Sentences with phrase «ordinary objects became»

For Johns, the bronze forms of ordinary objects became Gavin Turk's Bronze Roller (1998).

In Gober's hands, ordinary objects become imbued with poetic qualities like love, loss and redemption, and Untitled, like the sinks before it, is a signifier of these and the many compelling themes that underpin his work.

Ordinary objects become something else in this short animation by PES.

Not exact matches

For Whitehead God is a metaphysical necessity, not as the world's creator, ex nihilo but as that foundational actual entity which is the home of eternal objects and the medium by which they can become objects of that aspiration on the part of ordinary actual entities which is the moving force of the world.

On the contrary, it can become difficult during the experience to concentrate on just the ordinary range of things: attention may even narrow to a single object.

He resents the fact that he has become an object of academic curiosity in the modern, politically correct German society when just a few decades ago he entire race was nearly wiped out by the Third Reich, and wants nothing more than to be an «ordinary Jew.»

Ordinary everyday objects placed in the common spaces suddenly became sources of interest.

Ordinary objects, harmless items by day, became sinister as darkness infected them.

In Thiebaud's words «common objects become strangely uncommon when removed from their context and ordinary ways of being seen» (Cooper).

But with Berlin - based media artist Nils Völker's latest exhibition, Bits and Pieces, the gallery becomes a space of «poetic performance» through a choreographed dance of what the artist calls «ordinary objects.»

Duchamp, who was on the Society's board, tested the limits of the organization's guidelines by anonymously submitting what would become his most famous readymade (an ordinary manufactured object that he designated as a work of art).

Over the past three decades, Steinbach has become known for his sculptures that place ordinary objects on display — some purchased, others borrowed — to explore the intersection of our personal desires, memories, and cultural values.

The Fountain was the first example of what's now called «the readymade»: an ordinary object that becomes art merely due to its context; otherwise it's just an ordinary object.

By investigating the ways in which reality can become dissociated from recognizable forms and ordinary knowledge, the exhibition considers the manual labor, or craft, within an artist's practice and its potential to modify, shape, overturn, and radically change an existing object, shape or event (historical or current) in the process.