Sentences with phrase «opinions of other artists»

The artist discusses his influences, his best - known paintings and his opinions of other artists, while art experts and historians explain the background to his vision.

Not exact matches

Where other films might feel the need to announce or explain Woodcock's (not unearned) high opinion of his dresses, «Phantom Thread» needs only to show how Woodcock comports himself to indicate his view of himself as a grand artist is as important to him as the actual work.

Ferrara, now a resident of Rome himself, talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, members of the right wing movement CasaPound Italia, filmmaker Matteo Garrone, actor Willem Dafoe, and others, all with varying opinions about the vast changes they're seeing in their neighborhood and world.

Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).

«The LAPD aims to be completely inclusive, to absorb others not accepted by other organizations «because they don't act right,» in order to reflect the opinions of the deeply marginalized, as well as to provide an outlet for artists who have no physical space to create.»

«In 2005 the Rubells had a series of conversations with artists Kelly Walker and Wade Guyton, who talked about the generosity of some artists in the nature of their work. Walker and Guyton described how artists like Cady Noland, Andy Warhol, Marcel Duchamp and Richard Prince opened doors for other artists like themselves to walk through. The Rubells had never heard that opinion expressed as honestly before.  This show was borne out of those conversations, and its title comes from a quote attributed to Picasso: «Good artists borrow, great artists steal.»

He has not, in my opinion, copied or followed in the steps of Rothko or any other artist per se, but has been a keen observer and reacted to a certain corridor of American painters and in using aspects of their language, motifs, attitudes, and ideas, he has conversed with them and about them and reacted to them in a way that is his own.

Other contents include a contribution from Philadelphia's Headlong Dance Theater, which relates the process behind the company's highly regarded Cell piece from 2006; facsimile reproductions of 1960s letters from the artist James Lee Byars to MoMA curator Dorothy Miller (the second installment of the Modern Artifacts series, presented in collaboration with The Museum of Modern Art Archives); two more «Guarded Opinions» from guards at the Hammer Museum in Los Angeles — this time offering commentary on paintings by Degas and Gustave Moreau; an anonymous confessional piece about the life of a «decor artist»; a selection of never - before - published map sketches by Michigan artist Neil Greenberg; Angus Trumble's «2001 in Retrospect»; and a found object contributed by Stephen Weyl.

Over several years they have been in conversations with other artists who curate about the various implications of combining these roles, about some of the conflicts of interest that arise and about the way that as curators they take some part in the formation of public opinion of art and artists.

Working closely with these artists and through exposure to their opinions, motivations and working methods, students to gain insight into how artists approach the making of art and respond to the work of others.

Chowdhury's sculptures are infused with the artist's humour, commenting on the dark side of human nature and the consequences of humanity's contemporary conduct, evident in works such as Opinion, where two men face each other with swords, Audacity, in which a man holds a pistol and has guns for legs, or Freedom, where a man is trapped in a small cage within a larger cage.

Propaganda artists have manipulated and used good citizens of the once «Free West» by the same bag of «political correct» consensus opinions that once openly controlled the other half of the globe.