How do you see your works
operating in a gallery setting, as opposed to the performance environment in which they're more commonly shown?
Not exact matches
This work, along with a few others
in the
gallery,
operates according to a different
set of rules.
Downstairs at Grey
Gallery, Interior # 2 by Tom Wesselmann is an installation (an unheard term at the time) or a sculpture
in relief, of an urban kitchen, with a working clock (
set at the right time), a fluorescent light, a bottle of soda, an
operating fan, and a window painted to have a view of buildings outside.
Art & Idea
set up shop
in 1995, and soon expanded its Mexico City
gallery to include a nomadic project space that has
operated in New York, Madrid, Berlin and Vienna — perfect for the young institution's mission of exploring interconnectedness
in the global art community.
They invited artists who had
set up their own project spaces to comment on how they
operated in an arts scene dominated by so many other
galleries, all of whom were apparently pursuing the same artists for their programmes.
They will also
set out the context
in which their institutions
operate - nationally and internationally, and
in terms of their relationships with other museums and
galleries and general global trends.
Related works also reveal Banner's consideration of film and text, including site - specific work, Ha - ha, 2014, which spans the huge windows of the
gallery giving an unreal sense of the landscape beyond; Tête à Tête, 2014, a film in which two mechanically operated windsocks become the main protagonists in a bonnet drama, set in the grounds around Longside Gallery; and Mirror, Banner's 2007 film in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered in word not
gallery giving an unreal sense of the landscape beyond; Tête à Tête, 2014, a film
in which two mechanically
operated windsocks become the main protagonists
in a bonnet drama,
set in the grounds around Longside
Gallery; and Mirror, Banner's 2007 film in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered in word not
Gallery; and Mirror, Banner's 2007 film
in which actress Samantha Morton reads, for the first time, the artist's nude portrait of her, rendered
in word not image.
After having launched and
operated the now defunct art fair GEISAI starting
in 2002, Murakami
set out to learn how the
gallery world was structured.
In 2006, she opened Three Seasons
Gallery with co-director Colin Lyons, a gallery space within a shared artist's studio set to operate for only six months (spanning three se
Gallery with co-director Colin Lyons, a
gallery space within a shared artist's studio set to operate for only six months (spanning three se
gallery space within a shared artist's studio
set to
operate for only six months (spanning three seasons).