Sentences with phrase «opportunities for women artists»

Chicago's work was part of the movement within art circles to open up opportunities for women artists and to reinstate prominent artists such as Angelica Kauffman (1741 - 1807) and Artemesia Gentileschi (1590 - 1642) who had been written out of art history.

In the real world, female representation plummets and opportunities for women artists lag far behind their male counterparts:

Starting in the early 1970s, Snyder was instrumental in establishing exhibition opportunities for women artists.

Starting in the early 1970s, Snyder was instrumental in establishing exhibition opportunities for women artists and was among the pioneers who championed feminism.

We've created opportunities for women artists of all ages, backgrounds, and cultures.

An influential figure in the art world for over 40 years, Pindell has remained committed to expanding opportunities for women artists of color.

Support equal opportunities for women artists in several ways.

These shows offered exposure and leadership opportunities for women artists.

She was at the forefront of a movement to promote opportunities for women artists.

Committed to abstraction throughout a career that lasted fifty years, Perle Fine maintained high ideals, never adopting a method to follow a trend or compromising when her work was outside the mainstream.1 Although she experienced the barriers that limited the opportunities for women artists in the era — especially those who entered into the macho milieu of Abstract Expressionism — she held to her belief that it was painting itself that mattered, not who had created it.

OM: At a time when there wasn't a lot of opportunity for women artists, you created the dialogue you wanted to exist around your work.

I want there to be equal opportunity for women artists in galleries, biennials, magazine ads, articles, art fairs, private collections and museums.

Not exact matches

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

Dacia Gallery invites women artists to submit artwork for an opportunity to participate in our upcoming Group Exhibition on Women Artists for February women artists to submit artwork for an opportunity to participate in our upcoming Group Exhibition on Women Artists for Februarartists to submit artwork for an opportunity to participate in our upcoming Group Exhibition on Women Artists for February Women Artists for FebruarArtists for February 2018.

Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.

Smack Mellon's mission is to nurture and support emerging, under - recognized mid-career and women artists in the creation and exhibition of new work, by providing exhibition opportunities, studio workspace, and access to equipment and technical assistance for the realization of ambitious projects.

Many of the artists invited were eager for the opportunity not only to visit Afghanistan but also to collaborate with the women artisans who have developed the art of carpet making there.

«Throughout the century you're dealing with women artists who are producing at a consistently high level — encouraged by the emerging opportunities for women at this time — whose work contains a level of nuance you don't always get with the male artists.»

Luigi Maramotti, Chairman of Max Mara said: «At the very heart of the Max Mara Art Prize for Women is the gift and opportunity for the winning artist to take time to develop and make new work.

So when a member of our curatorial advisory board Jessamyn Fiore approached us with the NASTY WOMEN Exhibition idea, we were thrilled to not only use our space to amplify the cause but also to build upon the momentous response and enthusiasm for the exhibition with STAY NASTY — four days of music, comedy, performances, workshops, and an information fair, which offers New York City's musicians, artists, activists, and community health organizations a platform and opportunity to get involved alongside the hundreds of NASTY WOMEN artists.»

Embroidered by a group of Afghan women, the maps represented for Boetti an opportunity to comment on the delegation of an artist's manual work.

Nochlin is most famous for posing a controversial question «Why Have There Been No Great Women Artists» in her 1971 landmark essay, demolishing the misconception that women lacked the artist gene and showing that is was the opportunity, not ability, that has held women back historicWomen Artists» in her 1971 landmark essay, demolishing the misconception that women lacked the artist gene and showing that is was the opportunity, not ability, that has held women back historicwomen lacked the artist gene and showing that is was the opportunity, not ability, that has held women back historicwomen back historically.

Our favorite opportunities for shelter from April showers include retrospectives on Latin American women artists, photography featuring papier - mâché, and ceramic corporal sculptures.

This group of women artists forms a network of support and opportunity for each other and for and with the New York based member artists.

Here in Bushwick they plan to continue the mission of SOHO20 Artist Inc., which was founded by a group of 20 women artists create greater opportunities for their represented artists.

We seek to be inclusive and are working on creating more programming opportunities for women minority artists as well.

ARC Gallery and Educational Foundation is a non-profit, woman - run cooperative gallery dedicated to providing alternative space exhibition opportunities for innovative artists outside the commercial gallery system.

GGOT develops plays, performances, street theatre actions and residency programs that dramatize women»s history and address the lack of opportunities for women and artists of color in the performing arts.

This program is a fantastic opportunity for artists to join a network of quality women artists actively pursuing their artistic goals.

Established by artist Stephanie Bernheim in 1993, the fellowship program is designed to generate opportunities for emerging and underrepresented self - identified women artists.

To create greater opportunity for professional women artists in a male - dominated art world, on January 31, 1889, five innovative women, Anita C. Ashley, Adele Frances Bedell, Elizabeth S. Cheever, Grace Fitz - Randolph and Edith Mitchill Prellwitz met to discuss the formation of a women's art organization.

Our key focus is on achieving equal opportunity for all artistic talent irrespective of gender, and recognising the great talent of women artists working in the UK.

Chicago is an artist, writer, educator, collaborator and feminist who is not afraid to explore every artistic medium and communication device to speak on the behalf of and create opportunities for hearing women's voices in the arts.

In addition, the gallery has made significant contributions in bringing to the forefront the work of historic African - American and women artists, who until recent years, as groups distinguished by race and gender, had few opportunities for recognition.

«Royalists to Romantics is the first exhibition to focus on women artists of this time period in France and demonstrate how they navigated a highly gendered world that presented different opportunities for education and patronage than for their male counterparts,» said NMWA Chief Curator Dr. Jordana Pomeroy.