim, as a champion skateboarder.
The movie's opening sequence features her at work as captain of the vessel — outrunning pirates, devising a tricky maneuver through shallow water, and, when the men of her crew can't get the job done, otherwise taking matters into her own hands.
Not exact matches
L.A.'s traffic woes are so famous that the opening sequence of the Oscar - winning movie La La Land features frustrated commuters dancing on their parked cars.
The opening sequence of Stanley Kubrick's Space Odyssey 2001 presents a vision of the Fall of Man that features an ancestral form that clearly predates modern man.
The first extra on this disc to utilize the multi-angle feature is the Exploration of the Opening Title Sequence.
Despite its intelligence and a great, funny concept for a movie, this «Picnic» never gets past the appetizers; pic lacks the development needed for a full - length feature and, following a hilarious opening sequence, it becomes tiresomely one - note.
The opening sequences of Lucy feature lots of arty montages that show us natural predators devouring their natural prey.
Final Destination 2 featured a brilliant opening sequence, then turned its attention into an admittedly bloodier but infinitely stupider collection of deaths, and had very little else to offer.
with an in - his - prime George Lazenby, a beautiful Venice setting, and an incredible opening credit sequence with an eerie Morricone soundtrack featuring a children's choir.
Such irreverent opening sequence marks his debut feature; which would go on to become a book - to - follow in independent filmmaking.
Not to mention that the end of the opening credit sequence features a crudely sketched bunny with a hard - on ejaculating all over the director's name.
Sion Sono's fantasy horror TAG features one of the most arresting opening sequences in movie history.
The film features a wonderful opening sequence that defines the lead character and his world with effortless grace, and then follows that bravura entr Rating: Hoopla Factor: Continue reading Drive →
After an opening credit sequence featuring a pumpkin being carved — an act the filmmakers seemed to think we would find scary — and after a few minutes of clips from «Halloween 4,» we are brought to the present day: Halloween Eve 1989.
Clearly he has musical tastes that aren't driven by any sort of studio trying to push a pop song, so it came as no surprise when the opening credit sequence of The Sacrament featured «Heartbeats», a ten year old Swedish synth pop song.
Norton of course appeared in Everyone Say I Love You (doing a little bit of a Woody Allen impersonation) and the sketch was part of the opening sequence and also featured Alec Baldwin (Alice, To Rome With Love, Blue Jasmine).
It opens up nicely for needle drops and the occasional bit of atmosphere (for instance, a helicopter features at the beginning in a sequence later revisited).
Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»
After an evocative opening credit sequence featuring warm, grainy 8 mm footage of old buildings in New York City that harkens back to the»70s «director's era», Fading Gigolo locks its gaze on
Between what I've played previously and after today's launch, it's a lovely little action RPG, packed with features one generally doesn't expect in a free mobile game, like combat pets that level alongside your character, or different opening sequences for each different Lightseeker race.
Despite its»80s high school allusions, Central Intelligence frolics happily in the nostalgia of the 1990s, reminiscing about Budweiser's «Wassup» adverts and featuring a soundtrack that opens with En Vogue's «My Lovin» and plays Blur's «Song 2» along to a vigorous action sequence which sees the pair crash out of a skyscraper in a mail cart.
There's references to previous films (including an opening title sequence featuring «the ooze» and a narration summing up the earlier episodes).
The film may suffer from a case of over-marketing, But if expectations can be left at the door, it remains a confident, assured feature debut from Trachtenberg (the opening credit sequence is especially impressive), and a taut, engaging thriller.
Each Pink Panther film has an elaborate, animated opening - credits sequence, steered by luminaries like Friz Freling or Richard Williams, usually featuring a non-speaking panther capering mischievously to the catchy strains of...
«Special Effects» (1:38) features associate technical director Oren Jacob in an illustrated discussion of some of the special effects employed in the movie's opening sequence.
The film features a stunning opening scene that contains all the cinematic beauty of the title sequence from Watchmen, but without the intellectual spin the alternate history vibe afforded that superhero opus.
THE CRESCENT Featuring the best opening credit sequence of the year, and the most risque playing with audience tolerance, The Crescent is nonetheless a triumph in hallucinogenic nightmares in the vein of bonafide classics such as The Shining, Carnival of Souls and The Babadook.
Bonus features include a commentary track with director Julie Anne Robinson and co-producer Jennifer Gibgot, a behind - the - scenes set tour with young co-star Bobby Coleman, an alternate opening sequence, deleted scenes and not only the music video for «When I Look At You» by Miley Cyrus, but a making - of featurette for the video.
The opening sequence also features a bit more promiscuity during the celebrations, though no nudity.
This time round his alter - ego Wade Wilson finds himself on the cusp of parenthood, only to have the chance tragically wrenched away during the film's unexpected opening scenes (a surprise neatly reflected in the James Bond - style titles sequence featuring credits such as: «Written By: the real villains of this film» and «Starring: someone who clearly doesn't like sharing the limelight»).
She first really earned notice thanks to her performance in Gerardo Naranjo's 2011 film Miss Bala, but she has since been in a Bond movie (featured in the opening sequence of Spectre) and more recently has been playing Valeria Velez on the Netflix series Narcos.
Filmmaker Francis Lawrence, in attempting to expand Suzanne Collins» novel into two features, employs an aggressively lethargic pace that's compounded by a tedious, uneventful opening hour, with the movie's first half comprised almost entirely of sequences in which characters plot their next move.
Even with two - time Academy Award - winner Christoph Waltz as the central baddie, even with an opening sequence set during the Day of the Dead featuring an absolutely flabbergasting tracking shot helmed by cinematographer Hoyte Van Hoytema (The Fighter), it's astonishing how little of interest actually takes place.
A number of bonus features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary» music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the filming of four sequences), a gallery of Alex Ross» paintings of scenes from the original film used in the opening credits, a trailer for and making - of featurette on Activision's Spider - Man 2 video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).
Features deleted and extended scenes, an alternative opening sequence with an alternate narrator, outtakes, ten minutes of cast interviews and a behind - the - scenes tour.
That opening sequence that begins with the callback to Sherlock Jr. features not just a car and motorcycle chase through Times Square but also a massive set - piece in which cars are flung around inside a spacious warehouse like two - ton hockey pucks, disabling other mechanical targets and sending human ones airborne like rag dolls.
An opening dance sequence set in a Cleaver American Fifties features more stunt people, professional dancers, and trampolines than Cirque du Soleil, its artificiality setting the tone for the rest of the film, while the scene's conclusion (with the picture's hero trapping the celebrants in a giant dance hall, dooming them to death should a fire break out) serves as a pretty succinct summary of the film's feckless themes and carelessness.
A post credits sequence features (spoilers) the eyes of the character's decapitated head popping open, leaving room for the upcoming standalone semi-reboot.
«It's one of Nolan's best films to date, thanks to Hans Zimmer's tight and tense score, as well as a cast that features famous faces — Tom Hardy, Mark Rylance, Cillian Murphy — and some new, such as the brilliant Ffion Whitehead, who leads much of the film's first opening sequences.»
The movie starts off a drag with a no - joke gag about the brothers setting up a dating website profile (which also clumsily serves to tell us their back story) and an opening credit sequence that features the starring duo giving cheesy smiles to the camera.
With two incredibly unlikable lead characters (the worse being Darry, thanks to Long's feature - length impersonation of Freddie Prinze Jr.'s mouth - agape stare), one is left to hope for at least some decent scares, but outside of the opening sequence, there aren't any.
Unlike previous Sonic games where 3D animation was used, the entire opening sequence was done using traditional animation; similar to those Saturday morning cartoons featuring the blue hedgehog.
If you want to compare and contrast, go check out the «Art Of The Title «article on our opening sequence, featuring in - depth interviews with me, my graphic wizard of a brother Oscar, VFX supervisor Frazer Churchill and animation geniuses Shynola about how we achieved the effects in our movie.
It also features a clip of the video I did for «Summer «by Charlotte Hatherley that was one of the inspirations for the Sex Bob Omb opening sequence.