Sentences with phrase «ordered as a unity»

However, the «laws» of physics, the interrelatedness of being within matter that lies at the heart of all natural science, beg the question: Why is the universe ordered as a unity (rather than being random)?

The interrelatedness of being within matter that lies at the heart of all natural science, begs the question: Why is the universe ordered as a unity?

Not exact matches

That does not change the fact that mohamed conquored a large area and then brought unity and relative order with his new religion as a guiding force.

According to the Patriarch, the Council «will address internal issues of the unity and administration of the Church, but also matters such as relations with other churches and faiths, in order to present a unified voice and credible witness for the life of the world.»

Whiteheadians seem able to imagine such ecstatically spanned unities - across - time on the so - called «microscopic» scale of the «specious present,» but give up on the idea as the scope of the temporal disclosure space is widened to the scale of human lifetime and of generations.7 But worse than this from the point of view of Heidegger's temporal problematic, by submitting the ecstatic unities of their «specious presents» to the before / after ordering and metric properties of linear time, at least in terms of their mutually external relations and arrangements, they give back ontologically every advantage they gained from the use of an cc - static - temporal disclosure horizon in the first place, even though it was only the single horizon of presence.

For, while Hartshorne allowed for the reality of structured societies and only specified that their unity as compound individuals was effected through the presence and activity of a dominant personally ordered subsociety, Ford equivalently wants to eliminate the reality of structured societies altogether, at least insofar as they function as compound individuals rather than as simple aggregates of occasions.

At the behest of the Holy Father, Williams was inducted as a Knight of the Order of St. Gregory I in a special mass for Christian unity.

Jesus says in the gospel of John, «I and the Father are one,» and «before Abraham was, I am,» appealing to notions of being and unity in order to articulate his own identity as God.

What I am proposing is that such regnant societies may not be necessary in every instance, that the structured society itself, as a process of a higher order than its constituent parts or members, possesses its own unity and exercises its own agency, quite apart from whether it is organized monarchically or democratically.

Furthermore, precisely as a community (or, in Whiteheadian terms, a structured society), they possess a higher unity and greater actuality than would theoretically be possible for each of them as individual persons, i.e., as separate personally ordered societies.

If the Trinity is not organized democratically, it will be a quaternity, i.e., three personally ordered subordinate societies which correspond to the three persons of the Trinity, plus a fourth society, whether personally ordered or not, constituting their unity as one God.

Sociological theories of the 1940s and 1950s tended to portray culture as a hierarchy of values that was integrated by higher - order religious values and was internalized by the person, thereby giving unity and direction to the person's behavior.

It is such mind as the source of order which grounds measurement and holistic unity.

A Society is, in Whitehead's scheme, a type of nexus wherein the relations between its constituents exhibit an ordered relatedness to one another, i.e., some common pattern of relations is manifest wherein the nexus takes on the additional feature of social unity which thus constitutes it as a social nexus, or in Whitehead's terms, a Society per se.

(Religion in the Making, Cleveland: Meridian Books, 1960, 115) A clearer statement of the significance of the ordering to God as an actual entity is: «The conceptual feelings, which compose his primordial nature, exemplify in their subjective forms their mutual sensitivity and their subjective unity of subjective aim.

The Word is the eternal object [= Whitehead's realm of eternal objects as internally ordered] of the Father's self - expression, and the Spirit is the Immanent principle of actuality and unity in their mutual relations.

Although we would rather talk of the coherent unity of the causal complex, because, even when the development of a complex entity can be traced through contributary causes, the interlocking patterning of those causes through time and space and the higher meaningful unit of organisation which they produce still reveals order and purpose in the system which points to Transcendent Mind as First and Final creative cause.

As time went on several groups of verses began to grow up and tended to become independent unities as new verses were added according to the instructions given by the Prophet, who was following the orders of the Revealer SpiriAs time went on several groups of verses began to grow up and tended to become independent unities as new verses were added according to the instructions given by the Prophet, who was following the orders of the Revealer Spirias new verses were added according to the instructions given by the Prophet, who was following the orders of the Revealer Spirit.

The FCC set hearings on the matter as one of its first orders of business, and in January of l935 recommended that, since the broadcasters were making their facilities available in a spirit of «unity and cooperation,» no fixed percentages of broadcast facilities should be allocated by Congress for the use of nonprofit activities.

An alternative formulation is that the world as a unity is explainable only by the divinely inclusive love that binds the many into a single cosmic structure; and, therefore, the world of secular experience is nonsense if God does not exist.79 Similarly, one neoclassical version of the traditional teleological argument would be that the fact that the world has any order at all is only to be explained by an eternal divine Orderer, because apart from God it is impossible to understand why chaos and anarchy are not unlimited and supreme.80

For him God is not an object of thought, of speculation; he does not press into service the concept of God in order to understand the world and comprehend it as a unity.

J.H.Nichols wrote, «The faith and order movement has sometimes tended to proceed as if one could deal with the abstract essence of the one Church, could argue about and perhaps determine the true nature, without what it does».29 However, the Lund conference gave consideration to the world mission of the church and its relation to unity.

In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116).

According to Roger Ames (NAT 117), an «aesthetic order» is a paradigm that: (1) proposes plurality as prior to unity and disjunction to conjunction, so that all particulars possess real and unique individuality; (2) focuses on the unique perspective of concrete particulars as the source of emergent harmony and unity in all interrelationships; (3) entails movement away from any universal characteristic to concrete particular detail; (4) apprehends movement and change in the natural order as a processive act of «disclosure» — and hence describable in qualitative language; (5) perceives that nothing is predetermined by preassigned principles, so that creativity is apprehended in the natural order, in contrast to being determined by God or chance; and (6) understands «rightness» to mean the degree to which a thing or event expresses, in its emergence toward novelty as this exists in tension with the unity of nature, an aesthetically pleasing order.

By reason of this prior decision Whitehead is forced to interpret all those beings of higher order that manifest themselves as unities, such as living beings and humans, to be a multiplicity of entities, that is, to be a «society,» [253] or even more as a whole gradation of inter-compartmentalized «societies» and «subordinate societies.»

What Whitehead denotes as the «social order» of the higher living beings can no longer be understood on the model of a society with its emphasis on multiplicity, but only on that of an organism focusing on unity.

It is true, as Hall points out, that for Whitehead ordering principles are «immanent» within particular occasions (see UP 261 - 70), but in most cases those ordering principles also reflect the «mutual relations» of individuals, as well as the «community in character» pervading groups or societies of individuals (AI 142).13 This is particularly true of persons: the relations between occasions which constitute the human body and brain, and the «community of character» of the succession of personal experiences, give an essential element of unity to human experience.

I take the original wording to be «their subjective unity of aim,» where aim is conceived as a common feature by which all feelings are ordered together.15 Note that the unity of aim is quite static, for the divine conceptual actuality is itself static.

Presumably Whitehead himself never thought of this possibility because his basic image of a society was that of an aggregate of actual entities, sometimes dominated by a higher - order actual entity which equivalently acts as a «soul» or principle of unity for the others, but otherwise without any centralized organization or control.

Let my correspondent have the last word, for I could not agree more: «The real issues facing us, as I tried to indicate, are how to keep necessary order from becoming tyranny, how to achieve a sense of unity without the stultifying overtones of sameness so that people are free to be and do what they really believe is important.»

As a contemporary commentator noted as early as 1865, Mill's anti-Hamiltonian view of feeling as a neutral stuff prior to the correlation of Ego and Non-Ego, and his confession that the continuity of feeling, though as real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spiriAs a contemporary commentator noted as early as 1865, Mill's anti-Hamiltonian view of feeling as a neutral stuff prior to the correlation of Ego and Non-Ego, and his confession that the continuity of feeling, though as real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirias early as 1865, Mill's anti-Hamiltonian view of feeling as a neutral stuff prior to the correlation of Ego and Non-Ego, and his confession that the continuity of feeling, though as real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirias 1865, Mill's anti-Hamiltonian view of feeling as a neutral stuff prior to the correlation of Ego and Non-Ego, and his confession that the continuity of feeling, though as real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirias a neutral stuff prior to the correlation of Ego and Non-Ego, and his confession that the continuity of feeling, though as real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirias real as the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirias the sequence, was a «final inexplicability» 4 — both positions impelled British philosophy in the direction of some kind of original unity.5 To this end, Bradley will conflate the «feeling» of Hegel and of Mill in order to transform it from a psychological into a metaphysical category that can accomplish the reconciliation of nature and spirit.

Having rejected the authority of the Church as the glue holding together Christendom, Protestantism was ineluctably drawn to the force of military might, to using the secular arm of the state as the source for order and unity.

Discussing the Queen's reign were Lord Owen, former foreign secretary and member of the Order of the Companions of Honour, Robert Tombs, professor of history at the University of Cambridge and Dr Tracey Borman, a historian who described the Queen as a «symbol of unity».

National Publicity Secretary of the party, Professor Rufai Ahmed Alkali said the party has not been served the court order, which he described as a rumour that «exists only in the fertile imagination of mischief makers who are bent on undermining the unity and cohesion of the PDP in Bayelsa State.

The forum therefore ordered that a committee be set up for codification of their values and ethos as an instrument of Yoruba uniqueness to strengthen their identity and unity of purpose.

My mind is racing with thoughts and questions as to how to move a school culture away from one of isolation, dysfunction, and misery towards one of unity where all stakeholders collectively work together in order to achieve common goals!

The main requirements of a good essay are the same as those of a good paragraph (e.g. unity, order, brevity, variety etc.) except that an essay consists of a number of paragraphs all knitted together homogenously, arising naturally one from the other and coming to a grand finale.

More recently, some theoreticians in their essays on culture have tried to increase it, speaking about the representation of the social order with equivalent opportunities, not solely with respect to liberties, but as well representation that provides particular defense for unities that have all the while been separated on other grounds.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Olivier Mosset has been rigorously pursuing his work over the deconstruction of painting for fifty years now, which he started in the 1960s next to Daniel Buren, Michel Parmentier and Niele Toroni through their group B.M.P.T.. Following his research upon the concept of a painting referring only to itself and to its history as a medium, he challenges the notions of «savoir - faire», originality and the alleged unity of a painting in order to better approach the limits of what painting really is.

this current and developing series addresses the beauty and destruction of the material world, and utilizing these tokens as forms of media in order to create unity, thereby establishing discourses of substance, emotion, and voice.

The artist came to believe that what was essential in art — given the diversity of themes or motifs — were two universal requirements: that every work of art has an individual order or coherence, a quality of unity and necessity in its structure regardless of the kind of forms used; and, second, that the forms and colors chosen have a decided expressive physiognomy, that they speak to us as a feeling - charged whole, through the intrinsic power of colors and lines, rather than through the imaging of facial expressions, gestures and bodily movements, although these are not necessarily excluded — for they are also forms.

But these unpretentious, three - dimensional representations relentlessly debate geometry, order and unity, freeing up painting as a performative object that shifts between color, flat surface, as well as high and low relief.

Just as the S / N ratio of the discussion finally rises well above unity (thanks to your and some of Sam Urbinto's contributions), I'm regrettably forced to abandon it in order to prepare for a project overseas.