Sentences with phrase «organized ambitious exhibition»

Not Dan Cameron, who organized ambitious exhibition events like Prospect New Orleans before becoming chief curator at the Orange County Museum of Art last year.

Not exact matches

Marketta Seppälä is a distinguished contemporary art curator who has organized exhibitions worldwide, and worked with Ms. Heiss when she brought the ambitious international exhibition Animal.

Meanwhile, at François Pinault's Punta Della Dogana museum, the eminent French collector has engaged LACMA director Michael Govan to join Palazzo Grassi curator Caroline Bourgeois in organizing a similarly ambitious exhibition.

In addition, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions.

Since then, he's climbed the museum's ranks and organized several of its most ambitious thematic exhibitions, including last year's «Margin of Error,» which explored cultural responses to the fear of accidents and catastrophes.

Also organized by Messina in collaboration with Farrell is Uta Barth's to draw with light, an ambitious solo exhibition featuring three related sequences of atmospheric, minimalist images that have never before been shown together in the United States.

For its tenth anniversary, WIELS organized in 2017 The Absent Museum, an ambitious exhibition project in which all departments were involved.

Traveling from Pérez Art Museum Miami (PAMM), where it was organized by Associate Curator Diana Nawi, the exhibition reveals the ambitious scale of Ward's work and his continued experimentation with new materials.

For example, an entire exhibition - within - the - exhibition, «Dios es marica» (God Is Queer), organized by Peruvian curator Miguel A. López and including self - portraits by Mexico's Nahum Zenil and Franco - era Spanish drag artist José Pérez Ocaña, among others, occupies a central position in the biennial's trajectory, as do the samplings of comparable work by São Paulo — based artist Hudinilson Jr. and Peruvian philosopher and drag queen Giuseppe Campuzano, whose ambitious Línea de vida / Museo Travesti del Perú (Life's Timeline / Transvestite Museum of Peru), 2009 — 14, a fictional museum, is one of many things in the biennial «that don't exist» — yet.

Conceived and organized over fifteen months, the exhibitions present bold, original arguments, and take the form of focused solo exhibitions, thematic group shows, and even ambitious reconsiderations of earlier movements or artistic tendencies.

With the Museum's long and ongoing tradition of collaborating with other international institutions, the Director of the Astrup Fearnley Museum, Gunnar B. Kvaran, considered it a real pleasure and an honour when Heitor Martins, the President of the Bienal de São Paulo, initiated the ambitious idea of organizing a curated exhibition from the Museum's collection for São Paulo.

Additionally, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions, including the 30 percent increased footprint of the folk and self - taught art galleries to accommodate for the large acquisition recently made by the institution from the Souls Grown Deep Foundation.

Additionally, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions, including the 30 percent increased

One of Ms. Beck's most ambitious projects was a 1988 exhibition called «Creative Copies: Interpretative Drawings From Michelangelo to Picasso,» organized with the art historian Egbert Haverkamp - Begemann, also a professor at N.Y.U., and Ph.D. students.

Founded in 2010 by Emmanuel Di Donna, formerly Vice Chairman of Sotheby's Impressionist & Modern Worldwide and Head of New York Evening Sales, Di Donna Galleries has organized monographic exhibitions of work by René Magritte, André Masson, and Andy Warhol, among others — in addition to ambitious group exhibitions such as «Fields of Dream: The Surrealist Landscape,» which featured over 70 works by various artists in a range of mediums.

Opened in October 2015, Asakusa is the most ambitious of these, organizing exhibitions like «Radical Democracy,» with Thomas Hirschhorn and Santiago Sierra, and November - December's «Acting Together,» with Yoko Ono and Rirkrit Tiravanija.