Presented through a carefully
orchestrated series of actions, including photo
shootings echoing the studio
of Brancusi currently reconstructed in front
of the Centre Pompidou in Paris and a semi-fictitious newsletter, VAPRICO has the possibility
of questioning once again the state
of the arts, but this time within a context that is far from the comfort zone
of conceptual art.
Posed to look candid, Prager's
series of «crowd
shots» were in fact elaborately
orchestrated on a Hollywood sound stage, and each participant's movements and appearance were meticulously directed.