Fully illustrated with 95
color images (and a plate section), the book includes three essays, including Charles W. Haxthausen on LeWitt's
relationship to the grid and classical music, especially Bach; Christianna Bonin on LeWitt's
relationship to Richard Serra and the wall drawing; and Erica DiBenedetto on LeWitt's 1980 artist's book, Autobiography, a publication consisting solely of 1,101 photographs of LeWitt's New York studio,
organized over 128 pages in nine - part grids.