Sentences with phrase «oral interviews with»
«We had the students write job applications and get references, and then they had an oral interview with two community leaders,» Cousins said.
http://www.educationworld.com/ Not exact matches
In an interview on CNN's «Reliable Sources» on Sunday, former Fox News personality Tamara Holder, who settled with Fox News after an executive allegedly tried to force her to perform oral sex on him, said Murdoch and Fox News «allowed abusive predators to prey on women who just wanted to work.»
I all but begged him to let me do a series of oral - history interviews with him to record his story, central as it was to a critical phase of Silicon Valley's development.
The DCMS committee wrote to Zuckerberg on March 20 — following newspaper reports based on interviews with a former employee of UK political consultancy, Cambridge Analytica, who revealed the company obtained Facebook data on 50 million users — calling for him to give oral evidence.
The Kentucky Bourbon Tales collection is a searchable archive of oral history interviews with Master Distillers and Bourbon Barons.
Assist Field Supervisors and Training Team with oral interviews, administering exams, and explaining requirements to CHP candidates.»
Readers should be aware that Lyle Dorsett curator of the Wade Collection and the person who videotaped the approximately seven - and - a-half hour oral history interview with Douglas, has said that the comment to which Wilson is evidently alluding here actually refers to a time after their (ecclesiastical) marriage, when Gresham had come to live in Lewis's home.
1999 Oral History Interview with Guy Thibodaux, rocket scientist.
2001 «Bucky Balls, Fullerenes, and the Future: An Oral History Interview with Professor Richard E. Smalley.»
Institute for Advanced Interdisciplinary Research (IAIR), research grant for «Space Stories: Oral Histories from the Pioneers of the American Space Program,» 1999; grant for interview with Dr. Richard Smalley, Nobel Prize Winner for the invention of nano - technology, 2000.
The website also hosts a substantial new oral history collection: nearly 100 video interviews were conducted with those who took part in the experience.
In 1995, he became one of the winners of the German National Computer Science Competition, which involved solving computer problems, devising running demonstrations of the solutions, and surviving a 3 - day final round packed with teamwork, oral presentations, and interviews with computer science professors.
This interview with Will is wonderful — a lovely snapshot to share with my clients to TRY to get them to pay attention to their oral health.
Stuart has interviewed, with few exceptions, all involved with the 1974 production in some capacity (associate producer Scott Bushnell declined comment because her words have betrayed her in the past; indeed, if The Nashville Chronicles has an antagonist, it's the Lady Macbeth - like Bushnell), and with their quotes he has compiled a linear oral history that begins long before the location shoot (Altman's time in the service) and ends long after: Stuart concludes with his own critique of the screenplay to Nashville 12, the aborted sequel that would've reunited the entire Nashville cast save Keenan Wynn (dead), Dave Peel (born - again), and Scott Glenn (written out because his Pfc. Kelly had such an opaque personality).
Researchers can learn how to access the other materials held at the Niels Bohr Library, such as the collection of oral history interviews that includes over 3,000 hours of interviews with thousands of physicists, astronomers, and others.
But when we started an oral history project for which I asked my students to record, transcribe, and publish interviews with people they knew who'd moved to California, Steven came alive.
The remarks, in the form of an interview with Joseph South conducted in December 2016, have been edited to translate the oral language into a form that best conveys the author's intent.
Connor McLaughlin previously worked as the Dr. Kathy A. Agard Fellow in Community Philanthropy with Our State of Generosity project at the Dorothy A. Johnson Center for Philanthropy, conducting research on the history of Michigan's philanthropic infrastructure by archiving historical documents and oral history interviews.
This place - based project currently has over 300 oral history interviews with transcripts, 80 cemetery catalogues, over 700 scanned photos, searchable databases for transcripts, cemeteries and photos in the online archive and an actual archives room with all the materials in an accessible and organized location.
Students in this Inspired Teaching model course are preparing to complete oral history projects, interviewing Washingtonians with personal connections to the Great Migration.
In interviews with several hundred business, nonprofit, philanthropic, and education leaders, the author identified seven «survival skills» that 21st century students need to succeed as workers and citizens: (1) critical thinking and problem - solving; (2) collaboration and leadership; (3) ability and adaptability; (4) initiative and entrepreneurialism; (5) effective oral and written communication; (6) accessing and analyzing information; and (7) curiosity and imagination.
Following his acclaimed biography of Louis Armstrong, Pops, culture critic Terry Teachout draws on candid unpublished interviews with Ellington, oral histories of the orchestra leader and his times, and other little - known primary sources to tell a mesmerizing story in Duke: A Life of Duke Ellington.
An Oral History of Nickelodeon's Golden Age is the wondrous result of author Mathew Klickstein's hundreds of interviews with the folks — both behind the scenes and on camera — who brought us such beloved TV show gems as «Double Dare,» Clarissa Explains It All,» «The Ren & Stimpy Show» and, of course, «You Can't Do That on Television.»
Our transcription services are designed for the client who only needs the occasional audio file transcribed as part of a project, e.g., the doctoral student with a handful of interviews to be included with a dissertation or the family historian who needs an oral history included in a manuscript.
«Life was very simple,» says long - time Cannon Beach resident Sue Reed, during the same oral history interview with her husband.
LeRonn P. Brooks conducts an extensive interview with painter James Little as part of the BOMB Magazine Oral History Project.
The following oral history transcript is the result of a tape - recorded interview with Fairfield Porter on June 6, 1968.
Quotes and excerpts must be cited as follows: Oral history interview with Hans Burkhardt, 1974 November 25.
a London - based writer, editor, and programmer, Shields is working on «A Heavy Nonpresence,» an oral history project that will collect interviews with black adults and children about their contemporary experiences with the British welfare state.
However, in a 2015 interview with Alteronce Gumby for BOMB Magazine's Oral History Project, which documented the life stories of New York City's black artists, Whitney discussed the profound importance of drawing and line.
Quotes and excerpts must be cited as follows: Oral history interview with Richard Diebenkorn, 1985 May 1 - 1987 December 15.
«We Speak: Black Artists in Philadelphia, 1920s - 1970s» @ Woodmere Art Museum Philadelphia This exhibition grew out of 14 oral history interviews with artists and their families, art dealers, scholar and museum curators, centers around the city organizations and institutions that provided a foundation and a platform for artists to pursue their careers.
The following oral history transcript is the result of a tape - recorded interview with Alex Katz on October 20, 1969.
Quotes and excerpts must be cited as follows: Oral history interview with Harold Rosenberg, 1970 December 17 - 1973 January 28.
AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.
As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizatioral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizatioral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizatiOral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.
AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of
Quotes and excerpts must be cited as follows: Oral history interview with Vito Acconci, 2008 June 21 - 28.
A few excerpts from a long interview with Josef Albers from the Archives of American Art Smithsonian Institute Oral history interview in 1968 Complete interview can be read from this Archives of American Art, Smithsonian Institution link
The archives collects and maintains oral history interviews with people who have actively participated in the history of the Museum.
Quotes and excerpts must be cited as follows: Oral history interview with Sheila Hicks, 2004 February 3 - March 11.
This digital exhibit documents the development of these two notable architects» affiliation, and includes nearly 150 photographs; plus primary source materials such as correspondence; lectures; musings and writings; and other media, including a video interview with Fay Jones's wife Gus, created by the David and Barbara Pryor Center for Arkansas Oral and Visual History.
[1] Oral history interview with Archibald Motley, 1978 Jan. 23 - 1979 Mar. 1, Archives of American Art, Smithsonian Institution.
Sarah's Oral History Interview with artist Elaine Reichek was published by the Archives of American Art at the Smithsonian Institute in 2009.
In addition, we completed six new interviews for our Oral History project, with more scheduled for 2018.
Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA catalog Barry McGee; the exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.
Oral Histories: We are planning to record interviews with people having personal knowledge of the history of Otis College.
The current exhibition will be accompanied by a fully illustrated color catalogue featuring a newly transcribed and previously unpublished oral history interview with the artist.
The film, which she co-directed with filmmaker and oral historian Karen Bernstein, features excerpts from these interviews.
[i] Oral history interview with Claire Falkenstein, 1995 Mar. 2 - 21, Archives of American Art, Smithsonian Institution.