Sentences with phrase «orchestral score on»

Recognition of the album has led to the inclusion of the BioShock orchestral score on a heavyweight vinyl LP in the BioShock 2 Special Edition Set.

In 2008 Pedro won the IGF Excellence in Audio Award for his electronic soundtrack on Audiosurf and in 2010 another audio award, from Dutch Game Awards, for his whimsical orchestral score on the XBOX360 and PS3 game, Fairytale Fights.

Not exact matches

How about a movie whose visuals, architectural and costume design, and orchestral score draw heavily on cultural influences seldom seen on Western screens?

Add in an epic, bombastic orchestral score by Kevin Riepl (he also worked on Gears of War) and a surprisingly robust and easy - to - use level creation tool and you have one of the better games to be released so far in 2011.

A number of mainstream film critics have hailed his work on the new film — virtually unheard - of for a traditional, orchestral, «proper» film score in the 21st century.

Based on Yousef's 2010 memoir Son Of Hamas, Nadav Schirman's film — an audience prizewinner at Sundance in January — briskly runs down a decade - plus of double - dealing on the front lines of the Israeli - Palestinian conflict, offsetting the interview footage with archival news reports, a crashing orchestral score by Max Richter, and staged aerial surveillance shots, tinted night - vision green for maximum atmosphere.

With its sheer artistry, muscular idealism, and the passionate intensity of the acting — along with Leonard Bernstein's bright, clamorous orchestral score — Elia Kazan's On the Waterfront is a true classic.

(Note: original orchestral score extracts are also available on several compilation CDs.)

Having helped create an all - singing serial killer tuner for «London Road,» Adam Cork uses his instrumental voice to capture the despair and ebullience of North Carolina author Thomas Wolfe for «Genius,» (Milan Records) his Americana - accented score capturing the unique, orchestral spark of literary inspiration along with the jazz bounce of a copious writer's enthusiasm on the loose in The Big City.

The composer builds to an extent on the sound he established during one of his international breakthrough scores (2005's Syriana) but he takes it off in different directions for a score which will probably be an easier listen for most people than that one thanks to the increased orchestral element and the couple of notable concessions to mainstream Hollywood - style Americana.

It's become something of an axiom of modern film music that music for any kind of serious film set in the modern day will not have a traditional orchestral score - were Oliver Stone to make Born on the Fourth of July today, I seriously doubt he would have John Williams score it - and so he turned to Craig Armstrong, still primarily known for his instrumental pop music and song arranging for popular singers.

Audio seems to be faithfully represented on a monaural LPCM track that adequately conveys the orchestral dynamics of Tim Souster's (surprisingly compelling) score and maintains enough fidelity to the original recording that you can hear the sound edits between lines of dialogue.

However, it's rather undermined by an overly sentimental, on - the - nose score from Polish composer Zbigniew Preisner, whose orchestral stirrings never quite match what we're seeing on screen.

-- Movie Poster — Orchestral Sheet Music from recording session at Abbey Road Studios signed by Alexandre Desplat — Soundtrack on CD — 2nd CD with additional score

It's a warmly melodic, family - friendly spirit that's much like Debney's affable personality, growing from the small screen to apply his lavishly fun orchestral sound to such live - action and animated fantasy epics as «Inspector Gadget,» «The Ant Bully,» «The Scorpion King,» «Evan Almighty,» «Zathura» and «Lair» — a lavish orchestral score that arguably put videogame soundtracks on the map as a musical contender.

Ben recently completed a spectacularly epic orchestral score for the feature film Conquest 1453 directed by Faruk Aksoy, the most successful film ever in Turkey and in early 2012, the second most popular film on IMDB, beaten only by Underworld: Awakening.

Considered by many to be one of the coolest genre scores of the»90s, Debney's powerhouse orchestral thrill - ride brings on both the brooding creepy and full - throated scares, perfectly complementing this tale of a horrifying creature running amok throughout a city museum.

More than 25 years since Legend «s release, only Jerry Goldsmith's original orchestral & synth - embellished score has received a definitive CD release (via Silva Screen), whereas Tangerine Dream's electronic replacement score for the North American edit has yet to be issued on disc in its complete unexpurgated form.

Generous swathes of Teo Macero's orchestral score appear over edited montage of production footage from Antarctica on Disc of of this elaborate Japanese release.

It took me a while to adapt to the new score, which is more orchestral and less choral than the Martin O'Donnell's previous scoring, but it's grown on me.

''... Microsoft Publishing is pushing the epic «Halo Wars 2,» which combines a 80 - piece orchestral score by Gordy Haab (recorded with union players on Fox's Newman Stage) combined with electronic music written and performed by Brian Trifon and Brian Lee White of Finishing Move.

By the end of Arkham Knight, things start to get serious and with the impending end of the bat himself, an orchestral score set up the scene perfectly as you push on in the final third.

If you're a fan of cinematic game scores, you undoubtedly dug Henry Jackman's orchestral work on Uncharted 4: A Thief's End.

So far the feedback has been good: fans have reported that the game feels exactly the way they remember, and that the new orchestral score brings goosebumps along with nostalgic memories of playing Age for hours on end.

Tooth and Tail has a setting that echoes the Russian Revolution, and Wintory's score combines folk influences with his usual orchestral strengths (heavy on the strings) in a way that echoes his work on Assassin's Creed Syndicate.

He performs world percussion, drums and guitar on many of his own tracks and has conducted and recorded his live orchestral scores at Abbey Road Studios, Air Studios London, Capitol Records, FOX, Paramount Pictures and Skywalker Sound.

Whilst there are no overtly bombastic orchestral scores permeating your every beat, Hellblade's astonishing use of binaural audio puts it in front of most other games on our shortlist.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

From the breathtaking graphics to the stunning orchestral score, it screams next generation at you and it backs this up with truly imaginative, varied and engaging gameplay, with all aspects of the game featuring a host of lovely features that simply couldn't have been achieved had this game been released on Xbox as planned.

Austin Wintory will compose the music for the event which will feature three acts delivered live on - stage (with full orchestral score) by three of the world's greatest living scientists.

He is currently scoring music for orchestral ensemble and choir recording stateside as co-composer on a forthcoming key nex - gen AAA title TBA.