Art
opens images of the world which have been seen by the eyes of the artists soul... creating a new world to love.
Not exact matches
In honor
of the 100th anniversary
of the Christmas Truce, The
Open University has created a collection
of images from throughout
World War I
of soldiers participating in friendly games
of soccer.
Spectators and athletes from all over the
world watch the
opening ceremony
of the XIIIth Winter Olympic Games in Lake Placid.STAFF AFP / Getty
Images
After posting the
image with the caption, «This is a cupboard that can never be
opened,» the
image of got more than 12,000 likes and more than 600 comments, with people from around the
world talking him through the impossible task
of opening of the cabinet.
It is too long to quote in full here, but one has only to think
of a few
of the powerful and particular
images that situate the joy
of the «swinger
of birches» within the real and fallen
world: the ice like broken glass, the trees bent by weather, the face that «burns and tickles with the cobwebs / Broken across it,» and the eye watering «From a twig's having lashed across it
open.»
In Pope John's frequently remembered
image, the time had come to
open the windows
of the Church and let the winds
of the modern
world blow in.
In his more important argument Altizer says that God's dying to himself so as to become fully one with all men can have a ground in the very life
of the Catholic Church in that the Church is not only not bound to any past
images of herself, but her very goal and mission is to
open up to and be incorporated into the entire
world.
Instead
of beginning with an
image derived from prophetic discourse, that
of another voice behind the prophet's voice, and extending it by analogy to narration, prescriptive saying, wisdom literature, hymnic compositions, and so on, we are delivered from psychologizing interpretations
of revelation to a sensitivity to the sense
of the text, to the
world - reference it
opens up before it.
Indeed,
images of death or nothingness have dominated the modern imagination, and who can doubt that it is the power
of such
images which has
opened our sensibilities to the
world of Buddhism?
After the United States topped Ghana 2 - 1 in their Group G
opening World Cup match, Delta Airlines tweeted out the above
image of the Statue
of Liberty representing the U.S. with the number 2, and a giraffe representing Ghana with the number 1.
One
of the things we have to do is expose girls to positive attributes, different body
images, different kinds
of intellect, different kinds
of styles, different kinds
of careers, and different kinds
of strengths, so that they see the
world is wide
open for them to make choices.
The 5th annual Queens
World Film Festival (QWFF) kicks off at the Museum
of the Moving
Image in Astoria, Queens, on Tuesday, March 17, with a special
opening night tribute to director Leon Ichaso and a sampling
of the many films in competition.
His dream is to create the
world's most complete
open - access neuroanatomy library, featuring high - resolution digital
images of whole human brain slices.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of the
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies
opening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of the
opening December 10, 2010 BIG BUDGET FILMS The Chronicles
of Narnia: The Voyage
of the Dawn Treader (PG for frightening
images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series
of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land
of Narnia to embark on a dangerous, seafaring mission taking them to the edge
of the
world.
Eventually I enrolled in a sound and
image course where I had the opportunity to experience filmmaking with a great teacher — award winning video artist Joan Braderman — and a whole new
world opened up for me — not the
world of cinema fantasy but the
world of documentary.
As he does, «The Little Prince» makes a remarkable stylistic leap from the accomplished but familiar CG environs
of these
opening scenes (big - eyed, bobble - headed humans; modernist - futurist design influences) into 2D stop - motion animation, bringing the
world of Saint - Exupery's original story to life in beautiful handcrafted
images based on the author's own crudely elegant watercolors (seen in the book's first printing and all subsequent editions).
SciFi
World has released a series
of super spoiler - y new
images from Alex Aja's Horns,
opening this Halloween, that shows Daniel...
The New
World opens with Smith in the hold
of his ship, in chains, reaching for the sunlight, an
image mirrored by our first glimpse
of Pocahontas (fifteen - year - old Q'Orianka Kilcher) as she plays in a field
of Days
of Heaven grain with her brother and sways with the wind.
The
image doesn't seem to refer to the original Red Dead Redemption, so it can be safe to assume that we are going to get a brand new game and not a simple remaster
of the popular
open world game released a few years back on PlayStation 3 and Xbox 360.
Microsoft Excel required A new set
of numbers every time the file is
opened - unlimited number
of worksheets Two files: Sales data on ten novels sold during
World Book Week - see cover
image Ten students each read one
of the ten books for five days.
The
image above is from the Deutsche Presse - Agentur and is
of German defentar Lothar Matthaeus playing against Bolivia's striker Marker Etcheverry in the
opening game
of the 1994 FIFA
World Cup.
«Children have a right to books that reflect their own
images and books that
open less familiar
worlds to them... for those children who had historically been ignored — or worse, ridiculed — in children's books, seeing themselves portrayed visually and textually as realistically human was essential to letting them know that they are valued in the social context in which they are growing up... At the same time, the children whose
images were reflected in most American children's literature were being deprived
of books as windows into the realities
of the multicultural
world in which they are living, and were in danger
of developing a false sense
of their own importance in the
world.»
Google has many fantastic tools to use for learning about and keeping track
of your market area, competition or products • Gmail, search on gmail, signup, Start here I
opens you to the Google
world • Google Alerts http://www.google.com/alerts • Google Analytics http://www.google.com/analytics • Blogger, an easy place to start with your web presence http://www.blogger.com • Google Trends http://www.google.com/trends • Google
Images make sure your images are here, great place for research • Google Places, making sure your business is found, list it here • Google Adsense, make a little money along the way • Google Keyword Tool / external, find your keywords, learn what new keywords you should be using and paying attention to, because of recent changes I like the phrase match optio
Images make sure your
images are here, great place for research • Google Places, making sure your business is found, list it here • Google Adsense, make a little money along the way • Google Keyword Tool / external, find your keywords, learn what new keywords you should be using and paying attention to, because of recent changes I like the phrase match optio
images are here, great place for research • Google Places, making sure your business is found, list it here • Google Adsense, make a little money along the way • Google Keyword Tool / external, find your keywords, learn what new keywords you should be using and paying attention to, because
of recent changes I like the phrase match option now.
Contrary to the
images of Heaven on Earth the proponents
of Free and
Open conjure up a
world with no controls would quickly lead to free books and starving authors.
The wealthy emirate is looking to burnish its
image with a new mixed - use development that will include Arabian outposts
of several
world - class museums, including the soon - to -
open Louvre Abu Dhabi, designed by Jean Nouvel.
Because
of this new console,
images of celebrities battling it out in Mario Kart 8 or traversing the vast,
open world of Breath
of the Wild have become more common.
The inspiration for this new
open world was taken from «the tree of life» mythology, Labyrinth of the World Tree image and the Viking «Yggdrasil» mythical tree that connects the nine worlds in Norse cosmo
world was taken from «the tree
of life» mythology, Labyrinth
of the
World Tree image and the Viking «Yggdrasil» mythical tree that connects the nine worlds in Norse cosmo
World Tree
image and the Viking «Yggdrasil» mythical tree that connects the nine
worlds in Norse cosmology.
Meanwhile, the
Open contest, which is judged on a single
image, saw shortlisted works including beautiful imagery
of frozen lakes, sunlit deserts and hidden forests; stunning portraits
of faces from around the
world, and unique insights in cultures and traditions that might otherwise be unseen.
An expert panel
of judges is tasked with uncovering and honoring the best single
image taken by a photographer from each National Awards country, entered into any
of the ten
Open categories
of the 2018 Sony
World Photography Awards.
The Chilean pavilion at the 55th Venice Biennale
opens with a large lightbox bearing the
image of the Italian artist Lucio Fontana stepping gingerly through the ruins
of his Milan studio after
World War II.
In 2005, the artist
opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits
of the art
world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices
of a «fia backström production,» a lesser production
of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work
of a greater local network
of friends and peers; the lesser aesthetics
of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach
images of a lesser art industry itself within a critique
of a greater institutional relationship to art production; as such, the lesser display
of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex
of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection
of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution
of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value
of the pasted paper and its repetition, which dispels the greater value
of precious originals; so the act
of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm
of Capitalism that can morph into an owner
of its own critique; so that lesser new york is greater than its initial critique, greater than a work
of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit
of artists working together playfully is lesser, whereas the critique
of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture
of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities
of the organizing systems by Backström continue to put pressure on both the defining features
of art production in both the lesser context and the decade - later greater one; further, the greater question
of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
The nine - screen installation
of Ten Thousand Waves continues its
world tour and
opens on Saturday March 3rd as part
of the exhibition «Rebellion
of Moving
Image» at MOCA Taipei in Taiwan, curated by Huang Hsiang - Ning.
Time Magazine included one on a recent list
of the 100 Most Influential Photographs in the
World, and artist Dana Schutz used it as the source
image for «
Open Casket,» a 2016 painting that has been included in the 2017 Whitney Biennial.
Through distortion and re-contextualization
of these
images, Fekete celebrates their similarities and hopes that we too might
open our minds, taking a daunting yet critical step into his fantastical
world.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group
of feminist artists who made critical agit - prop work exposing the gender biases in the art
world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain
of «Dallas» but the still - incognito street artist
of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King
of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed
of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has
opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations
of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings
of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter
of odd
image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators
of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group
of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
1993 Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, USA Our Perfect
World, Grey Art Gallery, New York, USA
Opening Exhibition, Rowles Studio, Hudson, USA The Animal in Me, Amy Lipton, New York, USA Arachnosphere, Ramnarine Gallery, Long Island City, USA Beyond Attrition: Art in the Era
of Aids, Washington Project for the Arts, Washington, D.C., USA The Eidetic
Image: Contemporary Works on Paper, Krannert Art Museum, University
of Illinois at Urbana - Champain, Urbana - Champain, Illinois, USA Museo Statale d'Arte Mediovale e Modema, Arezzo, Italy It's Really Hard, Momenta Art, New York, USA Brooke Alexander, New York, USA Outside Possibilities, The Rushmore Festival, Woodbury, USA Sculpture & Multiples, Brooke Alexander, New York, USA Selections / Spring «93, The Drawing Center, New York, USA 1992 Collector's Show, Arkansas Arts Center, Little Rock, Arkansas, USA Healing, Rena Bransten Gallery, San Francisco, California, USA An Ode to Gardens and Flowers, Nassau County Museum
of Art, Roslyn Harbor, New York, USA The Temporary
Image, S.S. White Building, Philadelphia, Pennsylvania, USA Update 1992, White Columns, New York, USA
Many
of his latest works have resulted from lifelong exploration
of image - transfer methods, as well as his
open - minded attitude towards the
world around him.
Many
of his latest works have resulted from a lifelong exploration
of image - transfer methods, as well as his
open - minded attitude towards the
world around him.
The first official gathering, in May 2014 (during
Open Engagement at the Queens Museum), consisted of an open space with a series of video installation projecting images of FMCP's history, its current identity as the world's park, and its possible futures (references of other innovative public spac
Open Engagement at the Queens Museum), consisted
of an
open space with a series of video installation projecting images of FMCP's history, its current identity as the world's park, and its possible futures (references of other innovative public spac
open space with a series
of video installation projecting
images of FMCP's history, its current identity as the
world's park, and its possible futures (references
of other innovative public spaces).
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence
of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery
of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy
of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS
Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005
Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes
of Others, Gallery
of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night
of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical
World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection
of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute
of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum
of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA
Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Judged by local experts from across the photography industry, the entries for the 54 National Awards were taken from
images entered into any
of the ten categories across the
Open competition
of the Sony
World Photography Awards.
Opening: Orion Martin at Bodega For his surreal paintings, Orion Martin creates situations that can't be possible in the real
world — a floating telephone gets squished by a ropey net, a flower is woven through an
image of a desk lamp with holes in it, guitar strings curve and become a ladybug.
«Over the years, the
image capital
of the
world has gradually evolved into a cultural capital presenting a socio - political panorama that is
open to both aesthetic and pedagogical aspects, thereby conferring upon the city its unique artistic topography (Courtesy
of the Praz - Delavallade press release).»
Opening: Rose Marcus at Know More Games This is on Valentine's Day, and I can not think of a better way to woo a lover (or meet a new one) than to attend the opening of the latest solo show from Rose Marcus, which presents, according to the gallery, «a series of images from three sites that all function doubly as information broadcasting towers: Empire State Building, One World Trade and the storefront at Know More Games.
Opening: Rose Marcus at Know More Games This is on Valentine's Day, and I can not think
of a better way to woo a lover (or meet a new one) than to attend the
opening of the latest solo show from Rose Marcus, which presents, according to the gallery, «a series of images from three sites that all function doubly as information broadcasting towers: Empire State Building, One World Trade and the storefront at Know More Games.
opening of the latest solo show from Rose Marcus, which presents, according to the gallery, «a series
of images from three sites that all function doubly as information broadcasting towers: Empire State Building, One
World Trade and the storefront at Know More Games.»
Without subscribing to a canon
of form as a fixed program, she
opened up new and unnerving
worlds of images through the manifold...
They play with the computer's capacity to create (moving)
images that
open up new spaces and points
of access to the physical
world.
Constantly renewing their collection in an
open - minded and experimental manner, the collectors
of these works have created an outstanding document
of the last twenty years
of art history: it reflects a profoundly heterogeneous art landscape that is grappling with the explosion
of possibilities inherited from the artistic revolutions
of the twentieth century, while at the same time responding to the glut
of images enabled by a
world that is ever more globalised and technologically interconnected.
Replicating Kehinde Wiley's celebrated portraits
of black men and women from around the
world, these open edition plates (and available set of six) feature images from the artist's «Economy of Grace» and «World Stage: Lagos and Dakar» se
world, these
open edition plates (and available set
of six) feature
images from the artist's «Economy
of Grace» and «
World Stage: Lagos and Dakar» se
World Stage: Lagos and Dakar» series.
To capture this view
of the Grand Canal in Venice, she transformed a room into a camera obscura by darkening all
of the windows and leaving only a small
opening that projected an
image of the exterior
world onto the opposite wall, where she hung large sheets
of photographic paper.
The exhibition's
opening image is History
of the
World, a giant piece
of graffiti by Jeremy Deller which connects a selection
of words to demonstrate how «acid house» is linked to «brass bands».