Sentences with phrase «orchestral score»

An orchestral score is a written form of music that shows all the different parts and notes for each instrument in an orchestra. It helps musicians know when and how to play their instruments together to create beautiful music. Full definition
Now, at the end of August, ARK: Survival Evolved is finally emerging from Early Access, and it brings with it a new orchestral score by Coker.
An actor's performance becomes more impressive as you can hear subtle nuances in their voice, a sweeping orchestral score becomes a force of nature, sweeping over you, while a game suddenly comes to life with tiny audio details, giving rise to a far better appreciate of sound design.
Its lack of bass is more apparent in atmospheric titles with orchestral scores, and music doesn't perform particularly well either, but for everyday gaming usage, it's hard to find anything better for a mere fifty bucks.
Vanillaware's couch co-op masterpiece returns in glorious 4K with a brand new orchestral score in Dragon's Crown Pro, available now...
It turns out, however, that Project Cars 2 has an original orchestral score by a composer named Stephen Baysted, who has a couple other racing game scores under his belt (in addition to the score to the TV series «Secrets of the Dead: Graveyard of the Giant Beasts,» which I must now absolutely track down).
As part of the special music promotion, the donations we receive from this prize category go directly to help fund an all - out, full orchestral score for the game, recorded in a live studio!
A little boy's many feelings are evoked in sophisticated computer animation and an original orchestral score in this creative melding of art forms, sensitive evocation of the rainbow of a child's emotions, and the emotional range and depth of music.
The Soundtracks draws inspiration and grandeur from orchestral scores of classic films for the 1940s.
In 2008 Pedro won the IGF Excellence in Audio Award for his electronic soundtrack on Audiosurf and in 2010 another audio award, from Dutch Game Awards, for his whimsical orchestral score on the XBOX360 and PS3 game, Fairytale Fights.
Ten years ago having a live orchestral score for a videogame was not very common.
Full Orchestral Soundtrack — The mystical city of Zagoravia is fantastically realized with astounding detail, striking architecture and a rich and vibrant orchestral score recorded by the world famous Sofia Session Orchestra.
The epic orchestral scores of FE mixed with the shredding electric guitars of DW create a score that is both unique and invigorating.
Hans Zimmer's score is fantastic also — probably the best orchestral score of the year — and, of course, the performances are great.
The soundscape, which consists of intense battle ambiance and a beautiful orchestral score composed by long - time video - game composer Jeremy Soule, best known for his work with The Elder Scrolls series.
Add in an epic, bombastic orchestral score by Kevin Riepl (he also worked on Gears of War) and a surprisingly robust and easy - to - use level creation tool and you have one of the better games to be released so far in 2011.
Basic Instinct (1992) was Verhoeven's homage to Alfred Hitchcock, right down to the lush orchestral score and thriller scenario.
Starting with one epic after another, all requiring massive orchestral scores, the new millennium has seen him score six movies so far: Shaft, Baby Boy, The Musketeer, Zoolander, Changing Lanes and now Enough.
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman's Excalibur (1981) and Jim Henson's The Dark Crystal (1982)...
Previously available only in inferior versions, this remastered and digitally restored edition looks superb and offers two scores: Ashley Irwin's vivid, dramatic orchestral score, and a more somber and impressionistic one by Paul Zaza.
He offered romantic orchestral scores for the series Yomigaeru Sora and Les Misérables - Shoujo Cosette that conveyed their respective Japanese and French settings.
Hans Zimmer's haunting orchestral score only adds to the drama, working in sync with each passing gunshot.
It's become something of an axiom of modern film music that music for any kind of serious film set in the modern day will not have a traditional orchestral score - were Oliver Stone to make Born on the Fourth of July today, I seriously doubt he would have John Williams score it - and so he turned to Craig Armstrong, still primarily known for his instrumental pop music and song arranging for popular singers.
Like the first evocative and compelling trailer, this one - minute preview is very much a tonal poem, cutting together cryptic and context - free shots of the film, set to a haunting orchestral score.
Immerse yourself in a soaring orchestral score performed by the Copenhagen Philharmonic Orchestra.
Games such as Bioshock show us what can be done with ambient effects, and films such as Lord of the Rings demonstrate what a beautiful orchestral score can do.
It's a warmly melodic, family - friendly spirit that's much like Debney's affable personality, growing from the small screen to apply his lavishly fun orchestral sound to such live - action and animated fantasy epics as «Inspector Gadget,» «The Ant Bully,» «The Scorpion King,» «Evan Almighty,» «Zathura» and «Lair» — a lavish orchestral score that arguably put videogame soundtracks on the map as a musical contender.
Featuring a full orchestral score performed by the Video Game Orchestra and conducted by Shota Nakama of Final Fantasy XV and Kingdom Hearts fame, the story for Mages of Mystralia was written by Ed Greenwood, the author of the Forgotten Realms world of Dungeons and Dragons, which served as the foundation of games such as Baldur's Gate and Neverwinter Nights.
Jason is composing a tense orchestral score with world percussion and electronica for this exciting new game.
This gives the experience a meditative quality, amplified by David García Díaz's brilliant orchestral score, which never misses an emotional beat.
The game's soundtrack is superb, from listening to music while driving around to the tense and often fantastic orchestral score used during missions it punctuates the world perfectly and helped immerse me in the 1950's.
While soundstage got better and dialogue sounded more crisp, the signal processing sounded artificial with boosted highs and lows, altering the timbre of instruments during orchestral scores.
Marco Beltrami's music is a big and robust orchestral score, although it would've been interesting to see how the composer's original vision — a more scaled down work with electronics — fitted the film.
The audio track, which boasts a speaker - filling 7.1 mix, suitably mounts composer Michael Kamen's ever - present orchestral score as the film's audio - visual star.
Sweeping production and costume design evoke the era with aplomb, accentuated by Michael Brook's gorgeous orchestral score.
Yet there are many plodding stretches which Corbet doesn't succeed in concealing by inserting wild camera movements combined with Scott Walker's bleak, juddering orchestral score.
Once the film finds its footing, the mystery unfolds with a palpable disquiet and doom courtesy of Ennio Morricone's menacing orchestral score (coupled with anachronistic tracks) and Robert Richardson's cinematography that uses the expanded frame even when so much of the film takes place inside.
Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.
From its simple, yet compelling story, to its deep character development, to its methodical combat, to its breathtaking visuals and wonderful orchestral score.
With its sheer artistry, muscular idealism, and the passionate intensity of the acting — along with Leonard Bernstein's bright, clamorous orchestral score — Elia Kazan's On the Waterfront is a true classic.
And while Greenwood is primarily PTA's composer, for «Inherent Vice,» he was given the opportunity to break from the atonal orchestral scoring sonic palette he's rendered thus far and presented something exciting, typically askew and eclectic.
On the audio side, a triumphant orchestral score that'll be more at home in an epic film plays throughout.
Though a straightforward mono mix, «Thirst» has some marvelous sound design that particularly pays off during a hallucinatory «conversion» sequence of sorts, with wild sound effects by mixer Peter Fenton that beautifully intermesh with Brian May's excellent orchestral score.
And it seemed more accessible to my music skills, or lack thereof shall we say, rather than Indiana Jones or something that's a fully orchestral score and dizzyingly complex when you're fifteen or twenty.
(Note: original orchestral score extracts are also available on several compilation CDs.)
The immersive orchestral score only added more to game.
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