Sentences with phrase «organize a group exhibition»

In 1977, Douglas Crimp, then a grad student at the City University of New York, organized a group exhibition called «Pictures» at the small downtown New York alternative gallery Artists Space.

To celebrate the official opening of Ballroom Marfa, a new cultural center in Marfa, Texas, independent curator and consultant Alexander Gray and the Ballroom staff have organized the group exhibition, OPTIMO: Manifestations of Optimism in Contemporary Art.

He was involved in several exhibitions: in Los Angeles (USA) where he also organized a group exhibition (within the context of a residency at the 18th Street Art Center Of Santa Monica), in Poland at the Gotycka Museum Of Szczecin, in France at the «FRAC Aquitaine» within the context of the whim of play (Caprice des jeux) exhibition in Bordeaux, at the Article Gallery Birmingham Institute of Art and Design in the UK, and at the Goethe Institute of Bordeaux.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

The Bolsky Gallery offers a professional setting for Fine Arts seniors to explore curatorial practice and organize group exhibitions.

Director Darren Aronofsky has organized a group exhibition which will include new works by Darina Karpov, Ward Shelley, Jim Torok, John O'Connor and David Scher.

She also organized the group exhibitions Moving Pictures; Singular Forms (Sometimes Repeated); and theanyspacewhatever.

She recently brough Barbara Rossi: Poor Traits from the New Museum to DPAM and is organizing a group exhibition in collaboration with Art21 for fall 2016 at DPAM.

In conjunction with Sprecher's solo exhibition, he has organized a group exhibition in the gallery's Project Space.

Jack Shainman Gallery will host the super PAC headquarters and organize a group exhibition at their 24th Street location.

ArtsATL: If you could organize a group exhibition with three other artists who you would like to see your work in conversation with, who would those three people be?

If you could organize a group exhibition with three other artists who you would like to see your work in conversation with, who would those three people be?

In March 2013, Mark Dagley will organize the group exhibition Banned in DC at Ventana244 Art Space in Brooklyn, NY, surveying the contemporary art scene originating from the greater Washington, DC and Baltimore, Maryland region.

In 2007, Nathan Carter will have a solo exhibition at Da2 Center for Contemporary Art, Salamanca, Spain and at Pilar Parra, Madrid, Spain where he will simultaneously organize a group exhibition.

As an independent curator, Gregory has organized group exhibitions at FLAG Art Foundation, Winkleman Gallery, PPOW Gallery, the New York Center for Art and Media Studies, Tyler School of Art in Philadelphia, and the Austrian Cultural Forum in New York.

In 2014, she became a partner at the New York gallery, Rawson Projects, where she had previously organized the group exhibition The Balloon.

Formerly curator at the Swiss Institute / Contemporary Art New York, she organized the group exhibition Descartes» Daughter, and edited the accompanying exhibition reader.

She organized the group exhibitions «Descartes» Daughter,» «Standard Operating Procedures,» and «Middle Man.»

Sometimes he organized group exhibitions, too, like a large survey of work by European modernists, including such artists as Picasso, Max Ernst, Fernand Léger, René Magritte, Hans Hartung, Bram van Welde, and many others, which was presented in Caracas in 1955.

As simple as the theme seems, it feels surprisingly unusual to organize a group exhibition around such a lighthearted, apolitical topic.

She also organized the group exhibitions Moving Pictures (2003), Singular Forms (Sometimes Repeated)(2004), and theanyspacewhatever (2008).

Artist (and my generous studio landlord) Teri Hackett has also organized a group exhibition in the front space featuring Elena Berriolo, Lisa Hein, Robert Seng, Margrit Lewczuk, Dennis Kardon, Heather Hutchison, Liza Phllips, and Michelle Weinberg.

As an artist who occasionally organizes group exhibitions, I have had the privilege of collaborating with Matthew Porter on Soft Target.

I have been busy organizing this group exhibition «ANON» for last couple of months.

CPW invites guest curators to organize group exhibitions that represent a concept of significance to the contemporary field.

Tucked away in an apartment on Canal street moonlighting as a gallery, Club Rhubarb is the brainchild of artist Tony Cox who organized the group exhibition «Digging for Diamonds in the Disco» on view until February 25th, by appointment only.

The thematically organized group exhibition I am here to learn addresses adaptive algorithms and artificial intelligence (AI).

She recently organized the group exhibition A Shape that Stands Up, and the first solo presentation of Pew Fellow and visual artist Alex Da Corte in Los Angeles.

Since then has been actively explored and organized group exhibitions for emerging artists from South East Asia including Cambodia and Vietnam.

In 2018 he will organize a group exhibition at Motel.

Not exact matches

Functional Food Expo is initiated by the market and a group of leading Functional Food Manufacturers like Harke Food / Pharma, Nutrisens, Nutri - Dynamics, Orginall, LifeFood Superfoods, Damhert Nutrition, Glanbia Nutritionals, the Primal Pantry and many more like the Health Store and Superfoods and more... Functional Food Expo will be organized parallel to the successful 6th European Free From Food Exhibition covering functional foods like Gluten Free, Lactose Free, Sugar Free, Salt Free and Vegan Food Products.

In the coming year, between January 22nd — 25th, 2015, with the support of the Turkish Republic's Culture and Tourism Department, in partnership with TUROFED (Turkey Hoteliers Federation), TYD (Tourism Investment Association), sponsored by the THY Corporation and organized by the EKIN - ITE Group, the EMITT Exhibition will be held for the fifteenth time.

Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.

Glynn's work has been included in group exhibitions, including Pacific Standard Time organized by the Getty Research Institute, Los Angeles (2012); migrating public art project Station to Station (2013); Made in LA at the Hammer Museum, Los Angeles (2012); Performa 11, New York (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

We helped organize a remarkable group exhibition,

NEW YORK — Sikkema Jenkins & Co. is pleased to present Over & Under a group exhibition organized with the cooperation of Matt Keegan and featuring work by Tony Feher, Charles Harlan, Bill Jenkins, Matt Keegan, Babette Mangolte & Trisha Brown, Virginia Overton, Kay Rosen, Diane Simpson, and Haim Steinbach on view from June 4 through July 24, 2015.

Beginning 15 February, Hauser & Wirth will present «Serialities,» a group exhibition organized with Olivier Renaud - Clément which examines notions of seriality and repetition, and ways in which artists explore linear and non-linear narratives through iterations.

Work by Williams and other AfriCOBRA artists is featured in «Soul of a Nation: Art in the Age of Black Power,» the group exhibition organized by the Tate Modern in London, which is scheduled to debut in the United States at the Crystal Bridges Museum of American Art on Feb. 3, 2018, before traveling to the Brooklyn Museum.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).

The nine established and emerging artists were picked from a pool of 40 artists who were showing in a group exhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier texhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier tExhibition of Visual Arts,» which opened in New York earlier this month.

Recent exhibitions Walker has organized include Reconstitution at LAXART (with Catherine Taft; 2017), «A Painting Is A Painting Isn't A Painting» (2015) at San Francisco's KADIST; «Wadada Leo Smith, Ankhrasmation: The Language Scores 1967 - 2015» at the Renaissance Society (with John Corbett; 2015), «Teen Paranormal Romance» (2014), and «Suicide Narcissus» (2013), two group exhibitions, also at the Ren; and «Black Is, Black Ain't» at the Renaissance Society (2008).

We helped organize a remarkable group exhibition, Rooted Rhetoric, of contemporary American conceptual artists at Castel dell» Ovo, the Norman fortress that sits out on the bay.

Born in 1972, Liu Wei is part of the Post-Sense generation, so called for the landmark group exhibition «Post-Sense Sensibility: Alien Bodies and Delusion,» which he helped organize in the basement of a Beijing residential tower in January 1999.

Since she joined the MCA in 2011, she has organized numerous highly acclaimed exhibitions including the group show The Freedom Principle: Experiments in Art and Music, 1965 to Now in 2015; Homebodies in 2013, and Color Bind: The MCA Collection in Black and White in 2012.

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

AAC also presents themed group exhibitions organized either by our Director of Exhibitions or by prominent guesexhibitions organized either by our Director of Exhibitions or by prominent guesExhibitions or by prominent guest curators.

The exhibition was organized around diptychs, triptychs, and multi-panel groupings the artist calls «symbiotic portraits.»

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara Universityexhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

In 1965 the Washington Gallery of Modern Art (1961 - 68) organized a seminal exhibition that toured widely - including to the Walker Art Center and The Rose Art Galleries at Brandeis University - and helped define this group of artists.

He became part of the group that came to be called the «Pictures Generation,» after an influential exhibition in New York organized by critic Douglas Crimp.