Not exact matches
Far from being an
act of rebellion or an
open attempt outwardly to overthrow abused power, it was a quiet, constrained, symbolic
act that ironically
caught the person of highest power
in the midst of a most ordinary human activity.
«You could, by some
act of professional courtesy or by an insightful comment at a seminar,
catch the eye of another person who has knowledge of a job
opening and may,
in a casual way, make your existence known to that search committee.»
We wonder
in the
opening scenes how someone so obviously intelligent as Libby could not initially see her spouse for the weasel he is, but the
catch - 22 is, if Bruce Greenwood had not invested the role with such an oily repulsion from the start, why would we want to see him dead
in act three?
Award of Excellence
in Acting - Elizabeth Banks (The Hunger Games:
Catching Fire,
opening Nov. 22) Photo credit: Stephen Thorburn
Stop me when Lucy Ribchester's debut
catches your attention, because it had me from the
opening scene,
in which trapeze artist Ebony Diamond crashes the Royal Albert Hall
in London with a banner that reads, «Votes for Women» — but whose daring
act is overshadowed
in the newspapers by the sinking of the Titanic.
Unlike controversial nets that
catch turtles, dolphins and sharks that «have nothing to do with shark attacks,» looser, suspended, plastic barriers
act like «car wash» fringe,
in the
open ocean.
Pick pockets are amazingly great (and surprisingly charming and
open when you
catch them
in the
act... sometimes) at what they do.
The first half
opens with Jean - Paul Sartre's classic discussion: Sartre uses the story of a voyeur
caught in the
act to explore objectification and shame through the lens of the gaze.