Sentences with phrase «opening sequence which»

Rather than attempting to ram a bunch of exposition down our throats about the changes to both Berk and the characters are introduced organically into this new paradigm through a fun opening sequence which nicely holds off on revealing Hiccup's surprisingly handsome face.

The opening sequence which introduces us to Kinnear's character of Frank Herlihy was way too drawn out and could have been tightened up considerably and the same with the major introduction scene to his widow, Gwen.

These are during the film's opening sequence which is filmed in Black & White.

Not the stupid unremarkable opening sequence which wasn't even memorable.

The film shows great promise in a bravura opening sequence which starts with quick overhead flashes of New York City.

Not exact matches

Dasein «has a past» not by being located at the expanding edge of a field of «facts» with which it entertains «relations» (prehensions), which makes the past external and the present related to it in a time - like way (i.e., as «coming after» it, in sequence with it), but by itself ecstatically opening the very «having - been - ness» (Gewesenheit.

Becoming as self - transcendence in virtue of absolute Being, therefore, does not exclude but includes the question of the more precise sequence of stages of the becoming which opens out limitlessly.

This sequence bookends a powerful opening, in which Berry muses about the flawed «objective» of modern life, with words written after a Sabbath walk some twenty years ago.

The podders also recount the amazing sequence that led to Diego Costa's opening goal (captured in tweet form by ESPNFC's Dermot Corrigan), marvel at Antoine Griezmann's hat trick, express mild disappointment at Sevilla's two late goals (one of which was nicely taken) and how Diego Simeone entered full troll mode.

It is a beautiful piece of verse, cunningly placed during an action sequence, which is to the British secret service what the Olympic Opening Ceremony was to British self - identity.

The Senate President, Bukola Saraki, while declaring open a public hearing on the bill seeking to establish the National Electoral Offences Commission on Monday, made reference to the controversy generated by the recent amendment to Section 25 of the Electoral Act, which seeks to re-order the sequence of polls during the general elections.

Last year, I moved to the Berkeley Drosophila Genome Project to work on Sequence Ontology (SO), which is part of the Open Biological Ontologies (OBO) project (see box).

Furthermore, besides offering valuable insight into the function of this novel RNA type, the researchers also believe that the findings will open new avenues for novel treatments in which cell - specific enhancer sequences can be targeted to alter gene expression.

That ability opens the door for sequencing many more genomes at an even faster pace, which is necessary if scientists are going to get better at learning to predict or perhaps even change an animal's characteristics based on their DNA alone.

Hovanessian says that this sequence is like the key which opens the CD26 door.

The mosquito's 260 million DNA base pair sequence — together with the human genome and the malaria parasite Plasmodium falciparum now nearing completion — should open up new strategies for controlling the deadly disease, which kills some 1.5 million people each year, mostly African children.

The following is a subtle and simple relaxing sequence, which encourages openings in our centers of emotion.

This intelligently sequenced class opens up these areas of tightness which will help runners improve recovery time and avoid injury.

The embroidery in zari and sequence work around the borders of its necklines, front open, Daman and armholes is the sheer delight which is amplifying the outlook of the dress up to many folds.

This has been one of my greatest fears ever since I saw the movie The Wicker Man which only grew when this concept was encapsulated by the opening sequence of Resident Evil 4.

DVD Extras Disc 2 holds the goodies, which include an extra butcher's at the opening sequence, deleted and extended scenes, an alternate ending, production designs, stills, notebooks, promo material, and filmographies.

But new boy Christopher McQuarrie more than makes up for that with gasp - inducing action sequences that will have you holding your breath in sympathy with those getting pummeled: the opening sequence, in which Tom Cruise's IMF agent Ethan Hunt jumps onto the wing of an taxiing cargo plane and clings to its side as the enormous thing takes off beautifully ups the ante on Protocol's hanging - off - the - side - of - a-skyscraper stunt.

The opening sequences of The Hobbit frame the backstory to the dwarven quest into which young hobbit, Bilbo Baggins (Martin Freeman) is drafted — the fall of the dwarven city of Erabor to the dragon Smaug — and framing device of the new trilogy: the older Bilbo (Ian Holm) deciding to write the memoir of his big adventure.

The opening is the first of many sequences in «Under the Skin» that feel more figurative than «real» — moments in which we suspect we're seeing the poetic representation of a thing, not necessarily the thing itself.

There are the usual extended takes and deleted scenes (including some alternate endings, one of which is only in storyboard form), an exploration of the opening title sequence, the trailer, and several demonstrations of the visual and audio mastering that went into this edition.

Cooper hits the gas quickly with an opening sequence in which a band of rabid Comanche raiders descend upon a seemingly peaceful family of white settlers.

From the tense opening sequence of a bombing against Turks living in Germany, In the Fade (Aus dem Nichts) stands out from the work of the German - born director of Turkish origin for the anger and grief it brings to the story, which leave the audience shaken.

The follow - up to 2016's surprise superhero smash is even more overtly «edgy,» concluding its opening sequence with a shot in which its nigh - indestructible hero is blown to bits, his severed head and limbs turning graceful slow - motion spirals as they ride a fireball toward the camera.

The illusion is most complete during the beautiful opening sequence, which captures the vitality and rare sense of adventure that rushes through Miyazaki classics like «The Castle in the Sky.»

I mean, after seeing The Faculty last weekend, which Harry praised as being SO COOL... I mean, what I was looking for at the beginning of The Faculty was a really cool opening sequence.

The legacy of the airline's involvement can be seen in the opening sequence, which lists the title and key cast members in ten languages.

The pre-title sequence, which carries a slightly Hawksian vibe (in particular the near - silent opening of Air Force), leads metro police to a discovery that will anchor all subsequent events: Anne's decaying cadaver, lying in state, head surrounded by flower petals.

Gladys Knight sings «I've Got to Use My Imagination» over the opening sequence, in which we cut from the light in a theatrical projection room to a shot of the sun shining through Linda's car window.

Easy to pinpoint is its peculiar title and its attendant implications in sexual political discourse as well as its opening sequence, which makes the creepy decision to juxtapose a children's play with a group therapy session at a YWCA wherein an inner city pre-teen muses losing her virginity to her boyfriend.

Such irreverent opening sequence marks his debut feature; which would go on to become a book - to - follow in independent filmmaking.

I would actually rate this above THE KILLERS, which I think starts out as a flat - out masterpiece but loses steam when it moves beyond the opening, loyal - to - Hemingway sequence to the extrapolation that follows.

The action here is over the top, which sets a tone that the film is going to be a violent cartoon, but it never tops the insane sense you get from this opening action sequence.

As for «Short Circuit, «the film quickly disappoints after a cute opening sequence in which we see the army present a new breed of mechanical soldier able to dish out laser shots and withstand any firepower.

Simmons is an internationally known artist with work in the Guggenheim, the Museum of Modern Art, and the Whitney, which is the setting of an opening credit sequence that shows Ellie wandering through an exhibit of others» work.

Moonraker, the worst film in the series, opened with a spectacular skydiving sequence that will probably never be bettered; GoldenEye's opening, in which Bond sailed after, and caught, a pilotless plane, was at least a worthy contender.

The film opens with a patently ridiculous sequence in which Ford, having bedded his client's daughter Nola (Australian supermodel Jessica Gomes), escapes her family thugs by fleeing naked into the night on a skateboard.

The most epic sequence is the opening baby delivery, which feels no bigger than a short film.

From the opening sequence — a clogged freeway overpass filled with singers and dancers lamenting a traffic jam — where Sebastian and Emma's first (very) brief encounter is entirely negative; to the final scenes (in which our expectations are heightened and then thwarted), this is a unique film experience.

But it's not nearly as out there or impactful as Diesel's other 2017 action - adventure, «XXX: Return of Xander Cage,» which also boasted an action sequence opening in an exotic location that has Diesel's hero save the day, then being roundly cheered by the locals.

However, plenty of scenes still mark Age of Ultron out as one of Marvel's superior efforts, including a kinetic chase sequence set in South Korea and the electrifying opening scene which reminds audiences exactly why we love seeing all of our favorite Marvel heroes fight together in one place.

The necklace style is first seen being worn by Killmonger's father, N'Jobu (Sterling K. Brown) in the movie's opening sequence in Oakland, CA, which is set in 1992, thus also coinciding with Tupac's fame at the time.

Episodes are appropriately divided into four chapter stops coinciding with act breaks, which allows a quick skip of the opening title sequence if so desired.

The opening sequence, in which a family is evicted from their home, is not just relatable but so intensely real that it made me cringe with discomfort.

Aesthetics still matter, which is obvious from the opening sequence: a purely cinematic attempt to dramatize a cyber-attack, starting from the macro and then plunging down to the most microscopic level.

The film's strength lies in its engaging visuals, namely the impressive opening sequence and the clever editing during certain fight scenes which lends them a greater feel of urgency and excitement.