Sentences with phrase «orchestral score by»

It serves as a preview of both the game's orchestral score by composer Takeshi Furukawa and the «Last Guardian Composer's Choice PS4 Music App» that Sony announced in early November.

It serves as a preview of both the game's orchestral score by composer

Now, at the end of August, ARK: Survival Evolved is finally emerging from Early Access, and it brings with it a new orchestral score by Coker.

''... Microsoft Publishing is pushing the epic «Halo Wars 2,» which combines a 80 - piece orchestral score by Gordy Haab (recorded with union players on Fox's Newman Stage) combined with electronic music written and performed by Brian Trifon and Brian Lee White of Finishing Move.

High tension runs throughout the movie's runtime (not an easy feat), and that's a product of the performances, visual style, and pulse - pounding orchestral score by Bear McCreary.

The 1927 storyline is shot in black and white, mimicking the silent movies of the era, with a swelling orchestral score by the frequent Haynes collaborator Carter Burwell.

The picture is graced with a spooky grandeur: snowy vistas, long - vacated buildings and a starkly forlorn, percussion - heavy orchestral score by Michael Giacchino that harkens back to Jerry Goldsmith's landmark original.

Enhanced by a stunning and deeply moving orchestral score by composer Joe Hisaishi, Princess Mononoke is a genuine hand - drawn animated masterpiece.

The orchestral score by Tarr's long - time composer Mihály Víg is as incessant as the wind, repeating and repeating like Philip Glass.

Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.

The humour of the writing and the main performances is wonderful, and the ambiguity of it all is tantalising... set against the backdrop of a 60 - piece orchestral score by Radiohead's own Jonny Greenwood.

One of its greatest facets is the orchestral score by John Debney, who digs back into an almost classic 1950s playbook to give Predators the right kind of rah - rah fun.

Add in an epic, bombastic orchestral score by Kevin Riepl (he also worked on Gears of War) and a surprisingly robust and easy - to - use level creation tool and you have one of the better games to be released so far in 2011.

Not exact matches

Yet there are many plodding stretches which Corbet doesn't succeed in concealing by inserting wild camera movements combined with Scott Walker's bleak, juddering orchestral score.

Previously out - of - print, Debney's acclaimed thrill - ride of an orchestral score, performed by the London Symphony Orchestra, returns to the hearts and ears of film music enthusiasts everywhere!

By stark contrast, the orchestral arrangements commonly found in Marvel films are largely based upon «temping», a term that refers to emulating or repeating existing scores in the initial cut.

The film is bolstered by Max Richter's orchestral score, often soaring, and photographer Rob Hardy's use of outdoor scenes, where the movie was filmed in London, Oxford and Yorkshire.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

Though a straightforward mono mix, «Thirst» has some marvelous sound design that particularly pays off during a hallucinatory «conversion» sequence of sorts, with wild sound effects by mixer Peter Fenton that beautifully intermesh with Brian May's excellent orchestral score.

Each Blade composer has had to balance his scoring chores with songs cemented to key scenes and montages: Mark Isham went for a brooding synth and orchestral blend that managed to smoothly weave in and out of the pumping songs laid over the main battle sequences; and Marco Beltrami's large orchestral score was tweaked by Danny Saber and buoyed by a similar number of songs.

The suitably dramatic, tense, even rueful orchestral music was composed by Howard Shore, winner of multiple Grammys, Oscars and Golden Globes, and probably most familiar for his scores for the Lord of the Rings movies.

Cinematographer Sean Bobbitt («Shame») emphasizes the sharp redness of blood in an otherwise shadowy world often tinted by yellows and greys, while Javier Navarrete's downbeat orchestral score roots the story in the baroque traditions of the period from which the two lead characters hail.

However, it's rather undermined by an overly sentimental, on - the - nose score from Polish composer Zbigniew Preisner, whose orchestral stirrings never quite match what we're seeing on screen.

Directed by Chris Walas, Fly's chief makeup whiz, the sequel was partially saved by Christopher Young's massive orchestral score, which itself is given generous time in the DVD's making - of featurette.

Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.

-- Movie Poster — Orchestral Sheet Music from recording session at Abbey Road Studios signed by Alexandre Desplat — Soundtrack on CD — 2nd CD with additional score

The full orchestral score, written by Hollywood legend Bill Conti, is everything a fantasy score should be; epic, rousing, and just fun.

The soundscape, which consists of intense battle ambiance and a beautiful orchestral score composed by long - time video - game composer Jeremy Soule, best known for his work with The Elder Scrolls series.

Ben recently completed a spectacularly epic orchestral score for the feature film Conquest 1453 directed by Faruk Aksoy, the most successful film ever in Turkey and in early 2012, the second most popular film on IMDB, beaten only by Underworld: Awakening.

As the score progresses through its charming, by - the - notes bonding between the two kids as they must make their way home from the untamed wilderness, the Dannas conjure effective, if not quite - savage orchestral suspense and action to give «The Good Dinosaur» dramatic weight.

If Klaus Badelt turned pirate scores into electro - orchestral rock operas with the «Caribbean» movies, «Cutthroat Island» stands tall as a last, defiant gasp to the old - school symphonic way of playing brigands in all of their unapologetically symphonic glory, as accompanied by Jeff Bond's entertainingly blunt notes about Carolco's sinking ship.

Considered by many to be one of the coolest genre scores of the»90s, Debney's powerhouse orchestral thrill - ride brings on both the brooding creepy and full - throated scares, perfectly complementing this tale of a horrifying creature running amok throughout a city museum.

Celebrating 30 years of stirring virtual adventure and memorable soundtracks with live orchestral renditions directly approved by franchise producer Eiji Aonuma, The Legend of Zelda: Symphony of the Goddesses brings the Zelda franchise to life with a full orchestra, choir, and a reimagined score that includes new movements from more recently released Zelda games such as Skyward Sword and the highly anticipated Breath of the Wild, while still paying homage to classic installments like Ocarina of Time and A Link to the Past.

Featuring a full orchestral score performed by the Video Game Orchestra and conducted by Shota Nakama of Final Fantasy XV and Kingdom Hearts fame, the story for Mages of Mystralia was written by Ed Greenwood, the author of the Forgotten Realms world of Dungeons and Dragons, which served as the foundation of games such as Baldur's Gate and Neverwinter Nights.

Immerse yourself in a soaring orchestral score performed by the Copenhagen Philharmonic Orchestra.

The score, full of that orchestral swell that I'm such a sucker for, is by Borislav Slavov, previously responsible for a couple of the Crysis games and Ryse: Son of Rome.

By the end of Arkham Knight, things start to get serious and with the impending end of the bat himself, an orchestral score set up the scene perfectly as you push on in the final third.

Full Orchestral Soundtrack — The mystical city of Zagoravia is fantastically realized with astounding detail, striking architecture and a rich and vibrant orchestral score recorded by the world famous Sofia Session Orchestral Soundtrack — The mystical city of Zagoravia is fantastically realized with astounding detail, striking architecture and a rich and vibrant orchestral score recorded by the world famous Sofia Session orchestral score recorded by the world famous Sofia Session Orchestra.

Brawl for the Nintendo Wii, which received a coveted perfect score from Famitsu Magazine, the brawler featured an orchestral main theme by Uematsu, overseen by Sakai, conducted by Takemoto, and inspired by a scenario by Nojima.

The game's score, by Joris de Man and The Flight, mixes traditional orchestral arrangements with electronic elements and vocals to create perhaps the best «cinematic» score of the year.

The beautiful and evocative soundtrack composed by David Garcia Diaz provides the undertones for the entire experience, featuring a full orchestral sound that rivals any other video game score.

The music was composed by David Garcia Diaz, and is another wonderful orchestral gem of a score.

He is famous for his rich orchestral scores, which have been performed by the Kanagawa Philharmonic and Warsaw Philharmonic, and his memorable opening and ending themes.

Usually, it's because you're simply amazed by its magnificent artistry, pausing to appreciate the beauty and depth of the moonlit forest or the sweeping orchestral score.

Austin Wintory will compose the music for the event which will feature three acts delivered live on - stage (with full orchestral score) by three of the world's greatest living scientists.

The 2003 score Tomb Raider: Angel of Darkness, written by Peter Connelly and performed by the London Symphony Orchestra, was one of the first recorded orchestral video game soundtracks, and was a galaxy away from the bleeps and snicks that had defined the medium's music.

It's composed by Hitoshi Sakimoto, who's usually known for tense orchestral scores like in Final Fantasy Tactics and Radiant Silvergun.

This gives the experience a meditative quality, amplified by David García Díaz's brilliant orchestral score, which never misses an emotional beat.

The rousing orchestral - styled score by Hyperduck Soundworks and Alexander Brandon is both memorable and powerful, though it does often end up overshadowed by the sound effects.