Sentences with phrase «organic abstraction by»

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Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

``... Werfel's new abstractions may have abandoned the window on the world for subjectivity and improvisation, but a feeling of landscape lingers in her «organic» palette and the forms evoked by her linear accents.»

As I reached the top I was embraced by several large paintings of organic abstractions - referencing both water and flora.

Charles Seliger: The 1940s & 1990s illustrates the artist's life - long exploration of organic abstraction with works separated by half a century.

Hovering between representation and abstraction, Rivera's landscapes and still lives are characterized by vibrant color, subtle brushwork, and attention to the inherent beauty of organic forms and materials.

The result is an exhibition where variety in scale, medium, and degree of abstraction is balanced by the strong continuity among all the works — a reliance on automatism, a juxtaposition of unexpected elements and conflicting temporalities, and the presence of organic forms — bringing to light the profound impact surrealism had on pre - and post-war American artists.

The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.

Inspired by the basic building blocks of the geometric world, Augustine Kofie has formed a retro - futuristic aesthetic which transplants these shapes and angles into a soulful, organic, yet highly mathematical form of abstraction.

She joined a small group of pioneer sculptors who were committed to abstraction, with whom she developed her more mature style marked by organic abstraction and innovative use of various media including string, wire and colored paint.

Augustine Kofie Inspired by the basic building blocks of the geometric world, Augustine Kofie has formed a retro - futuristic aesthetic which transplants these shapes and angles into a soulful, organic, yet highly mathematical form of abstraction.

Poised between representation and abstraction, the organic and the digital, his work appears to have been pollinated, or perhaps infected, by stray data.

Middlebrook's abstraction is inspired by natural formations like geodes and crystals, as well as by military insignia, architecture, mathematics, and other less organic appearances of geometry and pattern.

By Francis V. O'Connor, with a foreword by Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearBy Francis V. O'Connor, with a foreword by Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearby Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearby Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty years.

By appropriating the Surrealist technique of automatism, artists such as Peter Busa, Arthur Dove, Gerome Kamrowski, and Boris Margo found their voices in what Theodoros Stamos called, «abstract surrealism,» now known as organic abstraction.

Taking its title from the words scrawled in a painting by Alicia Gibson, the exhibition brought on rich, organic possibilities in contemporary abstraction.

CALLICOON FINE ARTS Callicoon and Mother's Tankstation Limited of Dublin have collaborated on this four - artist show, with the strongest impression made by Mairead O'hEocha, who reinvents the floral still lifes of Rachel Ruysch (1664 - 1750) with small flyaway brush strokes that evoke abstraction and organic decay.

There's also a solid helping of funkier, more - organic - looking abstraction here — a veiny network of yellow and black lines by Daniel Reynolds, a brushy green canvas by Gregory Montreuil, a spooky painting in pesto green and light purple by Gail Fitzgerald that looks like some ghostly undersea creature (and suggests a miniature, low - key Sigmar Polke) and, probably my favorite work here, a square with a few barely there marks, whiffs of different colors by Roberta Allen.

Meg Atkinson's work explores figure / ground relationships by juxtaposing Ad Reinhardt - like «disinterested» abstraction with text and / or organic forms.

Ephemera comprises much of the show, and it's crammed into every nook of the galleries: there is the exhibition announcement for Ms. Lippard's legendary 1966 exhibition «Eccentric Abstraction,» which included organic, tactile work by Eva Hesse, Louise Bourgeois and others as the feminist counterpoint to minimalism; an issue of Aspen Magazine devoted to minimalism; and documentation of Richard Serra's famous molten iron piece Splashing (1968).

Inspired by natural forms, biomorphic / organic abstraction in sculpture is exemplified in works such as: Human Concentration (1934, Musee National d'Art Moderne, Paris) and Demeter (1961, The Israel Museum, Jerusalem), both by Jean Arp (1887 - 1966); Mother and Child (1934, Tate Collection, London) by Barbara Hepworth (1903 - 1975); Abstraction (1940, Georgia O'Keeffe Museum, Santa Fe) by Georgia O'Keeffe (1887 - 1986); Crouching Woman (The Farewell)(1940 - 1) by Henri Laurens; and Two Forms (1966, Soraya marble, Staehein Private Collection, Zurich) by Henry Moore (18abstraction in sculpture is exemplified in works such as: Human Concentration (1934, Musee National d'Art Moderne, Paris) and Demeter (1961, The Israel Museum, Jerusalem), both by Jean Arp (1887 - 1966); Mother and Child (1934, Tate Collection, London) by Barbara Hepworth (1903 - 1975); Abstraction (1940, Georgia O'Keeffe Museum, Santa Fe) by Georgia O'Keeffe (1887 - 1986); Crouching Woman (The Farewell)(1940 - 1) by Henri Laurens; and Two Forms (1966, Soraya marble, Staehein Private Collection, Zurich) by Henry Moore (18Abstraction (1940, Georgia O'Keeffe Museum, Santa Fe) by Georgia O'Keeffe (1887 - 1986); Crouching Woman (The Farewell)(1940 - 1) by Henri Laurens; and Two Forms (1966, Soraya marble, Staehein Private Collection, Zurich) by Henry Moore (1898 - 1986).

Her work is characterised by raw emotional content and formal invention, hovering between figuration and abstraction, the geometric and the organic, the bodily and the architectural.

His «camera-less» photograms were made in the darkroom by arranging and exposing objects directly on top of light - sensitive paper; juxtaposing geometric, industrial, typographic and organic forms to create images that are poised between abstraction and representation.

To explore the story of these radical shifts and their legacy, «Revolution in the Making» unfolds as a thematic historical survey that is international in scope and fundamentally revisionist, making women artists central to the history of sculpture by tracing the legacy of studio - based organic abstraction.

These early explorations of painting do, however, feel like experiments, and they eventually led Martin to formal abstraction, where the organic forms of the early pieces were over time replaced by geometry.

These theoretical studies firmly establish that the mechanism of gas phase MSA formation is occurring via hydrogen abstraction from organics by the CH3S (O)(O) O • radical.

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.