Sentences with phrase «organized by decade»

GORGEOUS pieces, organized by decade and all really well kept.

While there are some that organize by decade, these are in the minority.

The site is organized by decades, people, and events.

Not exact matches

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

Yet, for the past decade; the organized ecumenical movement has been viewed with indifference, if not suspicion, by Christians who have preferred to cultivate their personal spiritual gardens, to pursue various sorts of denominational consolidation and reorganization, or to wrestle with the relation of faith to social issues in abstraction from the struggle for the integrity of the social reality of the church.

Religion and spirituality didn't go away just because organized religion has been losing its hold, as suggested by showing decades of declining church attendance in the U.S. and Western Europe.

As a public high school teacher of nearly a decade, I found myself making notes on how to better plan and prepare for my own classes by how you introduced, taught, transitioned, and recapped your well - organized lesson each night.

His thematically organized memoir is a folksy, well - paced, and at times cinematic rendering of a decade in office begun in exhilaration and finished in a hearty good riddance shared both by the leader and his country.

This year's event, which began on February 25, and ends on March 7, is organized by the Ghana Trade Fair Company in collaboration with SADA on the theme: «Two Decades in International Trade Fairs in Ghana: Exploring Business Opportunities in the SADA Zone of Ghana».

Organizers of the annual Little Italy event the Feast of San Gennaro plan to ask City Hall to rescind a nearly two - decade - old gambling ban instituted by then - Mayor Rudy Giuliani at the height of his crusade against organized crime.

In recent decades it has split itself into subjournals (A through E, plus L — for Letters — and also X) to prevent excessive muscle building by librarians and also better organize papers by physics subfield.

In the simulation, they found that over decades colonies would appear and disappear (much like observations of actual fairy circles) and that they would eventually self - organize into regularly spaced honeycomb patterns, with each colony surrounded by six others.

«We can now take linear nano - materials and direct how they are organized in two dimensions, using a DNA origami platform to create any number of shapes,» explains NYU Chemistry Professor Nadrian Seeman, the paper's senior author, who founded and developed the field of DNA nanotechnology, now pursued by laboratories around the globe, three decades ago.

This initiative, today led by an Alliance, including science, donors, sponsors and users, is a unique co-design effort to organize and define the science on global environmental change over the coming decades.

Over 200 astronomers from all around the world have gathered in Indian Wells, California, U.S.A. to participate in the «Half a Decade of ALMA: Cosmic Dawns Transformed» conference held between September 20 and 23 and organized by the Atacama Large Millimeter / submillimeter Array (ALMA) and its partners: The National Radio Astronomy Observatory (NRAO), the National Astronomical Observatory of Japan (NAOJ), and the European Southern Observatory (ESO).

I needed this — I have a goal of organizing a decade of pictures by the end of 2015 — I am pinning this to help along the way!

New approaches to organizing and designing schools are informed by decades of research showing how schools designed to support strong interpersonal relationships, coherent curriculum, and authentic instruction improve student achievement, graduation rates, and college success.

This has been part of a digitization contest organized by Malayalam Wikimedia to celebrate a decade of Wikisource.

And it's not just publishers, as booksellers hit hard over the past decade by Amazon's price - cutting ways have gone so far as to organize a boycott of authors who go with Amazon's imprints.

A decade ago, there were five such events: the APPMA Show, which moved all around the country and was hosted by what is now known as the American Pet Products Association; the PETS show, which the Pet Industry Distributors Association Show organized annually in Tampa, Fla.; SuperZoo, hosted by the World Pet Association (formerly the World Wide Pet Industry Association), originally in Anaheim, Calif., now in Las Vegas; and the two H.H. Backer Shows — the Spring Trade Show in Atlantic City, N.J., and the Christmas Trade Show (now Backer's Total Pet Expo) in Chicago.

The Symphony of Heroes is organized by the team of gamemusic.pl, a European game music group dedicated to covering video game music for the past decade.

Use the links at left to view past MATRIX exhibition brochures, organized chronologically by decade.

Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.

Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)

A major five - decade retrospective organized by Michael Auping, chief curator of the Modern Art Museum of Fort Worth, TX, is planned for 2013.

Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.

Exhibitions of her work were organized by the Serpentine Gallery in London, the Musée Moderne de la Ville de Paris, and the Moderna Museet in Stockholm over the past decade, yet the Sturtevant retrospective slated to open at MoMA in November 2014 will be the first museum show of her work in the U.S. since 1973.

MELVIN EDWARDS: FIVE DECADES A survey organized by the Nasher Sculpture Center in Dallas of Melvin Edwards's abstract welded sculpture that addresses politics and race, including his famous «Lynch Fragments.»

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Kate is currently organizing pioneering post-minimalist and feminist artist Ree Morton's first major retrospective in the U.S. in over three decades, which will open in September 2018; and is collaborating with ICA curator Alex Klein on the first solo U.S. museum exhibition of work by South Korean artist Suki Seokyeong Kang, opening this spring on April 27.

Agnes Martin's current retrospective at Los Angeles County Museum of Art — organized by Tate Modern, Kunstsammlung Nordrhein - Westfalen, and the Guggenheim — spans nearly five decades of her work up until her death in 2004 (she was still painting at age 92) and contains more than 100 paintings, drawings, and sculptures.

Hundreds of exhibitions were organized by the DMA from 1903 - 1983, reflecting the development of both the Museum and the city of Dallas, documenting a progression of cultural, social, and political environments throughout eight decades.

Goldschmied & Chiari in «Chrématistique III» curated by Jérémie Gaulin et Fabien Vallos at CNEAI, Paris, thru November 9 http://www.cneai.com/evenement/#!/article-2124 John Haber's review of Scott Alario: What We Conjure in Haberarts.com 7/16/14 http://www.haberarts.com/2014/07/do-you-believe-in-magic/ Josh Slater in «my eyes can't focus and my brain is talking: A Film Program in Two Parts,» organized by Warren Ng in conjunction with «Eric's Trip,» curated by Cynthia Daignault and Mark Loiacono, Lisa Cooley, NY, July 24, 2014, 7 - 10 pm http://www.lisa-cooley.com/events/my-eyes-cant-focus-and-my-brain-is-talking-a-film-program-in-two-parts Josh Slater in «Decade of Decadunce» at Cinders Gallery, Brooklyn, http://cindersgallery.com/holy-sht-exhibition/ Loring Knoblauch's review, «Scott Alario: What We Conjure @kristenlorello» in COLLECTORDAILY.com http://collectordaily.com/scott-alario-what-we-conjure-kristen-lorello/

In this new exhibition, Ostendarp looks more specifically at artists he has studied for decades, particularly Ad Reinhardt's late black paintings at the Jewish Museum exhibition of 1966, Lee Lozano's wave paintings at the Whitney Museum of American Art in 1970, and Barnett Newman's Stations of the Cross, which was shown in the legendary exhibition Lema Sabachthani (organized by Lawrence Alloway) at the Guggenheim Museum that same year.

Three Decades was organized by the Frist Center for Visual Arts in Nashville and has traveled to the Portland Art Museum, The Cleveland Museum of Art and the Cantor Arts Center at Stanford University.

Carrie Mae Weems: The Museum Series is organized by Assistant Curator Lauren Haynes and runs concurrently with Weems's mid-career retrospective, Carrie Mae Weems: Three Decades of Photography and Video, on view at the Guggenheim Museum from January 24 — May 14, 2014.

Shaping a Collection: Five Decades of Gifts, organized by Dana Miller, curator of the permanent collection, focuses on artists who came to the fore between 1940 and 1990, an extraordinarily dynamic period in American art.

Shaping a Collection: Five Decades of Gifts is organized by Dana Miller, Curator of the Permanent Collection.

Half a decade before opening his eponymous gallery, Castelli — who was a member of the famous Club, the heady discussion group where the leading Abstract Expressionists of the day debated artistic ideas — concluded that the Ab Exers had not been sufficiently embraced by American collectors and institutions and decided to organize a show promoting their work.

This survey exhibition, organized by the Museum of Modern Art, New York, covers four decades of the artist's remarkable, unique practice, from the early 1960s through the late 1990s.

Key volumes include «Wangechi Mutu: a Fantastic Journey,» which illustrates a comprehensive survey of her work presented at the Nasher Museum of Art at Duke University and the Brooklyn Museum; «Glenn Ligon: America,» a documentation of the artist's 25 - year survey organized by the Whitney Museum of American Art; «Frank Bowling» the first comprehensive monograph of the artist by Mel Gooding and «Mappa Mundi,» which accompanied a major 2017 exhibition featuring works spanning Bowling's 60 - year career; «Jack Whitten: Five Decades of Painting,» which coincided with the artist's recent career - spanning exhibition; and «Alma Thomas,» published on the occasion of her recent survey at the Tang Teaching Museum and Studio Museum in Harlem.

A shift in the wind, of sorts, occurred in the wake of «Turner: Imagination and Reality,» an exhibition organized by Lawrence Gowing at the Museum of Modern Art in New York in 1966, which tendentiously presented roomfuls of paintings and watercolors mainly from the 1830s and»40s, the final decades of Turner's career.

This exhibition, organized by Sammlung Essl chief curator Gabriele Bösch, is the first comprehensive look at the artist's prodigious output and consists of approximately 200 works from the past decade, including paintings, photographs, collages, videos, and a site - specific installation.

In this exhibition organized by the Astrup Fearnley Museum of Modern Art, Oslo, we have decided with the artist to concentrate on his paintings and to explore and present the multiplicity of his pictorial language and narrative structures as they have evolved over the last two decades.

As demonstrated by a pair of recent shows, which came on the heels of a traveling midcareer retrospective organized by Tate Britain and which constituted his first significant outing in New York in nearly a decade, Doig's sights are fixed firmly on the past.

Incorporating the aesthetic vocabulary of widely opened eyes, polka - dots, nets, and organic shapes that have defined Kusama's seven - decades - long career, the sculptures appear as though Kusama's images have been released from the canvases they are surrounded by and have organized themselves into three - dimensional forms.

Citing the decade's significance as a period in which dramatic changes in the nature of art practice went hand in hand with sociopolitical upheavals worldwide, the 17 - member, crossdepartmental curatorial team — led by Temkin and Martino Stierli, chief curator of architecture and design — describe the installation as «organized through the lens of the 1960s.»

Signal Boost Curated by Jordan Rockford & Rafael Soldi In partnership with Strange Fire Collective Artists: Juan Giraldo, Zora J. Murff, Lorenzo Triburgo In the last decade, social media platforms have quickly become engines for amplification, allowing organizing and sharing of messages on a global scale.

The painting, an emblematic example of his work from the decade, on loan for the exhibition, offers an underlining gridded pattern delineated by sporadic swaths of color that organize the composition.

JACK TWORKOV: AGAINST EXTREMES, Five Decades of Painting is made possible by UBS and organized by Norte Maar in association with the Estate of Jack Tworkov.