Sentences with phrase «organises group shows»

The gallery features a program of contemporary artwork by emerging and mid-career artists in both solo and thematically organised group shows.

Not exact matches

The focus groups organised by Lord Ashcroft and his team show that Enoch Powell's ghost still haunts us, and is costing us votes.

For example, recruit pupils for extra-curricular groups; arrange extra rehearsals; follow up on interests shown in the classroom (eg finding a child who is learning the guitar at home, informally, and getting them involved in a school group); produce a programme for the school concert which includes every child's name; liaise with other staff members (eg with the Art Department to provide a cover for said programme); organise refreshments; run a Parent Support Group for music; arrange for matching T - shirts for the jazz band or school choir; deliver a «sponsored sing» for charity; visit an old people's home to perform for the residents; and a host of other things which make for «a musical school&ragroup); produce a programme for the school concert which includes every child's name; liaise with other staff members (eg with the Art Department to provide a cover for said programme); organise refreshments; run a Parent Support Group for music; arrange for matching T - shirts for the jazz band or school choir; deliver a «sponsored sing» for charity; visit an old people's home to perform for the residents; and a host of other things which make for «a musical school&raGroup for music; arrange for matching T - shirts for the jazz band or school choir; deliver a «sponsored sing» for charity; visit an old people's home to perform for the residents; and a host of other things which make for «a musical school».

We have dedicated event planners on hand to help you organise a show - stopping Hawaiian conference, inspiring group seminars, board meetings and incredible corporate retreats.

The Group Leisure & Travel Show is the UK's number one exhibition for people who organise group trips and holidays, and it's back at the NEC, Birmingham on Thursday 22nd October Group Leisure & Travel Show is the UK's number one exhibition for people who organise group trips and holidays, and it's back at the NEC, Birmingham on Thursday 22nd October group trips and holidays, and it's back at the NEC, Birmingham on Thursday 22nd October 2015.

Seeing the main sights, as well as some of the backpacker favourites from off the beaten track, will mean you and your group get to experience things the way backpackers would - all with the convenience and safety or an organised group and group leader to show the way.

Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the Contemporary Arts Society in 1964, and The Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.

In July 1970 Studio International organised within a special section of 48 pages of the journal, and under the aegis of Charles Harrison, a most original showing of the work of 37 artists divided into six varying groups, by six critics, including Harrison and Lucy Lippard.

Organised in a chronological sequence, documents are on show alongside these works that generate a «context» with information on the history and the production processes of the group.

July Scott's work was included in two group shows in London: Eleven British Painters at the ICA Gallery in Dover Street, which opened on 3 July (closed 1 August), and Space in Colour at the Hanover Gallery (organised by Patrick Heron), which opened on 7 July (closed 7 August).

Group shows include Formarte, organised by the Fundación Corazón Verde, Bogotá (2009), the Tina b. Contemporary Art Festival, Prague (2009), Inner Journeys at Maison Particulière in Brussels (2013) and Conscienta: Latin American Consciousness at the Lloyds Club in London (2014).

Intriguingly, the curators include a small detail towards the end of the show about Houghton's immaterialised ambition of organising a group exhibition of Spiritualist artists, which very much leaves the metaphorical door open to ensure this work is neither forgotten nor left dormant in archives.

Scott's work had already been included in some key group shows and solo shows had been held at the Leger Gallery, London (1942 and 1945) and the Leicester Galleries (1948 and 1951), however it was his inclusion in the Festival of Britain exhibition in 1951, organised by the Arts Council, that brought him to the public's attention.

From 2000 - 2004 he was Director of the Rooseum Center for Contemporary Art, Malmö where he made solo exhibitions with Surasi Kusolwong, Nedko Solakov and Superflex a.o. and group shows including «Baltic Babel» and «Intentional Communities» From 1998 - 2002 he organised the international art academic research project called «protoacademy» at Edinburgh College of Art.

A group exhibition was organised by Paul Signac at the famous Durand Ruel Gallery in March 1899, where Valtat exhibited twenty canvases, fifteen of which were shown under the heading Notations d'Agay, 1899.

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

Organised by the Arts Council Collection, this group show is a celebration of Aston Hall's 400th anniversary and brings together a selection of contemporary portraiture from the Birmingham and Arts Council collections, with reference to the themes of history, culture, class and race.

Organised by Ben Coonley, this group show screens the first ever 3D project from a range of new and experienced artists.

I am also in the early stages of organising a show with a group of fellow artists, so always looking out for exciting and unusual possible exhibition spaces.

With an intense exhibition program consisting of no less than six solo shows a year, augmented by occasional live performances, Annka Kultys also hosts two group exhibitions annually, one in January with recently graduated artists, enabling them to have a first gallery show following completion of their studies, and one in July organised in collaboration with a guest curator aimed at highlighting new perspectives on young and / or established artists.

It was the art critic Germano Celant who christened it «poor art» — in 1967, when he organised a show in Genoa unveiling a group of mainly Italian artists who loosely fitted the definition.

Her work can currently be seen in a group show organised by Hamish Pearce and Will Rees called «Does Your Chewing Gum Lose its Flavour (on the Bedpost Overnight)?»

Selected shows include: The Equilibrists — Benaki Museum, Athens, organised by the New Museum, New York and the DESTE Foundation and curated by Massimiliano Gioni, Gary Carrion - Murayari and Helga Christoffersen (2016); tell me if I am too much, ALMA ZEVI Gallery — Lendi Projects, Celerina, Switzerland (2016); Cuprum (with Talisa Lallai and Marlene Starck), Bank of Cyprus Cultural Foundation, Nicosia, Cyprus, curated by Clarissa Tempestini (2016); Aeropagus Königin (group show), Parallel Vienna, Vienna, Austria, curated by Jelena Seng (2015); The London Project Goes North (group show), Yorkshire Sculpture Park, UK (2013); The London Art Book Fair, Whitechapel Gallery, London (2011).

1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA

Group shows include «Air de Pied - a-terre,» organised by LIsa Cooley & Alan Reid, Lisa Cooley, New York; «Today,» Lisa Cooley, New York (both 2013); «Keno Twins,» curated by Michael Bauer,» Barriera, Turin; «Beholder,» Talbot Rice Gallery, Edinburgh (both 2011).

She initiated and organised with Philippe Parreno the seminal international group show of post relational aesthetics entitled.

About the show, according to the curator: The challenge in organising an exhibition with this scale, to discuss comteporary themes and their relations, is set through the group of works from the museum, another institutions and guest artists from three different fields.

Candid Arts is would like to invite artists to show their work in our upcoming exhibition.The Dark Arts exhibition will be a group mixed media show organised by Candid Arts Trust exploring the dark corners of life.

Ellis King have put on a string of large group shows that address the nature of exhibition organising in itself, like putting a plan of a Cathedral over the plan of the space and making new imaginary rooms, or hosting 32 works in show, Cookie Gate that all think about their own consumption.

Moving fluidly between writing, blogging, producing video art, documentary filmmaking and curating, recent exhibitions include Breath of Freedom, a virtual group show presenting work by Tunisian artists created before and after the revolution, curated by Mohamed Ben Soltanein 2011, and Politiques / Politics at the National Center for Living Art in Tunis in 2012, organised by ismaël alongside artists Nidhal Chamekh, Ymene Chetouane, Fakhri El Ghazel, Maher Gnaoui, Malek Gnaoui, Atef Maatallah and Ibrahim Màtouss.

In 2001 she founded the Paris Stuckists and organised the Stuckist Vernissage (Stuckist Paintings) the first Paris show of the Stuckists at the Musee d'Adzak: [1] this included the artist Stella Vine (later made famous by Charles Saatchi), who at that time was a member of the Stuckist group.

These exhibitions were organised by a group of young artists who, having just graduated from art school, sought venues that lay outside the traditional institutions of the art world in order to show their work.

Molly Soda is featured in the group show The Mercury Theatre Reality Show organised by Galerie Christophe Gaillard in Pashow The Mercury Theatre Reality Show organised by Galerie Christophe Gaillard in PaShow organised by Galerie Christophe Gaillard in Paris.

In the past, hens have been a predominant subject in Halilaj's work: from the series of drawings «Bourgeois Hens,» to the sculptures «They are Lucky to be Bourgeois Hens,» and living hens have been present in his shows at Stacion, Pristhina; at the 2010 Berlin Biennale; and then again at the Rome Auditorium in 2011, as part of «Temporaneo,» organised by Nomas Foundation; and before that, in a group exhibition in Istanbul.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

I will have two new paintings in PEPLEXIA, a group painting show organised by artist - led group Through The Wall Projects.

Protest groups have been organising and preparing a huge show of strength to

Apps can be organised to show separately in the app drawer or in groups that stacks together Google apps or social media apps etc..

If your resumé seems a little thin on achievements, something as simple as organising a book group in your free time can be creatively phrased to demonstrate leadership qualities, while playing football in a local group shows you're comfortable working in a team.