Sentences with phrase «orchestral mix»

This Freezeezy Peak orchestral mix is by Geocranium, and this Freezeezy Peak cover is by Ace Waters, featuring Soundole!

He was hired for FM5, which was to be a launch title for the new xbox One console, and expected to raise the music bar with new technologies, live orchestral mixes, and 7.1 surround.

Not exact matches

Rare for orchestral performances, the opera sequences (especially «Don Giovanni») plumb the depths of the subwoofer here, while the rest of the mix, however ultimately dialogue - driven, is newly authoritative.

The audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever - present orchestral score as the film's audio - visual star.

The DD 5.1 configuration of the original four - track stereo mix presents Leonard Rosenman's weak, distracting score to good, orchestral effect, for what it's worth.

Though a straightforward mono mix, «Thirst» has some marvelous sound design that particularly pays off during a hallucinatory «conversion» sequence of sorts, with wild sound effects by mixer Peter Fenton that beautifully intermesh with Brian May's excellent orchestral score.

The film's surround audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»

It begins with an all too familiar aerial shot that is, of course, accompanied with a dramatic orchestral score, but the Dowdles try to mix it up and flip the image upside down for no apparent reason.

The soundtrack is a distinct mix between jazz, electronic and orchestral music.

Equation to Nomination: Best Picture nominee + Eddie Redmayne's Best Actor hopes + nice mix of sweeping orchestral music and simpler tracks + Golden Globe win

The film's Dolby 5.1 mix reflects the care director Singer and editor / composer Ottman invested in the various sound effects, overlapping dialogue, and orchestral soundtrack elements, and the mix faithfully recreates the original theatrical experience.

With the help of a gentleman by the name of Juno Reactor, Davis has made the perfect modern film music - wonderful orchestral stylings mixing with electronic elements.

Opera's is a rich mix — every ripped tissue has an orchestral character.

The default 7.1 DTS - HD master audio mix is equally dazzling, serving up no shortage of atmosphere, effects, and big orchestral score crisply and dynamically.

Morris caught on early as an assistant to Oscar - winning James Newton Howard, running the RADAR recorder and supporting the Euphonix CS3000 writing / mix room as it evolved quite quickly into a modern production environment, with emphasis on traditional orchestral recording, sample - based creations / augmentations and interconnectivity to aid in workflow and delivery.

I mixed the orchestral sound and this incredible singer and the players that I brought from Turkey and France.

While hardly aggressive, the new mix balances the orchestral elements of Cole Porter's light songs (with arrangements by Andre Previn), and Porter's brilliantly satirical «Stereophonic Sound» - giddily performed by Astaire and Janis Paige - finally has some resonance when Paige croons the title with multi-channel processing.

A game that replaces the typical orchestral JRPG music with something like a mix of the Soul Reaver and MGS2 soundtracks with industrial percussion and synth layers featuring modern tonalities.

The game's score, by Joris de Man and The Flight, mixes traditional orchestral arrangements with electronic elements and vocals to create perhaps the best «cinematic» score of the year.

He subsequently received recognition for his light - hearted mix of orchestral and tribal music in 1997's Haunted Junction and demonstrated his youthful side further by working on Surfside High School and Sensei Shiranaino a year later.

A mix of J - pop, electro jazz and dramatic orchestral tracks, the soundtrack perfectly echoes the contrast between the real world and the shadow worlds visited throughout the game.

We have mixed our last 3 albums (both funded on Kickstarter) at the incredible Skywalker Ranch in Marin County, CA and we've used the BEST orchestral mastering engineer in Hollywood (Patricia Sullivan) who works with John Williams, Danny Elfman, U2 & Hans Zimmer to name a few.

Tokyo, Japan (guitars, saxaphone) Los Angeles, CA (percussion overdubs, music arrangement / orchestration / copying) San Juan Capistrano, CA (guitars, synth overdubs, pre-mixing) Hollywood, CA (final mastering) San Francisco, CA (final mixing, electric bass & acoustic guitars) Denver, CO (electric bass & guitar) Atlanta, GA (pro-tools sessiion & pre-mixing) Philadelphia, PA (certain orchestral percussion overdubs) New York City, NY (lead vocals & solo flute) Paris, France (vocals / choir) Prague, Czech Republic (orchestra & choir) Dubia, UAE (pre-mixing, music prep) Santiago, Chile (live music & audience recording) Sao Paulo, Brazil (live audience recording) Lima, Peru (live audience recording) Buenos Aires, Argentina (live audience recording) Toronto, Canada (pre-mixing & recording prep) Washington, D.C. (Chrono remix with BT, vocals) The Netherlands (partial orchestral arrangement) Musical Special Guests!

Orchestral tracks, like the opening scene from John Adams» The Gospel According to the Other Mary, get plenty of added bass depth, pushing the lower register instrumentation forward in the mix.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, receive more bass boosting than purists will like, but the overall effect is at least balanced — the boosted highs are also prevalent, so while the lower register instrumentation is pushed forward in the mix, the higher register brass, strings, and vocals are still bright and in command of the spotlight.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, likewise sounds equally crisp in both modes, but the lower register instrumentation is brought out of the mix a bit more and given more body in the bass - boosted mode.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation receives a very slightly boosted presence in the mix, but the higher register brass, strings, and vocals are still bright and crisp and draw most of the attention.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, aren't delivered with too much accuracy, instead getting an added bass punch that pushes the lower register instrumentation forward in the mix.

Orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, get more added bass depth than purists will want, but it's not so intense that the balance of the mix is upset.

On orchestral tracks, like the opening scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation gets a slight push forward in the mix, but the higher register brass, strings, and vocals own the spotlight.

One works «for» and «with» an orchestral manager at one and the same time when one has a skill set separate and apart from all others in the mix who also have separate skill sets that might otherwise confound one another.