Sentences with phrase «orchestral sound»

Instagram does the rest of the work with a three - stage zoom in with synced - up bold orchestral sound effects.

Beautiful, formally rigorous, and pointedly underscored by dramatic orchestral sound, this moving image work draws us into a mesmerising exposé of the multi-layered relationships between art, labour and value.

Orchestral sound track FTW.

We wanted to get an electronic element into the score as well as the orchestral sound that he was known for.

Gorgeous serene vocals then shrine away the darkness in a majestic fashion polished off by a full orchestral sound of the original Legend of Zelda theme.

Personally, I am a huge film score fan, and have a deep appreciation for video game soundtracks that feature an orchestral sound.

It features a stunning orchestral sound, with memorable themes that I hum and whistle along to with ease.

The score for Remember is particularly noteworthy with a strong orchestral sound tinged with an electronic vibe.

The beautiful and evocative soundtrack composed by David Garcia Diaz provides the undertones for the entire experience, featuring a full orchestral sound that rivals any other video game score.

The soundtrack is also remade and has a wonderful orchestral sound that I always dig, but the fact remains that this might not be worth picking up for people who already bought the game — unless they don't have their old console, or simply want to play a visual update of the game.

The mysterious part of the Booktrack technology has to do not with speeding up and slowing down an orchestral sound bed but actually playing more or less music (or other sounds) according to a user's reading rate.

I wasn't optimistic that anything could better the orchestral sound of the Tubi Style twin rocket launchers.

I mixed the orchestral sound and this incredible singer and the players that I brought from Turkey and France.

It's a warmly melodic, family - friendly spirit that's much like Debney's affable personality, growing from the small screen to apply his lavishly fun orchestral sound to such live - action and animated fantasy epics as «Inspector Gadget,» «The Ant Bully,» «The Scorpion King,» «Evan Almighty,» «Zathura» and «Lair» — a lavish orchestral score that arguably put videogame soundtracks on the map as a musical contender.

The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics...

The orchestral sounds are great here, makes it sound so organic and rich.

He relies mainly on the loudness of trombones, timpani and heavy orchestral sounds to dramatise the momentary action, reflecting brief sections of mediocrity also evidenced through the film's protracted narrative tale.

Orchestral sounds, elongated notes and epic crashes all meld together to make this a beautiful fusion of South Park and Superhero.

With the colorful and sleek art style of Akira Toriyama and the orchestral sounds of Koichi Sugiyama's compositions, you will find yourself really sinking in to the Dragon Quest world.

It was the start of conveying orchestral sounds in games.

Not exact matches

After listening to this many times, my kids can now recognize the sounds of orchestral instruments and have learned to love listening to classical music.

A trip to the theater or an orchestral concert might seem like the perfect place for showing off your collection of bangles, but other people will disagree when every time you move your arm you sound like a metalwork factory.

Throughout, he manages to dip into old - school doo - wop sounds, grand orchestral ballads and Johnny Cash - inspired country anthems, not at the same time, but almost within their own little worlds.

The sound here is breathtaking; using electronics sparsely and more relying on melody, subtlety in song writing and a magnificent orchestral

Absolute Middle Age Masterpiece with a naked soul kind of sound all along... This is the album that all us (the fans) deserve from the Band that have just reinvented themselves one more time... Striped down to the the core of Thom Yorke's vision of Self, Society and the Human Mankind... beautifully crafted over half acoustic and orchestral / half electronic instrumentations... this is the OK Computer for the Y Generation... Classic!

When it comes to audio, the lighthearted orchestral music and delightful sound effects as letters pop onscreen and monsters collapse add a great deal of enjoyment to the overall experience.

The included music is playful and orchestral which perfectly suits the whimsical nature of the game while sound effects are both subtle and gratifying.

A unique film with no orchestral score, American Sniper uses intense surround sound to build tension and evoke...

On the other hand, the audio is fantastic with gratifying sound effects and a diverse soundtrack that consists of a lot of catchy tunes and appropriate dramatic orchestral pieces that suit the hectic action.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

But the sound effects are every bit as impactful — just check out the opening moments of the film, when a steadily building orchestral rumble is suddenly drowned out by the howl of a sandstorm in the desert.

Their sound has always been rich and orchestral, with a flair for strings.

Though a straightforward mono mix, «Thirst» has some marvelous sound design that particularly pays off during a hallucinatory «conversion» sequence of sorts, with wild sound effects by mixer Peter Fenton that beautifully intermesh with Brian May's excellent orchestral score.

The film's surround audio mix combines a few pulsating songs with Marco Beltrami's synth / orchestral shadings and saturated sound effects, meant to evoke the emphatic «bang!»

singer and songwriter Julia Holter turns the introspective sound of such albums as «Tragedy» and «Ekstasis» into the indie - score grit of an upstart fighter refusing to stay down, becoming one of the few female composers to step into the boxing movie ring as she captures a stripped - down and ultimately orchestral inspirational spirit for the terrifically unsung drama «Bleed For This» (Milan Records)

The composer builds to an extent on the sound he established during one of his international breakthrough scores (2005's Syriana) but he takes it off in different directions for a score which will probably be an easier listen for most people than that one thanks to the increased orchestral element and the couple of notable concessions to mainstream Hollywood - style Americana.

The iconic 8 - bit sound effects are set against gorgeous orchestral renditions of the game's soundtrack.

Audio seems to be faithfully represented on a monaural LPCM track that adequately conveys the orchestral dynamics of Tim Souster's (surprisingly compelling) score and maintains enough fidelity to the original recording that you can hear the sound edits between lines of dialogue.

The film begins with what sounds like the ringing of tinnitus before giving way to a gorgeous, lush orchestral score.

The film's Dolby 5.1 mix reflects the care director Singer and editor / composer Ottman invested in the various sound effects, overlapping dialogue, and orchestral soundtrack elements, and the mix faithfully recreates the original theatrical experience.

The soundtrack's full of 90s hits from Pulp, Primal Scream, The Housemartins and more, while Steven Price's orchestral score actually has quite a bit of refreshing earnestness to it — the 90s pop songs solidify the nostalgia - comedy part of The World's End, while the eerie electronic sounds and intense orchestration of Price's score help immensely to sell the action scenes and drama.

The high quality audio adds a further layer of immersion with a cinematic and subtle orchestral score, suitably visceral vocalisations, and gratifying albeit violent sound effects.

Some of the instrumentation from the orchestral score is also steered to the surrounds, and ambient sounds percolate there throughout.

While hardly aggressive, the new mix balances the orchestral elements of Cole Porter's light songs (with arrangements by Andre Previn), and Porter's brilliantly satirical «Stereophonic Sound» - giddily performed by Astaire and Janis Paige - finally has some resonance when Paige croons the title with multi-channel processing.

Thankfully, the orchestral music, fantastic Japanese voice cast, satisfying sound effects, and gritty and detailed visuals help bring the manga to life.

Dr. Ochesenreiter is an accomplished orchestral musician and he performs in several orchestras throughout the Puget Sound Region.

Your feet sink smoothly into the white sands as you walk down the aisle, and the sounds of the shallow blue Indian Ocean breaking softly on the banks, providing the perfect orchestral accompaniment.

Waking up to the morning sound of howler monkeys, the squawking of macaws and the orchestral singing of birds and insects against the background rhythm of the ocean.......

3 Music VI has lots of lovely three - voice orchestral arrangements which really shows off the sound capabilities of the SNES sound chip.

An actor's performance becomes more impressive as you can hear subtle nuances in their voice, a sweeping orchestral score becomes a force of nature, sweeping over you, while a game suddenly comes to life with tiny audio details, giving rise to a far better appreciate of sound design.