These Transitional Spaces is a group exhibition
organized around contemporary art objects whose representational imagery crystallizes the temporal.
Not exact matches
Selected group exhibitions include The Forever Now:
Contemporary Painting in an Atemporal World, the Museum of Modern
Art, New York (2014 — 2015); 30 Americans,
organized by the Rubell Family Collection, Miami, traveling to
Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20
Arts Center, New Orleans (2014), Frist Center for the Visual
Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20
Arts, Nashville (2013 — 2014), Milwaukee
Art Museum (2012), Chrysler Museum of
Art, Norfolk, Virginia (2012), Corcoran Gallery of
Art, Washington D.C. (2011 — 2012), North Carolina Museum of
Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and
Around Contemporary Painting, Los Angeles County Museum of
Art (2014); Body Doubles, Museum of
Contemporary Art, Chicago (2014); Angel of History, Beaux -
arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20
arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual
Arts Center, Cambridge, MA (20
Arts Center, Cambridge, MA (2012).
Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of
contemporary art, as well as thematic exhibitions
organized around questions central to the nature of
art and life today.
Important retrospective exhibitions have been
organized posthumously at institutions
around the world, including the Museum of
Contemporary Art, Chicago; Badischer Kunstverein, Karlsruhe, Germany; IVAM Centro Julio Gonzalez, Valencia, Spain; the Whitney Museum of American
Art, New York; and the Museum of
Contemporary Art, Los Angeles.
Centered
around the performative experience, Merce Cunningham's Retrospective at the Museum of
Contemporary Art organized by the Walker
Art Center, Rodney McMillian's work at the
Art Institute of Chicago, and the newly commissioned exhibition of Kapwani Kiwanga at the Logan Center will be discussed.
John Waters: Indecent Exposure is
organized around themes of popular culture, the movie industry, the
contemporary art world, the artist's childhood and identity, and the transgressive power of images.
This exhibition is the second installment in SITE Santa Fe's reimagined biennial series with a focus on
contemporary art from the Americas and features 35 artists from 16 countries and 11 new commissions
organized around intersecting ideas brought together by a team of five curators − Rocío Aranda - Alvarado, Kathleen Ash - Milby, Pip Day, Pablo León de la Barra, and Kiki Mazzucchelli.
As the Keith L. and Katherine Sachs Senior Curator of
Contemporary Art at the Philadelphia Museum of
Art, Carlos Basualdo has
organized Bruce Nauman: Topological Gardens; a survey exhibition of Michelangelo Pistoletto in 2010; and Dancing
Around the Bride: Cage, Cunningham, Johns, Rauschenberg and Duchamp (with Erica F. Battle).
Over the course of some ten years, the premise for the space evolved into a non-collecting
art museum that would
organize and present special exhibitions of historic and
contemporary art from
around the world.
In 1994, the Phoenix
Art Museum
organized «Old Glory: the American Flag in
Contemporary Art,» an exhibition that traveled
around the country for two years.
Of the prize, Wright's husband, the poet Forrest Gander, said, «I've known that she was of signal importance to poets
around the world — the first tribute / memorial
organized for C. D. was in Stockholm — but the fact of this award coming from the Foundation for
Contemporary Arts, an advocate for all arts, that means the most to me.&ra
Arts, an advocate for all
arts, that means the most to me.&ra
arts, that means the most to me.»
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for
Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the
Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the
Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK
Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY
Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des
Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 *
Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles,
Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [
organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the
Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the
Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for
Contemporary Art, Emergency Grant, 2011 Ontario
Arts Council, Exhibition Assistance Grant, 2011 Ontario
Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick
Arts Board,
Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Mori's solo exhibitions have been
organized in institutions
around the world, including the Royal Academy of
Arts, London; Museum of
Contemporary Art, Tokyo; Centre Georges Pompidou, Paris; the Prada Foundation, Milan; the Museum of
Contemporary Art, Chicago; the Dallas Museum of
Art; the Brooklyn Museum, New York; the Serpentine Gallery, London; and the Los Angeles County Museum of
Art.
Ms. Dennison
organized over 35 exhibitions of Modern and
contemporary art for major institutions
around the world, many based on the museum's renowned permanent collection, which she was instrumental in developing during her tenure.
Taking a monochromatic grey palette as its
organizing principle and aesthetic theoretical vehicle, this exhibition reveals the emergence of that which subtracts or divides — a polemics of black and white or the search for a middle ground, a shade of grey — in the work of artists from
around the globe: including Shiva Ahmadi, Yasima Alaoui, Ayad Alkadhi, Afruz Amighi, Reza Aramesh, Shoja Azari & Shahram Karimi, Bruce High Quality Foundation, Dilip Chobisa, Seth Cameron, Arthur Carter, Noor Ali Chagani, Nick Farhi, Nir Hod, Rachael Lee Hovanian, Joseph Kosuth, Liane Lang, Farideh Lashai, Shirin Neshat, Enoc Perez, and Dan Witz, Grisaille: originally derived from a 19th century term for monochrome painting, especially the portrayal of three dimensional objects in two dimensional form, of which the work of British based Liane Lang in this exhibition approaches the closest
contemporary example of this
art historical origin, the gris or grisaille is updated in this exhibition to reflect the embattled gesture of not simply the monochromatic, but also any opposition to color as such, in at once its aesthetic and political modes.
The relocated and revamped Focus section, this year
organized by former LACMA associate curator of
contemporary art Jarrett Gregory
around a thematic show rather than a regional focus, was nonetheless drawing collectors to the southern pier.
A leading figure in the museum field, he has
organized dozens of acclaimed exhibitions
around the world and authored significant companion publications, primarily in the areas of
contemporary art and 19th - century European painting.
2012 How to
Organize a Room
Around A Striking Piece of
Art, Lehmann Maupin, New York, NY Mickalene Thomas, The Institute of
Contemporary Art, Boston, MA Origin of the Universe, Santa Monica Museum of
Art, Santa Monica, CA; Brooklyn Museum, Brooklyn, NY
This open - hearted and stimulating interchange was
organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the
contemporary debates surrounding the canon, curatorial strategies, the relationship between fine
art and visual culture, and the influence of non-museological display formats on museum practice.