When it comes to free - speech protections, art lies somewhere between ordinary speech and
ordinary consumer goods.
Not exact matches
The monumentality of his work was meant to reflect the object fetishism of a captalist society, a society obsessed with colourful
consumer goods, although making art out of
ordinary objects was still a novelty during the 1960s.
By manipulating the scale and context of
consumer goods, these mischievous public artworks transformed the
ordinary into the extraordinary and used levity to ask complicated questions about the nature of desire and value.