That said, it delivered a few dynamic scenes — like
an opening war sequence — and gave us a good feel for the different settings.
Not exact matches
A group of insect geneticists, genome researchers, and funding officials has put together a plan to
open a new front in the
war against malaria: the
sequencing of the genome of Anopheles gambiae, the mosquito primarily responsible for spreading the disease in Africa.
The movie's
opening sequence is as graphic as any
war footage I've ever seen.
Not much: The filmmakers — among them Tsotsi director Gavin Hood and 25th Hour writer David Benioff, no joke — relegate the most interesting parts of Logan's early story to an
opening - credits
sequence that dashes from his 1845 childhood to the Civil
War to the Vietnam
War in a span of seconds.
Director Hood (Tsotsi)
opens strong, with a wickedly crafted
opening - credits
sequence that shows young mutant Logan and his more feral half - brother, Victor, aka Sabretooth (Schreiber), emerging from Canada's Northwest Territories, circa 1845, to fight side by side in the Civil
War, both World
Wars, and Vietnam (what, Korea wasn't badass enough?).
Actual depiction of the Civil
War is pretty much limited to a single gory battle scene at the
opening, followed by a corny
sequence where Lincoln chats with some young soldiers.
If
war strategies are mathematical, then Saving Private Ryan «s
opening battle
sequence is the epitome of chaos.
Adapted and Americanized from the 1974 novel by popular British author Frederick Forsyth (The Day of the Jackal, The Odessa File), Dogs casts Walken as Jamie Shannon, one of several mercenaries making a narrow exit from
war - torn Central America in the film's
opening sequence.
And sure enough, what begins as a clarion call settles into a somewhat familiar period costume drama spiced up now and again with racy
sequences nonetheless sobered by the memory of the delirious hedonism of that
opening, wherein we get Dracula's backstory as a hero of a holy
war, repulsing Muslim invaders in Romania, turning to blasphemy when the vengeful Turks fool his wife Elisabeta (Winona Ryder) into believing that her beloved has died on the battlefield, and gleefully chewing artificial scenery with toothy relish.
For someone who'd only read about military conquest in history textbooks, Steven Spielberg's World
War II painted the missing horrors and chaos of war with his opening D - Day sequence on the beaches of Norman
War II painted the missing horrors and chaos of
war with his opening D - Day sequence on the beaches of Norman
war with his
opening D - Day
sequence on the beaches of Normandy.
Declaration of
War announces itself in a nifty
opening sequence as Juliette meets Romeo at a party and they set off on their romance with an impressively edited tracking shot through the streets of Paris.
The outstanding
opening sequence as mano a mano, he slugs his way through the clawing pale
War Boys, leads to failure.
In a murderous
opening sequence, their camp is ambushed by an Arikara
war party.
It
opens with a speeder chase through a dingy tunnel, segues to a
sequence set on a twilit smoky battlefield, and the big moment when the Millennium Falcon is first revealed (as the «Star
Wars» theme swells majestically in the background) takes place in an inky cave.
The
opening sequences of George Clooney's Suburbicon unfold in front of us like an animated book straight from a Cold
War infomercial.
Johnson recently shared a photo of Star
Wars: The Last Jedi «s
opening sequence.
Following yesterday's reveal of the official title for Star
Wars: Episode VIII, director Rian Johnson has shared a photo of the forthcoming film's
opening sequence.
From a pulse - pounding
opening sequence to a terrific climax, «The Last Jedi» is everything you would want from a «Start
Wars» movie, and then some.
Certainly the oft - parodied
opening ballet / skirmish between the
warring Puerto Rican - American Sharks and the Anglo Jets, filmed on real New York streets and schoolyards, is one of the most exciting
opening musical
sequences ever made.
What also springs to mind is the classic
opening sequence, in which the game logo is shot, and the player is briefed, whilst a beautiful soundtrack that seems to perfectly capture the essence of the game (and the
war in general) plays in the background.
For a series to go from weighed down by cutscenes, spouting nonsense about nuclear
war and secret Cold War contracts with a few simple stealth sequences to a full blown open world stealth sandbox masterpiece (and on the PC too) was quite the surpri
war and secret Cold
War contracts with a few simple stealth sequences to a full blown open world stealth sandbox masterpiece (and on the PC too) was quite the surpri
War contracts with a few simple stealth
sequences to a full blown
open world stealth sandbox masterpiece (and on the PC too) was quite the surprise.
The
opening sequence plays heavily on Star
Wars, but acts as a welcome gameplay tutorial to help more inexperienced players learn the ropes.
Here is a sweet cinematic
opening sequence for Epic Games Gears of
War 3, called «We're All Stranded».