Sentences with phrase «orchestral themes»

Zur also composed, conducted and produced the original orchestral themes for DISNEY FANTASIA: MUSIC EVOLVED, the breakthrough musical motion video game inspired by Walt Disney's classic animated film «Fantasia.»

All of the main games were composed by Koichi Sugiyama, a classicly trained musician with great expertise in writing sweeping, orchestral themes.

The Heavy Rain Official Soundtrack — Recorded at the legendary Abbey Road studios, and filled with the powerful orchestral themes that form a key part of the experience of playing Heavy Rain

For players who aren't fans of orchestral arrangements, don't worry as the music has more to it than grandiose orchestral themes.

The composer attempted a soundtrack that stitched together multiple influences from superhero movies past, all while creating a mélange of orchestral themes for the various heroes, none of which really lands with any force.

Wallfisch's score blends rich, beautiful orchestral themes with influences from traditional East African music.

Not exact matches

The Voltron theme music was very orchestral and heart - pounding.

With a haunting theme that's often accompanied by female voice, Del Mar's flowing orchestral melody captures a lyricism that's worthy of Debussy's «La Mer» in communicating the literally transformative effect of nature on man, his lovely themes for aching violin capturing despair and acceptance, playful pizzicatos embodying a renewed sense of hope (as well as endearingly comic crabs) and exotic percussion hearing the mystery of an island and its outlying sea.

Now they move together from the positively demure «Single Man» to the cunning sordidness of «Nocturnal Animals,» as done up in the height of LA art chic - meets white trash murderousness, Given a multi-story enigma of a film, Korzeniowski's ultra-lush themes beautifully dress up unspeakable behavior, a rapture of erotic orchestral melody whose contrast with the onscreen grotesqueries is exactly the point as his music shivers with anticipation towards the next shocking chapter.

With the morally uncertain «Monkey King 2» battling mountain - sized skeleton demons and flying witches, he's the closest thing that China has to a superhero (and likely one of the oldest in the world at that), Young jumps off such robust Marvel scores as «Spider - Man 3» and «Ghost Rider» for a series of hellzapoppin orchestral battles, as a battery of millennia - old Asian instruments like the erhu are skillfully blended with raging electric guitars, the score's numerous themes bursting with the honor of eternal warriors and choruses thundering from the heavens.

Plumeri offers a fascinating account of his preference for orchestral scores and how he imagined a romantic theme for images (excised) of our heroes digging money out of the skull of one of their buddies.

Then Powell's main new theme gets the focus in «For the Dancing and the Dreaming», which culminates in a slightly silly song but not before the composer wows us with a gentle orchestral and even whistled version of the tune.

a staggeringly beautiful score, filled to the brim with orchestral glory, soaring melodies, emotional themes, choral wonderment, and sublime instrumental solos.

One should also mention the orchestral smear heard on the soundtrack: a nauseating lurch of Psycho-esque strings provided by Under the Skin's Mica Levi, who expresses the movie's theme of sudden change better than anyone.

While it lacks a memorable theme, Howard makes up for it with sheer energy and excitement in many tracks and outright beauty in the other ones, sometimes favouring long - lined string melodies, sometimes old - fashioned orchestral action music.

There is a reason OCRemix and Orchestral Arrangements of the music is so popular, because Terra's Theme immediately brings back that feeling I had when I saw the Magi - Tek armors walking through the snowfield in glorious Mode 7.

They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially «Suteki da ne» and «To Zanarkand», remain popular today, and have been performed numerous times in orchestral concert series, as well as been published in arranged and compilation albums by Square as well as outside groups.

Alongside the voices, you will find a high quality orchestral soundtrack, with the battle theme in particular offering a dramatic accompaniment to your many skirmishes in Resonail.

Opening with a fantastic live orchestral version of the Zelda theme, it is clear that Nintendo is going to open with their...

[21] «Opening Theme», «Waltz Clavier», «Town Theme», and «Main Theme of FINAL FANTASY V» were played by the Tokyo Philharmonic Orchestra in their second Orchestral Game Concert in 1992 as part of a five concert tour, which was later released as a series of albums.

Brawl for the Nintendo Wii, which received a coveted perfect score from Famitsu Magazine, the brawler featured an orchestral main theme by Uematsu, overseen by Sakai, conducted by Takemoto, and inspired by a scenario by Nojima.

(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated

A landmark work technologically and musically, it featured well - developed and atmospheric themes that convincingly used orchestral instruments; it provided a captivating accompaniment to a game representing futuristic urban warfare while adding maturity and originality to a key Square series.

New orchestral arrangements of classic Final Fantasy themes in a much improved album over its predecessor.

He also created a modernist orchestration of Populous» «Ending Theme» for the influential Orchestral Game Concert organised by Sugiyama.

It features a stunning orchestral sound, with memorable themes that I hum and whistle along to with ease.

He is famous for his rich orchestral scores, which have been performed by the Kanagawa Philharmonic and Warsaw Philharmonic, and his memorable opening and ending themes.

He demonstrated flair for orchestral cinematic underscoring in all these projects and produced several noteworthy opening and ending themes once more.

Gorgeous serene vocals then shrine away the darkness in a majestic fashion polished off by a full orchestral sound of the original Legend of Zelda theme.

The Video Games Live concerts have always been a fan - favourite, with their live orchestral recreations of some of gaming's best musical themes playing to sell - out gigs.

The uproarious applause at an orchestral recitation of the theme of The Legend of Zelda or Sonic the Hedgehog would be lost.

Both scores reflect an interplay between electronic and orchestral music that has been a central theme of the musicians» careers.

In terms of music, we now have a rock - themed soundtrack composed instead of the more orchestral - style music, and you can set music to always play whilst racing, or only when trackside or in the main menus.

Topping off the highlights for the new arrangements are short but sweet orchestral renditions of «Hyrule Castle» and «Zelda's Theme».

Thirty years of classic Legend of Zelda themes old and new, given quality orchestral arrangements and performances across the board in The Legend of Zelda 30th Anniversary Concert - what's not to like?

Among the shorter arrangements, the standouts are a high - intensity «Gerudo Valley» arrangement (blatantly patterned after the Star Trek 2009 main theme but fun nonetheless), and the best orchestral recording dedicated to the classic «The Legend of Zelda Main Theme» in existtheme but fun nonetheless), and the best orchestral recording dedicated to the classic «The Legend of Zelda Main Theme» in existTheme» in existence.

«Forest of Taboo» and «Hanuman» are definitely my favorites, along with «Lagi and Lundi ~ Theme of Zwei ~» (which I would love to hear given the orchestral - choral treatment as in Azel and Orta's spectacular ending themes).

Afrika Original Soundtrack is the quintessential outdoor adventure score, melding captivating themes with a grand orchestral performance, while emulating classic adventure movie scores in the best way.

With a penchant for creating powerful emotions and memorable themes, Hulick's original scores range from fantasy landscapes and sweeping sci - fi to orchestral bombast, intimate piano and small string ensembles.

Sure, it's easier to appreciate it in a sweeping orchestral arrangement like Dragon Quest VIII, but even as a chiptune in the original game, the music and especially the theme is perfect: epic, heroic - sounding, and passes the important test of being able to be heard a billion times throughout the game on repeat and not get annoying.

The concert is a video gaming spectacular featuring live orchestral performances of theme music from the popular Legend of Zelda series.

The orchestral music is always there and always «pretty nice» but the only track that has left a lasting impression so far has been the bombastic main theme of the first game and even that has been arranged more poorly.

The full soundtrack proved as mesmerizing as the previewed forest track and main theme, with its orchestral flights and low - fi iterations.

One hesitates to demean Rothko's determined preoccupation with his simple themes even if they are merely two - or three - note sambas to the rich orchestral works of someone like Richard Diebenkorn whose works are sharper and more complex, but just as poetic.