Sentences with phrase «organized by century»

The program was organized by Century 21 Newmarket sales reps Diana Arter, Julia Lopez and Sue Phillips and supported by their manager and broker of record Isabel Sartisson.

Documents are organized by century, as well as by author, subject and title.

Documents are organized by century, as well -LSB-...]

Platform: Tara Donovan is organized by Century Arts Foundation Curator of Special Projects Andrea Grover

Not exact matches

One taught for centuries by organized religion for the purpose of keeping people bound in a fear based choke hold.

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

And what are these dangers the author keeps mentioning but not enumerating and how do they compared to the dangers posed by organized religion and other organized philosophies like fascism and communism, «manifest destiny» and other philosophies that those oh so nobly «organized» people have «blessed» us with over the centuries?

The doctrine (widely held until recently) that «matter» itself is fully real (rather than an abstraction, derived from intellectual analysis of concrete really - existing things, as Aristotle held), and that such self - subsistent «matter» is intrinsically inert (as opposed to self - organizing), arguably reached its full flower in the late Renaissance.18 Part of contemporary divergence between theistic and naturalistic approaches may be understood to arise from overly complete internalization (by both naturalists and theists) of the cosmology that emerged from the scientific revolution of the seventeenth century — the cosmology in which «matter» was full real, but intrinsically inert.

A century ago, T. S. Eliot presented the image of a self - organizing literary culture in «Tradition and the Individual Talent,» one in which «[t] he existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them,» which alters «the whole existing order... if ever so slightly.»

Ceramic evidence indicates occupation of the City of David, within present - day Jerusalem, as far back as the Copper Age (c. 4th millennium BCE) with evidence of a permanent settlement during the early Bronze Age (c. 3000 — 2800 BCE) The Execration Texts, which refer to a city called Roshlamem or Rosh - ramen] and the Amarna letters (c. 14th century BCE) may be the earliest mention of the city Some archaeologists, including Kathleen Kenyon, believe Jerusalem] as a city was founded by Northwest Semitic people with organized settlements from around 2600 BCE.

When the episcopal hierarchy of the East Syrian Church was fully organized by the beginning of the fifth century (410), the bishopric of Rewardastir was elevated to a metropolitanate and given jurisdiction over relations with India.

The New York State Women's Suffrage Commission, chaired by Lieutenant Governor Kathy Hochul, is organizing programs to commemorate women's suffrage between 2017, 100 years from when women won the right to vote in New York State, and 2020, which will be a century after the 19th Amendment was ratified.

In the 20th century, economic activity organized by whites gradually drew blacks out of their tribal lands into the cash economy and into the cities.

By Salau Opeyemi In celebrating the significant landmark of Lagos state, the state government under the leadership of Gov. Akinwunmi Ambode has organized befitting and flamboyant events to mark the half a century year of creation of the south - western state.

State Sen. Adriano Espaillat, who organized the educational presentation, was joined by Councilman Ydanis Rodriguez, State Senate Democratic candidate Marisol Alcantara and Assembly Democratic candidate Carmen de La Rosa, who all congratulated Martinez on her persistence, which Espaillat said will lead to the «discovery of the century.»

A professor of Spanish at the City University of New York, with a passion for 16th - century Catalonian poetry, Pedro Bach - y - Rita nearly destroyed his career in 1947 by organizing the country's first civil - rights strike at a university.

Plutonium, the metal that made the American Century possible, was manufactured by thousands of people, organized by a rich, centralized democratic state devoted to the advancement of military science.

Includes current items, organized by Dating as an institution is a relatively recent phenomenon which has mainly emerged in the last few centuries.

Over the centuries, the power of written scriptures and organized religions had unfortunately replaced the power of direct discernment by laymen.

This century has brought barbaric episodes of large - scale violence and trauma: the Holocaust, the Cambodian killing fields, the unprecedented state - terror generated by the Latin American counterinsurgency campaigns, the organized ethnic cleansings and sexual assaults in the former Yugoslavia, and the carefully orchestrated interethnic bloodbaths in Rwanda and Burundi.

An event, organized within the context of the In (3D) ustry From Needs to Solutions that will get to know the biomimetic projects and it will give the chance to assist and to be a witness to conferences in «Biomimetic, a new Cosmo vision» driven by renowned international speakers that will bring closer the new challenges from XXI century from the Biomimetic view.

Steven R. Covey, best - selling author of The 7 Habits of Highly Effective People, wrote this book to promote the efforts of principals around the globe who are preparing children for the 21st century by organizing their schools around Covey's «7 Habits,» a sort of accidental comprehensive school - reform model created by fans.

He said that fully understanding this dynamic is essential to making sense of why education policy «has been such a disappointment for a quarter century,» because schools are organized like they are largely due to the pressures exerted by teacher unions.

The event was organized by the foundation's «Next Century Schools» program, which has awarded $ 30 million in grants since it was launched in 1989.

LCANs organize community leaders around a singular vision: Increase the community's postsecondary educational attainment level to 60 percent by the year 2025 in order to lay the foundation for a vibrant economy, healthy community, and strong workforce equipped to compete in a 21st century global economy.

In a less formally organized but entirely 21st century way, individual teachers may also choose to join an online community of teacher - learners who want to improve their math practice by engaging with each other and our curriculum writers around a shared instructional tool.

To facilitate this consideration of how findings from this study meet the goals of civic education as elucidated by the Civic Mission of Schools, the Framework for 21st Century Learning, and ISTE NETS - S (2007), I organized the work of these organizations around five aspects of digital citizenship.

Career academies — small schools within schools that are organized by a career theme — are well positioned to equip learners with 21st Century skills.

While skills have always been a part of reading instruction (witness all the bits and pieces of letter sounds and syllables in the alphabetic approach), the skill as a fundamental unit of curriculum and the scope and sequence chart as a way of organizing skills that extend across the elementary grades are twentieth century phenomena, nurtured, I would add, by the rapid expansion of commercial basal reading programs and standardized reading tests.

Works by Asimov himself, A.E. Van Vogt, Philip K. Dick and other giants of 20th - century sci - fi are organized thematically to reflect how our thinking about robots has evolved; pessimistic takes are set alongside optimistic takes to create the sense of an ongoing argument.

By the end of the 18th Century, the great hunts organized by noblemen had all but faded into historBy the end of the 18th Century, the great hunts organized by noblemen had all but faded into historby noblemen had all but faded into history.

The Park Slope Food Coop is organized under the Rochedale rules of cooperation (which you may search for, should you be so inclined); this is a 19th century compact, originally established by anarcho - syndicalists, looking for a better form of business organization than exploitative capitalism.

In Century of the Self, organized by independent curator Sarah C. Bancroft at Lora Reynolds Gallery, artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable texts and visual tools.

The larger of the two, «Picture Industry,» is a sprawling show organized by the artist Walead Beshty that spans from the late 19th century to the present.

In addition, «Two Centuries of Black American Art,» a groundbreaking exhibition organized by David Driskell in 1976, featured Motley's «Portrait of My Grandmother.»

«The Blue Nile» was featured in «Two Centuries of Black American Art,» the landmark traveling exhibition organized by the Los Angeles County Museum of Art in 1976.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Touring exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August — October).

Beyond the museums, villas, and grand urban plans that by the mid-20th century had become emblematic of a modern architecture, Giedion was concerned with the chairs, tables, beds, bathtubs, and kitchens — the objects that more immediately organized quotidian life and increasingly shaped the way humans engaged with the world.

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.

Several exhibitions in recent years have drawn works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and four other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to the New Orleans Museum of Art, the Mint Museum, and the High Museum of Art; and Fever Within: The Art of Ronald Lockett, organized by the Ackland Museum of Art in 2016, which traveled to the American Folk Art Museum and the High Museum of Art.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Cited as the first truly Modernist building of the Americas, this large complex features contributions by a variety of Brazilian artists, architects, and designers (including the influential landscape architect Roberto Brule Marx, currently the subject of a solo show at the Jewish Museum in New York) all organized by the famed, controversial godfather of 20th - century architecture himself, Le Corbusier.

Richard Aldrich and the 19th Century French Painting is curated by Laura Fried, Associate Curator, and organized by the Contemporary Art Museum St. Louis.

Works from the Souls Grown Deep collection have been featured in numerous exhibitions, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which travelled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, among others; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

During his time at the Palmer, he organized a number of critically acclaimed traveling exhibitions, all of which were accompanied by scholarly publications, including Picturing the Banjo (2005 - 6); Taxing Visions: Financial Episodes in Late Nineteenth - Century American Art (2010 - 11); and Shallow Creek: Thomas Hart Benton and American Waterways (2007 - 8).

From the Director LACMA is proud to make available online its archive for the landmark exhibition Two Centuries of Black American Art, organized by the museum in 1976 with guest curator David Driskell.

Exhibitions in recent years have drawn works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

Exhibitions in recent years have drawn works primarily from the collection today in the care of Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

On the occasion of his 2015 LACMA exhibition of drawings from the 1960s and 70s organized by Leslie Jones, Director Michael Govan commented «Ed Moses has been central to the history of art making in Los Angeles for more than half a century.»