Seeing a severed hand as one of
the opening shots of a film meant for families probably would have been a difficult conversation to have with children too young to recall 1980's «Empire Strikes Back.»
Yes, they care deeply for one another as Orlando has made plans for a birthday trip to Iguazu Falls, which appear in
the opening shot of the film.
Not exact matches
The
opening scene
of «Spectre,» the latest James Bond
film, centers on a Dia de los Muertos (Day
of the Dead) parade
shot on location in Mexico City.
NEW ORLEANS — Louisiana - made
films are being shown alongside the work
of filmmakers from across the world at the New Orleans Film Festival, which
opened Thursday night with a red - carpet showing
of the Louisiana -
shot thriller «The Paperboy.»
He said the CNY
film hub's location is convenient, because it's near major highways and surrounded by lots
of open space for outdoor
shooting.
This beautifully
shot film opens on the solitary figures
of Ahmed and his grandmother and the heavy sense
of loneliness and grief is relentless throughout.
The aforementioned
opening shots of Snape look more like Impressionist paintings than a scene from a kiddie
film.
Schindler's List is memorable for being mostly a black and white
film bar the
opening and closing
shots, and the dash
of red
of a little Jewish girl's coat.
Casting light on the inherent contradictions between the public claims
of Scientology as an applied philosophy and its actual practices, the
film gives voice to these peoples» stories by inserting them as recurring reference points throughout the
film, from its
opening credits to its closing
shot.
The
film opens with
shots of space, and stars forming circles and ellipses and eclipses.
Forster's manic editing style — at its worst in The Quantum
of Solace (2008)- does turn that
opening street rampage into a blithering mess
of shakycam
shots, reverse - swish - swoop pans and psycho - edits, but the
film soon calms down, and there are several strong performances in the quiet scenes that buffer Lane's ongoing question for answers.
Yates recognizes that Snape's story is the core
of this
film, as well as the broader story, which in part explains why the
opening shots are devoted to him.
Wenders is clearly intrigued by the connection between Francis and his namesake saint,
opening the
film with a gorgeous time - lapse
shot of the Umbrian village
of Asissi, and even recounting the life
of St. Francis in recurring black - and - white vignettes.
The very
opening shot of Garland's
film makes clear that the phenomenon
of Area X is extraterrestrial in origin.
But Footloose version 2.0 can't be taken on its own merits: from the
opening shot of the shuffling sneakers to its retro - licious soundtrack to the
shot - for -
shot recreations, this new
film isn't just a remake, it's a homage.
With The Shining, Kubrick, from the
opening shot, created a sense
of dread and doom that I have never seen in another
film to date.
Director Nimrod Antal
opens the
film with a quick punch in the nose; the audience's first
shot is
of Royce (Adrien Brody) unconscious and dropping like a rock out
of the sky.
The
film opens with a
shot of the corpse
of a young boy, lying face - down on a Mediterranean beach after drowning when a boatload
of Syrian refugees sank.
The
film opens with a
shot of a planet being destroyed and then a look at the Silver Surfer, albeit only identifiable as a comet - like projection zooming through space.
The
film starts promisingly,
opening with a foreboding
shot of a girl wandering through Griffith Park, scored with ominous guitar squalls courtesy
of Black Rebel Motorcycle Club, who composed the
film's score, setting the tone for a
film much weirder and more interesting than the one that follows.
The
film opens with a stunning, high - angle
shot of an amateur football match that, had it been screened as a stand - alone short
film, would have been a highlight
of the fest.
As for «Short Circuit, «the
film quickly disappoints after a cute
opening sequence in which we see the army present a new breed
of mechanical soldier able to dish out laser
shots and withstand any firepower.
It also has some footage you haven't seen before, a digitally - altered version
of a
shot from the
film (above, with extra details added to the painting) and a little bit
of the awesome Can song «Vitamin C» that is used to good effect in the
film's
opening.
In what turned out to be one
of the highlights at this year's CinemaCon was the stunning, 10 minute footage from Peter Jackson's new movie, the epic 3D
film adaptation
of Tolkien's The Hobbit (which
opens December 14) that was
shot at a frame rate
of 48 per second achieving an unprecedented combination
of uniformity and brightness.
The
film,
shot in Germany, recently premiered as the
opening - night
film of the Berlin International
Film Festival.
Not only is this
film elegantly
shot, with a gorgeous sense both
of internal textures and wide -
open spaces, but it also features knockout performances from an especially fine cast while exploring serious issues from a...
Speaking to Variety's chief
film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the
film, the nonfiction book he discarded but still credited, the influence
of real criminals and past
films (particularly his eye -
opening time
shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the
film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the
shooting script, and the modernist narrative.
For now, there is no definite conclusion on whether the disc is
open - matte, pan-and-scan, a mix
of the two, or presenting the Academy Ratio the
film may have been
shot for.
- Greenland - With sub-zero
shoots on glaciers and frozen rivers, travel with the filmmakers to Greenland to meet the locals and experience the magnificent landscapes captured for the powerful
opening of the
film (Blu - ray only)
Yet despite this, the world that exists over Max's rainbow is a sumptuous one to behold and the
film is beautifully
shot (in Australia) masterfully capturing both scenes
of vast
open spaces and claustrophobic tight spaces.
The
opening shots imply that the floridly romantic «style» is not necessarily that
of the
film as a whole, but an idea
of the kind
of visual representation a group
of isolated, intelligent, impressionable, hormonal young women might make.
This collection
of production - diary - style footage finds Brian De Palma on the set
of his 2002
film Femme Fatale directing the
shoot, a process that — as seen in these specific clips — includes rehearsals with actors Rebecca Romijn and Antonio Banderas, working through movement / blocking and fight choreography, and the management
of the movie's bravura
opening setpiece that takes place at the 2001 Cannes
Film Festival.
Such
shots are frequently celebrated in
film — think
of Martin Scorsese's use
of tracking
shots over the years, or the self - parodying
opening of Robert Altman's The Player — but critics rarely call attention to them on TV, perhaps because TV is more
of a writers» medium, or perhaps because they're simply not as showy as others, often blending into the background.
The
opening credits
of the
film are displayed while a camera
shoots extreme close - up sweeps around a dead body which is currently being consumed by maggots and other bugs, and this should give you an indication
of how unflinching the rest
of the
film is in the showcasing
of disturbing acts
of violence.
That new perspective is the way the
film looks like an action movie, filled with car chases and fights and
shoot - outs, while behaving in a way more akin to a musical (For further evidence
of the musical's influence, one need only look to the
opening credits, which has the hero dancing around the city, as an assortment
of visual gags highlight certain lyrics).
«Nobody
shot that way,» she said
of Edwards» daring camera, adding that the
film may be the first time that someone died on screen, eyes
open.
Its
opening film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape
of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list
of international auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number
of authentic coups, including the world premiere screening
of Black Mass, the much - hyped gangster
film featuring Johnny Depp as James «Whitey» Bulger, and a first look at Beasts
of No Nation, the African - set war thriller that represents Netflix's most serious
shot yet across Hollywood's bows.
Those
films had a light touch, and so does «Trumbo,» which
opens with a
shot of the Oscar - winning screenwriter working on a script in his favorite location: the bathtub.
Somewhere is a movie that requires patience to watch and surely required patience to make.The
film opens with a two - minute - long static
shot of a sportscar circling a dusty racetrack.
Unlike No Country, with its isolated figures, Burn After Reading takes full stock
of the chaos wrought by human misdeeds, a fact underscored visually by the
film's
opening and closing
shots of satellite images
of the earth.
The
film, itself, is not always up to Patel's level, but it is mostly competently made, with beautiful cinematography courtesy
of Greg Fraser (Zero Dark Thirty), whose
opening shots of a little child playing in a cloud
of butterflies sets a dreamscape tone for the innocence soon to be lost.
Nolan and cinematographer Hoyte van Hoytema («Interstellar»)
shot the
film using 65 mm and IMAX cameras, and while the big scenes
of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the
opening scene, the terrifying majesty
of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»
The very first aerial
shot of the
film suggests this is an
open - matte presentation, as fast - moving helicopter blades find their way into the top
of the frame.
Hawks, who also wrote the original story, tells you exactly what the
film is about in the
opening shots: a spectacular wreck on a dirt track, the animated response
of the spectators leaping up to get a better view, and then the title.
The movie
opens not with a scene from the book or a beauty
shot of Hogwarts but with a moment
of the
film's own invention: Harry hidden under his covers at the Dursleys» house, practicing lumos maximus, his glowing wand illuminating the room.
The
opening sequences
of the
film are the most troubling, where there are very grainy
shots particularly involving the sky.
In the wake
of last night's deadly Las Vegas
shooting,
Open Road
films has canceled the red carpet premiere it had planned tonight for... Read More
My favorite
shot of the
film is the
opening one in the psych ward — long continuous take, no audible dialog, set against disorienting synth music.
Besides, there is much to enjoy — the intense cinematography, for starters, from Ernest Laszlo, also the superb eye
of 1950's «D.O.A.» The
film looks great and there are some unforgettable
shots, from the arresting
opening to the amazing finale.
Not only does the
film open with the real video
of Oscar's
shooting,
shot on a mobile phone by a fellow train passenger, but throughout the
film we see Oscar's text messages pop up on screen.