Sentences with phrase «orchestral music for»

Pedro composed the orchestral music for the old and famous food brand in Portugal, Nobre.

Adlai enjoys the challenge of arranging band or orchestral music for solo guitar, drawing from his formal training in classical theory and composition.

Not exact matches

While at Berklee College of Music Charles spent his free time running a full sized orchestral ensemble he founded his freshman year, creating the legacy of the performing and recording ensemble it is today, fostering a more accessible platform for young adults to enjoy classical mMusic Charles spent his free time running a full sized orchestral ensemble he founded his freshman year, creating the legacy of the performing and recording ensemble it is today, fostering a more accessible platform for young adults to enjoy classical musicmusic.

Whether you opt for classic, orchestral Christmas carols a la Nat King Cole and Bing Crosby or festive contemporary tunes like our favorites from Mariah Carey and N'Sync, the music will determine the energy of the evening.

And as if to compensate for this emptiness, Kapur floods every possible moment with orchestral music.

Melville asked me for a minimalist piece of music in the orchestral spirit of the Modern Jazz Quartet.

The music by Yuji Nomi almost seemed too orchestral and grand for such a silly story but it is beautiful.

It all makes for an entertaining listen, big and playful orchestral music throughout.

Whether it's big and robust for fast paced scenes, or calm and sincere for gentle occasions, orchestral music can fit in with any genre of video games.

Surprisingly subtle as it builds up, the piece explodes into an orchestral tour - de-force with spectacular action music for brass and strings, a first - rate piece of film music.

Super Mario Galaxy marked the first time a true orchestral soundtrack was produced for a Mario game, and since then, the music has been revolutionary.

«We started by going back to the original sheet music used for the recording sessions, tracked the edits made to these cues as heard in their final state in the film, and then re - edited / re-orchestrated the sheet music to reflect the changes and account for the live orchestral forces.

This proves to be a somewhat temporary measure, since the electronics - dominated, unsettling music returns for the next two (long) cues, but then «Mike's Fugue» provides something of a happy medium between the two, with Yared using more orchestral methods to generate the terror - methods which are rather more satisfying to this album listener, and would be for the majority, I guess.

The score explodes to life in «Ship in a Painting», which is far more satisfying to the listener - immense orchestral and choral forces combine for some fine old - fashioned gothic horror music à la Jerry Goldsmith or Christopher Young.

It's become something of an axiom of modern film music that music for any kind of serious film set in the modern day will not have a traditional orchestral score - were Oliver Stone to make Born on the Fourth of July today, I seriously doubt he would have John Williams score it - and so he turned to Craig Armstrong, still primarily known for his instrumental pop music and song arranging for popular singers.

It was March 2009, and the Britpop icon was obsessed with Arabic orchestral music, so he took his demos to Damascus and recorded with the National Orchestra for Arabic Mmusic, so he took his demos to Damascus and recorded with the National Orchestra for Arabic MusicMusic.

Multi-hyphenate entertainer Jherek Bischoff is known for pushing the limits of orchestral music.

November 8, 2013 • Jherek Bischoff is known for pushing the limits of orchestral music.

The suitably dramatic, tense, even rueful orchestral music was composed by Howard Shore, winner of multiple Grammys, Oscars and Golden Globes, and probably most familiar for his scores for the Lord of the Rings movies.

Pre-existing licensed songs or traditional orchestral score wouldn't suffice for these sections; the music had to be something fresh and impactful.»

For Revenge, which is very music driven, iZLER uses a live orchestra that he conducts for each episode, whilst most of the non orchestral instruments heard on the show are played by iZLER himseFor Revenge, which is very music driven, iZLER uses a live orchestra that he conducts for each episode, whilst most of the non orchestral instruments heard on the show are played by iZLER himsefor each episode, whilst most of the non orchestral instruments heard on the show are played by iZLER himself.

Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.

While it lacks a memorable theme, Howard makes up for it with sheer energy and excitement in many tracks and outright beauty in the other ones, sometimes favouring long - lined string melodies, sometimes old - fashioned orchestral action music.

The orchestral music is reminiscent of a science fiction disaster movie which is fitting for the world of X-Morph: Defense.

Serious opera buffs audition through the College - Conservatory of Music for spots in seven programs — which include production, conducting, and orchestral and chamber music — then, if they're selected, take off to participate in the festival in Tuscan city of LMusic for spots in seven programs — which include production, conducting, and orchestral and chamber music — then, if they're selected, take off to participate in the festival in Tuscan city of Lmusic — then, if they're selected, take off to participate in the festival in Tuscan city of Lucca.

This enlightening CD introduces and deconstructs composer Sergei Prokofiev's Peter and the Wolf, as narrator Yadu describes the characters, conductor Stephen Simon explains the music, and the London Philharmonic Orchestra plays «the greatest orchestral work ever written for children.»

Inside the center are a 1,700 - seat opera and ballet theater; an auditorium, for orchestral and choral performances; and the 400 - seat Aula Magistral, for chamber music concerts.

Taking background music for a Mario game and combining it with orchestral pieces in such as way that neither aspect is lost is just a feat I'm astonished by.

As part of the special music promotion, the donations we receive from this prize category go directly to help fund an all - out, full orchestral score for the game, recorded in a live studio!

For players who aren't fans of orchestral arrangements, don't worry as the music has more to it than grandiose orchestral themes.

The music is orchestral and serves as the perfect backdrop for a kingly adventure.

Edouard holds a particular interest for orchestral music, which he often augments with all things «electricity» and obscure instruments.

These include promotional concerts for the release of their three albums and appearances at orchestral concerts devoted to Final Fantasy music.

Now you can experience the orchestral music live outside of Japan for the first time.

Wintory has proven himself extremely versatile over the last couple years, but his music for Absolver is squarely within his orchestral - plus - electronic wheelhouse.

Prior to working on CHRONO TRIGGER / CHRONO CROSS, his first large scale orchestral arrangement for the Game Concerts series, Roger Wanamo was not familiar with these games or their music: «I was told that they are quite a big deal to the fans, especially to the music fans.

(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated

(«Underground», Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; nominated — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga); winner — Game Audio Network Guild Awards, «Best Soundtrack Album» (The Banner Saga); nominated — Game Audio Network Guild Awards, «Best Original Instrumental» («Of Our Bones, The Hills», The Banner Saga); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (The Banner Saga); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga); nominated — SXSW Gaming Awards, «Excellence in Musical Score» (The Banner Saga); nominated — NAVGTR Game Awards, «Original Dramatic Score, New IP» (The Banner Saga); nominated — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (The Banner Saga); nominated — Annual Game Music Awards, «Artist of the Year: Outstanding Contribution, Western Composer» (The Banner Saga, Soul Fjord); nominated — Annual Game Music Awards, «Outstanding Achievement: Music Production» (The Banner Saga); winner

Pedro has composed and «Musical FX» designed a hybrid orchestral music with a Hip Hop touch for the newest spot of Portugal's largest bank, Caixa Geral de Depósitos.

Wonderful orchestral suites and new soundscapes that have nothing to do with the Gameboy sound will inspire gamer and classical music lovers alike and provide for goosebumps moments.

He subsequently received recognition for his light - hearted mix of orchestral and tribal music in 1997's Haunted Junction and demonstrated his youthful side further by working on Surfside High School and Sensei Shiranaino a year later.

The battles are accompanied by an extremely energetic, powerful and fast - paced soundtrack, which is a mixture of classical and rock music, filled with fantastic guitar solos and dramatic orchestral melodies for each character (my personal favourite being Iron Tager's «MOTOR HEAD»).

Pros: - Orchestral Score - new music for old fans - Show off your 4K TV with some absolutely beautifully painted art - Each character's fighting style is a new way to play the game, and with branching stories and levels there is plenty to do - It's Dragon's Crown.

Austin Wintory will compose the music for the event which will feature three acts delivered live on - stage (with full orchestral score) by three of the world's greatest living scientists.

He also composed a soundtrack for an RPG under the alias Jordan Steven that appeals to fans of traditional orchestral music as well as rock, jazz and ambient music.

The LPO's bluntly titled album Greatest Video Game Music entered the US charts at No 23 — the highest debut for an orchestral recording since the Star Wars: Episode III soundtrack.

For anyone who has actually wondered what it would be like to experience Final Fantasy music in a live orchestral setting, here it is.

It is bland orchestral music that sounds better suited for a film score.

He is currently scoring music for orchestral ensemble and choir recording stateside as co-composer on a forthcoming key nex - gen AAA title TBA.

He was hired for FM5, which was to be a launch title for the new xbox One console, and expected to raise the music bar with new technologies, live orchestral mixes, and 7.1 surround.