Sentences with phrase «oral history interviews»

• Provide recommendations to the Commander regarding historical documentation and conduct independent historical research that includes oral history interviews for accuracy and consistency.

Since 1954, the Archives has collected roughly 16 million letters, photographs, diaries, oral history interviews, sketches, scrapbooks, business records, and other documents that support the study of the history of the visual arts in America.

Since its inception in 1979, the Society has published more than 100 books and conducted more than 600 oral history interviews of leading members of the legal profession.

ORAL HISTORIES The Phillips Collection is conducting professional oral history interviews with Phillips family members, former directors, current and former staff members, and others.

Susan C. Larsen's interview with Balcomb Greene is part of oral history interviews relating to the American Abstract Artists Group, 1973 - 1978 (not transcribed).

AS - AP's website provides access to information about the history and existence of these centers of artistic activity, as well as access to unique primary resources, including transcripts of oral history interviews, and other types of documentation.

The archives collects and maintains oral history interviews with people who have actively participated in the history of the Museum.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.

«We Speak: Black Artists in Philadelphia, 1920s - 1970s» @ Woodmere Art Museum Philadelphia This exhibition grew out of 14 oral history interviews with artists and their families, art dealers, scholar and museum curators, centers around the city organizations and institutions that provided a foundation and a platform for artists to pursue their careers.

Collections staff also care for historic photographs, tapes and transcripts of oral history interviews, park archives, park administrative records, preserved small mammals, and other items reflecting the cultural and natural history of this unique place.

As Les Ordway and George Shields remembered during oral history interviews taken by the Cannon Beach Historical Society, locals in Cannon Beach immediately took action, forming a beach patrol called «the Guerrillas,» guards were also placed at the Arch Cape Tunnel.

Historiographical methods include archival research and oral history interviews.

During this time, he conducted research on the history of Michigan's vibrant nonprofit and philanthropic infrastructure through archiving and examining a large number of historical documents in addition to a collection of oral history interviews.

This place - based project currently has over 300 oral history interviews with transcripts, 80 cemetery catalogues, over 700 scanned photos, searchable databases for transcripts, cemeteries and photos in the online archive and an actual archives room with all the materials in an accessible and organized location.

Connor McLaughlin previously worked as the Dr. Kathy A. Agard Fellow in Community Philanthropy with Our State of Generosity project at the Dorothy A. Johnson Center for Philanthropy, conducting research on the history of Michigan's philanthropic infrastructure by archiving historical documents and oral history interviews.

This free workshop plan and resources pack encourages students to explore the relevance and reliability of oral history interviews as historical sources, consider how oral history differs from other evidence, plan and prepare an oral history project, and interpret and present the information they discover.

Project leaders in each state help the teens conduct oral history interviews and other research to chronicle local heritage.

Researchers can learn how to access the other materials held at the Niels Bohr Library, such as the collection of oral history interviews that includes over 3,000 hours of interviews with thousands of physicists, astronomers, and others.

The Kentucky Bourbon Tales collection is a searchable archive of oral history interviews with Master Distillers and Bourbon Barons.

Cabrera, who left the school to become president of George Mason University in July 2012, told the school archivist during an oral history interview that the school was reporting an annual budget surplus despite the collapse of the economy in 2009 and 2010.

«The school was losing significant amounts of money when I arrived,» recalled Cabrera in an oral history interview.

Readers should be aware that Lyle Dorsett curator of the Wade Collection and the person who videotaped the approximately seven - and - a-half hour oral history interview with Douglas, has said that the comment to which Wilson is evidently alluding here actually refers to a time after their (ecclesiastical) marriage, when Gresham had come to live in Lewis's home.

1999 Oral History Interview with Guy Thibodaux, rocket scientist.

2001 «Bucky Balls, Fullerenes, and the Future: An Oral History Interview with Professor Richard E. Smalley.»

In an oral history interview given at the Cannon Beach History Center in 2008, Reed laughingly remarked on his family's initial home inside the city, «it was a wooden house, but not much of a wooden house.»

«Life was very simple,» says long - time Cannon Beach resident Sue Reed, during the same oral history interview with her husband.

Quotes and excerpts must be cited as follows: Oral history interview with Hans Burkhardt, 1974 November 25.

Quotes and excerpts must be cited as follows: Oral history interview with Richard Diebenkorn, 1985 May 1 - 1987 December 15.

Quotes and excerpts must be cited as follows: Oral history interview with Harold Rosenberg, 1970 December 17 - 1973 January 28.

Quotes and excerpts must be cited as follows: Oral history interview with Vito Acconci, 2008 June 21 - 28.

A few excerpts from a long interview with Josef Albers from the Archives of American Art Smithsonian Institute Oral history interview in 1968 Complete interview can be read from this Archives of American Art, Smithsonian Institution link

The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.

Quotes and excerpts must be cited as follows: Oral history interview with Sheila Hicks, 2004 February 3 - March 11.

[1] Oral history interview with Archibald Motley, 1978 Jan. 23 - 1979 Mar. 1, Archives of American Art, Smithsonian Institution.

Sarah's Oral History Interview with artist Elaine Reichek was published by the Archives of American Art at the Smithsonian Institute in 2009.

The current exhibition will be accompanied by a fully illustrated color catalogue featuring a newly transcribed and previously unpublished oral history interview with the artist.

[i] Oral history interview with Claire Falkenstein, 1995 Mar. 2 - 21, Archives of American Art, Smithsonian Institution.

Trisha Brown recalls SoHo in her Judd Foundation Oral History Interview in 2007, «I came here in ’65 with an infant son.

-- Alfonso Ossorio, 1968 Oral history interview, Archives of American Art, Smithsonian Institution Celebrating Alfonso Ossorio's centennial birthday, Michael Rosenfeld Gallery is pleased to present Alfonso Ossorio — Congregations: The First Decade, 1959 - 1969, an exhibition of twenty - four of the mixed - media assemblages coined by the artist as «congregations» that have become emblematic of Ossorio's vision and capacity for innovation.

See Robert Rauschenberg, Oral History Interview conducted by Dorothy Gees Seckler, December 21, 1965, Archives of American Art, Smithsonian Institution, Washington, D.C. Accessed June 23, 2013.

I mean, he had been to school in Kansas City, and he knew a little bit then, but he was very naive about art...» See Susan Weil, Oral History Interview conducted by Karen Thomas, January 5, 2011; copy in the Robert Rauschenberg Foundation archives.

[1] Oral history interview with Robert Arneson, 1981 August 14 - 15, Archives of American Art, Smithsonian Institution.

[1] Oral history interview with Burgoyne Diller, 1964 Oct. 2, Archives of American Art, Smithsonian Institution.

Milton Brown conducted an oral history interview with Raphael Soyer on May 13 - 1981 for the Archives of American Art.

Oral history interview with Benny Andrews, 1968 June 30, Archives of American Art, Smithsonian Institution.

Sharp's Oral History Interview with artist Elaine Reichek was published by the Archives of American Art at the Smithsonian Institute in 2009.

Oral history interview with Leo Castelli, 1969 July, Archives of American Art, Smithsonian Institution

In his 1989 oral history interview with the Smithsonian's Archives of American Art, he revealed one of the perks of visiting Thomas: «I knew Alma, because if there was anybody doing anything, Alma would call you and would talk to you.