Sentences with phrase «organising such an exhibition»

Not exact matches

The event, organised by the American drinks publishing, marketing and B2B networking platform, the Beverage Trade Network, has previously being held in the US, but such is the importance of bulk wine and spirits not just in the UK but in Central and Eastern Europe that it is to host its 2018 conference and exhibition at the Royal Horticultural Halls in London.

They organise international exhibitions such as «Anne Frank — a history for today» in their country or region, and carry out educational activities.

Thus the exhibition, organised in partnership with the Art Gallery of Ontario, Toronto, explores the genre of landscape principally through the works of Paul Gauguin, Maurice Denis, Ferdinand Hodler and Vincent Van Gogh, but also presents North American painters such as Giorgia O'Keeffe and Emily Carr, who are less well known in France.

In addition to the wide range of national and international exhibitions at the gallery, Vartai participates in international art fairs and organises exhibitions representing the nation at prestigious international events such as Liverpool or Venice Biennale.

As part of the cornerstone «Talent Development», we organise specific projects, such as exhibitions in the 3h space within the museum, or shows with work from Foam Magazine.

She organises solo shows as well as joint exhibitions for her artists and shows their work at art fairs, such as the upcoming Works on Paper Art Fair.

Amelie von Wedel has organised numerous exhibitions with artists such as Sam Gilliam, Frank Bowling and Laurie Simmons, along with many survey exhibitions, books on art, and commissioning major performance art and public art projects.

Since 2009 MELK has curated almost 40 solo exhibitions in their space in Oslo, and also organised group exhibitions, talks and seminars in other respected venues such as Akershus Kunstsenter, Fotogalleriet, Vestfossen Kunstlaboratorium and Astrup Fearnley.

We also organise unique exhibition - related events, in collaboration with other top arts centres, curators, cultural workers and practitioners of other art forms (such as music, poetry and storytelling) in Dublin's city centre and beyond.

Kozlov's work featured in a number of landmark exhibitions that defined this period, such as One Month (1969) organised by Seth Siegelaub, Information (1970) curated by Kynaston McShine at the Museum of Modern Art in New York and the Number Shows, a series of exhibitions organised by Lucy Lippard between 1969 and 1974.

[3] He also organised such shows as the first John Baldessari European Retrospective toured to the Serpentine Gallery, London and onwards onto a European tour; [3] a Bruce McLean film commission; [3] «Sublime: Manchester Music and Design»; Edward Allington; [3] Jochen Gerz; [3] Annette Messager: Telling Tales»; [3] Rita Donagh Retrospective; Paul Seawright: Sectarian Murders and «Unveiled: Possibilities in Abstract Painting» exhibitions.

Organised in full collaboration with the artist and his studio, the exhibition spans from his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015.

Organised by the Art Gallery of NSW, the exhibition has been four years in the making, with works drawn from private collections and Australian and international institutions such as the Museum of Modern Art and Metropolitan Museum of Art in New York, Tate Britain in London, the Pompidou Centre in Paris, and the Francis Bacon Estate.

Loans of such valuable and high - quality works are practically impossible to obtain, making it highly unlikely that such an exhibition can ever be organised again in the Netherlands.

This series also focused on the much ignored but very interesting part of Hong Kong culture, the popular culture, exhibitions such as The Art of Kwan Wai Lung, Yau Leung Retrospective and Hong Kong Sixties: Designing Identity were organised respectively.

Other roles and projects which I would consider important in the development of the art scene in Singapore would include my time at the ICA Singapore (2004 to 2008), when we organised many exhibitions which introduced practices and artists that were previously not widely seen in Singapore, such as On Kawara, Antony Gormley and Wolfgang Laib, among others.

Unlike many of his contemporaries there, he resisted the influence of the Post-Impressionist Exhibition organised by Roger Fry in 1910, and his earliest drawings were quite Romantic in spirit, such as Angel and Devil (1910, Victoria & Albert Museum, London).

She has recently organised projects and exhibitions with artists such as Thomas Hirschhorn (2012 — 13), Jean - Luc Moulène (2012) and Yvonne Rainer (2011 — 12).

organising and attending promotional events such as press conferences, open days, exhibitions, tours and visits