Sentences with phrase «opening shot shows»

A 13 - minute opening shot shows his abilities to capture the essence of the now, the feelings that life offers.

The opening shot shows three prisoners escaping from a chain gang.

Not exact matches

NEW ORLEANS — Louisiana - made films are being shown alongside the work of filmmakers from across the world at the New Orleans Film Festival, which opened Thursday night with a red - carpet showing of the Louisiana - shot thriller «The Paperboy.»

One of the leaders of this Brazilian team, former Chelsea centre back David Luiz showed his cool with a wonderful opening penalty in the shoot - out against Chile.

Opened the scoring with a well - taken goal — although his shot was deflected, he showed excellent composure to control a loose ball and get a decent strike on target.

... I think the research is showing it's the shot teams leave open the most, rather than saying it's the most efficient shot.

The two have run away from the rest of the field on the leaderboard, starting the day with a five - shot lead and then extending it with one of the more incredible opening nine shows that we've seen.

Xhaka, who I like, or at least I like the Xhaka who plays for the Swiss national squad, has shown to be in way over his head in the premiership... of course he showed late in the year that he can stretch the field with the long ball but our squad isn't really set - up for that style of play... most of his long passes are in the air not on the ground and our squad without Giroud, which should have been sold the minute the transfer window officially opened, is one of the smallest in England... we need someone who can pick out the runs of our forwards in the lanes and who is fast enough to come forward into space without conceding his defensive responsibilities... we rarely see him shoot or even be in a position on the field to do so, we rarely, if ever, see him used for set pieces and it appears that the only person at the club who has ever coached him up when it comes to tackling is Coq, which explains his atrocious disciplinary record... maybe it's me but didn't you see him coming in and contributing more from an offensive perspective, with his killer left foot, than a deep - lying midfielder... if that wasn't the case we are the stupidest team alive for taking him over Kante

Already Arsenal had had 5 shots on goal and Forest had had 7, showing how open and attacking the game was on the pitch.

The game was definitely starting to open up and the Ox showed a great turn of pace to gallop down the left wing before cutting inside and pulling his shot wide of the near post.

Bayern with most of the ball in the opening minutes but only a shot going wide to show for it in the first 5 minutes.

Reaction: De Bruyne is my Man City blueprint — Guardiola (Premier League) Report: De Bruyne makes it sweet 16 for awesome Man City (Premier League) Report: Otamendi wins derby to fire Man City 11 points clear (Premier League) Reaction: Klopp calls for Liverpool focus after Euro spree (Champions League) Report: «Fab Four» fire seven - goal Liverpool into last 16 (Champions League) Reaction: Mourinho pledges only «the truth» on injuries (Champions League) Report: Lukaku and Rashford send Man United into last 16 (Champions League) Reaction: Mourinho wants new shooting boots for Lukaku (Premier League) Report: Old boy Young downs Watford to lift Man United (Premier League) Reaction: Klopp looks on bright side after Chelsea draw (Premier League) Report: Willian denies Liverpool morale - boosting win (Premier League) Reaction: Guardiola targets Champions League milestone (Champions League) Report: Sterling strikes late to earn Man City top spot (Champions League) Report: Young England stifle Neymar's Brazil (friendly) Reaction: Loftus - Cheek showed he can cut it — Southgate (friendly) Report: New boys impress as England hold Germany (friendly) Reaction: Mourinho defends lack of Lukaku charity (Champions League) Report: Hapless Svilar helps Man Utd to brink of last 16 (Champions League) Reaction: «Stand up and be counted», Klopp tells Liverpool (Premier League) Report: Spurs» Kane rips sorry Liverpool to shreds (Premier League) Reaction: Guardiola proud to beat «best opponents» Napoli (Champions League) Report: Jesus earns Man City narrow win over Napoli (Champions League) Reaction: Mourinho and Klopp at odds over Anfield stalemate (Premier League) Report: Man Utd held at Liverpool as Mourinho parks the bus (Premier League) Report: McClean breaks Welsh hearts as Ireland reach play - offs (2018 World Cup) Reaction: Southgate admits England have long way to go (2018 World Cup) Report: Kane sends lacklustre England to World Cup (2018 World Cup) Reaction: Man City's show of force thrills Guardiola (Champions League) Report: Chelsea old boy De Bruyne gives Man City crucial win (Champions League) Reaction: «Amazing» Lukaku won't lose focus — Mourinho (Champions League) Report: Lukaku and Martial lead Man United in CSKA rout (Champions League) Reaction: Klopp says Liverpool on track despite stalemate (Champions League) Report: Coutinho scores as Liverpool held in Moscow (Champions League) Reaction: Man United part of «second level», says Mourinho (Champions League) Report: Fix - it Fellaini gets Man United off the mark (Champions League) Reaction: De Bruyne masterclass leaves Guardiola purring (Premier League) Report: Mané sent off as five - star Man City crush Liverpool (Premier League) Reaction: Alli gesture takes shine off England win (2018 World Cup) Report: Rashford redemption sends England closer to Russia (2018 World Cup) Reaction: Klopp hopes Euro progress yields transfer lift (Champions League) Report: Can brace gets Liverpool back into big time (Champions League) Report: Sterling rescue act spares 10 - man Man City (Premier League) Reaction: Conte happy for Chelsea to play the hunters (Premier League) Report: Alonso ruins Spurs» Wembley house - warming (Premier League) Report: Lukaku double fires Man United to winning start (Premier League) Reaction: Wenger lauds Giroud after Arsenal edge Leicester (Premier League) Report: Giroud earns Arsenal madcap opening win (Premier League) Reaction: Wenger fearful of another slow Arsenal start (Community Shield) Report: Courtois and Morata gift Arsenal victory at Wembley (Community Shield)

By Ian Dunt Follow @IanDunt The opening shot of The Iron Lady shows Margaret Thatcher's hand taking a carton of milk from a fridge, an allusion to her reputation as the prime minister so mean she tried to end free milk for school children.

I didn't like how the cardigan looked completely open, but I like how Anthropologie's product shot shows it with the top button buttoned.

► At night at an airport, a man is shot in the head by a long - range sniper: a close - up shows him lying on his side, eyes open, and a pool of blood under his head.

The opening shots of Game Night show the future couple meeting competitive at a pub trivia night; as their teams go head - to - head, they're drawn to each other by their mutual drive toward victory, even in arenas where it's not especially important.

The opening home - video tracking shot sequence, showing Nuri and Katja's civil wedding in a prison, has a certain style.

Silent Hill 2 Team Opens Rotten Core in France As Konami nears the end of development for horror sensation Silent Hill 2, the Japanese dev crew shows all in Paris: new shots and interview.

The opening shots of «Ghost World» drop you right into the pages of a Dan Clowes comic book and more importantly shows the juxtaposition between Enid and her surroundings.

Opening and closing outside downtown L.A.'s Disney Hall, it's directed by Lee Toland Krieger, who says at the Q & A that they also meant to create a love letter to the often - photographed Los Angeles, not by employing the standard shots but rather some of its neighborhoods, and in fact they do a sweet job showing the day - to - day lives of people who live and love here.

Anderson can't help but turn the open - air, urban setting into yet another deathtrap tunnel system, and CGI aerial shots dot Pompeii's opening stretch, showing the complex grid of roads, narrow streets, and aqueducts which make up a Roman city — and through which, of course, the characters will eventually have to escape.

Even the opening shot — a close - up of Willard's face shown upside down — seems a direct steal of the opening shots from two Welles films, Othello and The Trial.

In terms of mise en scene, we get a show - offy opening shot and some equally show - offy extreme close - ups near the end but, contrary to what we've been hearing, no particular signs of development or renewal in Altman's camera style.

The show excels at sharing the same emotional perspective as its leads, something that's evident from director Mike (Broadchurch) Barker's gorgeous establishing shots flying over the countryside at the start — revelling in the freedom of the open air after the interiors of France and, in particular, Episode 7's trauma.

The opening shot, showing Alexander and his son planting a tree followed by a long philosophical discussion deliberately and intelligently clashes with the more frantic, more meaningless closing shot.

The opening shots, reminiscent of the previous film, show a face engulfed by flash bulbs.

The menu shows clips in a narrow opening left by the repositioned, resized version of the cover art's actor shots while a portion of the opening rap «Life in the City» and police sirens are looped.

After something terrible happens, Refn shows Gigi and Sarah in a shower together, shooting it like a softcore music video, and it's as horrible as the image of Jesse cut open on a couch that opens the film.

They just showed the shot for shot opening of Lion King, The Circle of Life, in live - action.

For all the shooting up, snorting, and pill popping that occurs in the film, rarely are the acts ever graphically shown; Aronofsky instead employs the same quick - cut montages of heroin being cooked, straws taking in lines of coke, pill bottles being opened, and pupils dilating.

The AMC series has shown few flashbacks to the days after the outbreak, except to see how Lori (Sarah Wayne Callies), Shane (Jon Bernthal) and Carl (Chandler Riggs) fled their hometown in hopes of finding refuge in Atlanta, while being forced to leave Rick (Andrew Lincoln) behind at the hospital after he was shot in the opening moments of the series.

In the opening scene of Kelly Fremon Craig's debut feature The Edge of Seventeen, there's a shot that shows Nadine Franklin (Hailee Steinfeld) walking urgently through the halls of her high school to interrupt her favorite teacher's lunch to tell him she intends to commit suicide.

by Angelo Muredda Before Midnight opens with a bit of misdirection, a tracking shot of two pairs of shoes ambling towards the camera that we instinctively ascribe to Jesse (Ethan Hawke) and Celine (Julie Delpy) before the second pair is shown to belong instead to Jesse's teenaged son Hank (Seamus Davey - Fitzpatrick), about to board a flight back to the States.

In this two - part episode, the artists show how the carefully engineered track builds and maintains tension for the entire running time of the movie, with music playing almost continuously from the opening shot of soldiers walking down the street to the moment Finn falls asleep on the train.

Do you know that the opening scene, which is supposed to happen on the Northern California Coast, was in fact shot in Cannon Beach and shows the famous Haystack Rock, as well as Ecola Park!

Start the party with a delicious Jelly Shot and admire a live show with professional dancers while enjoying the selected domestic drinks from the Open Bar.

Creating a journal entry is as easy as opening Miiverse while playing a compatible game, and each entry will include a screen shot that shows exactly what was happening in the game when the player pressed the HOME button.

You play as Troubled McKillEveryone, you open a door to a room, enemies show up from the opposite side of the room, you duck down and shoot dumb AI ducking out of cover, with the occasional throw - away - all - cover - and - charge you Shotgun Specialist.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Of course playing a horror game on a show floor in a small section is probably the worst way to experience something such as this so I am keeping an open mind but at this point in time, I think I like my Resident Evil games with more shooting zombies and less annoying old grannies.

These Rage 2 screenshots show some of the open - world we'll get to explore in - game as well as some of the features including shooting and driving.

OPENING RECEPTION Friday April 4th 7 pm to 10 pm OPEN SHOW ARTIST TALK Wednesday April 16th 7 pm to 9 pm EXHIBIT FEATURED 04.04.14 through 05.12.14 ONE SHOT: ONE WORLD features the work of artists: Clayton Campbell, Mike Saijo, Mei Xian Qiu, Phil Tarley, Ben von Mahler and Jeff Frost (Projects Room).

Niki de Saint Phalle — An Architect's Dream October 8 at 4:00 The first U.S. solo show by nouveau réaliste artist Niki de Saint Phalle (1930 - 2002) opened at the Dwan Gallery L.A. at the beginning of 1964 and featured many of her Tirs or «shooting pictures» including King Kong.

For «shot him in the face», his 2017 show at KW Institute for Contemporary Art in Berlin, which later toured to Baltic Centre for Contemporary Art in Gateshead, Pendleton installed a vinyl wallpaper bearing the provocative opening line from Ron Silliman's 1981 poem «Albany», enlarged in black block letters: «If the function of writing is to «express the world».»

This may be right historically, but the exclusion of Hedda Sterne, the only woman to appear in the photograph of «the irascibles», a group portrait shot for Time - Life in 1951, and whose works were a wonderful surprise in the opening show of the new Whitney Museum last year, feels perverse.

During the panel discussion at the show's opening, Rothschild cannily revisited a photo shoot for a lifestyle magazine in September 1957, when Wilson and Freilicher were 32.

This Saturday, March 15, our friends at White Walls / ShootingGallery will be opening and celebrating «An Even Eleven,» a group show that honors 11 years of the Shooting Gallery.

Opening: Wallace Berman, Jeff Davis, Matthew Langan Peck, and Sophie Stone at Shoot the Lobster Shoot the Lobster, the beloved little Martos Gallery offshoot on Eldridge Street, is going with a group show this month, and it looks fun and slightly off - kilter, like always.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

WEDNESDAY, APRIL 1 Opening: Wallace Berman, Jeff Davis, Matthew Langan Peck, and Sophie Stone at Shoot the Lobster Shoot the Lobster, the beloved little Martos Gallery offshoot on Eldridge Street, is going with a group show this month, and it looks fun and slightly off - kilter, like always.