, 1993 and «Election», 2004), as well as thematic shows
organized by gallery artists like Peter Fend («Mapping, a Response to MoMA», 1995) and Jason Simon («The Mayfair Show,» 1994).
November 3 - December 22, 2018 Opening: Saturday, November 3, 6 - 8 pm A group exhibition
organized by gallery artist Vincent Como.
Carrie Moyer, Sap Green, 2007 Acrylic, glitter on canvas, 50 x 40 inches January 11 — February 17, 2008 Thrust Projects presents the group exhibition FREEZE FRAME
organized by gallery artist Elizabeth Cooper.
EMINENT DOMAINS (proper names), a group exhibition
organized by gallery artist Willem Oorebeek, features works by Doug Ashford, Aglaia Konrad, and Glen Rubsamen.
The exhibition is
organized by gallery artist Tom Burckhardt, who currently lives and works in the building along with wife and fellow gallery artist Kathy Butterly.
Not exact matches
FRIDGE ART FAIR MIAMI DECEMBER 3 — 6 The Betsy Hotel 1440 Ocean Drive, Miami Beach www.fridgeartfair.com Fridge Art Fair Miami,
organized by artist Eric Ginsburg, features the innovative works of
artists, collectives, and
galleries — positioned as a boutique, soft - sell venue for all to enjoy in the newly renovated Betsy Hotel.
Partially in response to an exhibition at the Jewish Museum,
Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
Artists of the New York School: Second Generation (1957),
organized by Meyer Schapiro, which included twenty - three
artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal myt
artists, not one of them affiliated with the Tanager,
gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions
organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.
In Century of the Self,
organized by independent curator Sarah C. Bancroft at Lora Reynolds
Gallery,
artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable texts and visual tools.
There's one great reason to visit «Meanwhile in Lonesome Valley,» an invigorating little exhibition
organized by artist Sayre Gomez for Loudhailer
Gallery.
«Carrie Moyer: Pirate Jenny» was
organized by Ian Berry, Dayton Director of the Frances Young Tang Teaching Museum and Art
Gallery at Skidmore College, in collaboration with the
artist, and was
organized in - house
by Tim Peterson, SCAD chief curator of exhibitions.
Curator Mark Ormond has
organized «Summer Abstractions» gathering paintings, prints and sculpture
by abstract
artists at Allyn Gallup Contemporary Art
Gallery, 1288 N Palm Ave., Sarasota.
Gray Matters is the first exhibition
organized by Michael Goodson since he assumed the role of Senior Curator of Exhibitions at the Wex, and the survey enriches a calendar year of programming in which every
artist featured in our
galleries is a woman.
Throughout his life and in death, Graham has been exhibited widely, with notable exhibitions including a retrospective
organized by the Phillips Collection, John Graham:
Artist as Avatar (1987 - 88), and a retrospective at Allan Stone
Gallery, John Graham: Sum Qui Sum (2005).
In March 2014, the
gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our
artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the
gallery to host a greater number of
organized shows, curated both in - house and
by guest curators.
The
gallery further
organized an exhibition of the
artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied
by a catalogue published
by David Zwirner Books, with essays
by Eva Badura - Triska, Veit Loers, and Bernhard Riff.
This major touring exhibition
organized by the National
Gallery of Art (Washington, DC) examines the shifting identity of American self - taught
artists and offers an unprecedented overview of their profound impact on the evolution of modern and contemporary art.
Uptown, at Alexandre
Gallery, «Lois Dodd: Selected Paintings,»
organized in conjunction with the publication of a monograph on the
artist by Faye Hirsch, could be read as both a context for Berlind's evolution and an affirmation of the continuing currency of paintings that examine perception.
Exhibitions presented in The Brown Foundation
Gallery feature work
by leading internationally - recognized
artists working at the vanguard of contemporary art, as well as thematic exhibitions
organized around questions central to the nature of art and life today.
This exhibition, the second in the series of showcasing
artists who work at David Zwirner, was
organized by Marina Gluckman and Jaime Schwartz, both in the
gallery's Research and Exhibitions department.
2015 Winter in America, Jack Shainman
Gallery / The School, Kinderhook, NY Greater New York, PS1 / MoMA Contemporary Art Center, New York, NY Everything, Everyday:
Artists - in - Residence 2014 - 15, The Studio Museum in Harlem, New York, NY Some Stew You Got Inside Your Plastic Bag, and You Always
Organize The Parts So Close, curated
by Torey Thornton, OHWOW
Gallery, Los Angeles, CA Strangers, Company
Gallery, New York, NY Eric Mack, James Fuentes
Gallery / Allen and Eldridge, New York, NY
On view in the Grey
gallery are several works from the Tanager's landmark exhibit, The Private Myth (October 1961),
organized by Sidney Geist and Philip Pearlstein, which focused on the role of the
artist as a mythmaker.
EXHIBITION «Hands Up, Don't Shoot:
Artists Respond,» a direct response to the Michael Brown killing
organized by the Alliance of Black
Gallery owners opens in and around St. Louis on Oct. 17 at 14 venues.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated
by Ryan Steadman, Nathalie Karg
Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young
Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New
Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman
Gallery, Los Angeles, CA Acid Summer, Curated
by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque
Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola
Gallery, New York, NY 2012 News From Chicago and New York City, Curated
by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated
by ARTNESIA, Ronchini
Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman
Gallery, New York, NY It's a Small, Small World, Curated
by Marilyn Minter and
Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated
by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition,
Organized in Collaboration with Mike Egan, Visual Arts
Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated
by Asya Geisberg, Visual Arts
Gallery, New York, NY Abstract Means, Curated
by Richard Brooks, Visual Arts
Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young
Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square
Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K
Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside
Gallery, New York, NY Marks That Matter, Juried
by Gillian Jagger, Muroff Kotler Visual Arts
Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated
by Kathy Goodell, Spencertown Art
Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art
Gallery, New Paltz, NY Three, Smiley Art
Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor,
organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
This is Not a Photo Show was
organized by the
artist Kimberly Aubuchon for Blue Star Contemporary Art and Unit B
Gallery in San Antonio.
Co-owned
by Anna Walinska and Margaret Lefranc, but funded and directed
by Lefranc, the
gallery organized the
artist's first solo exhibition in New York, Abstract Drawings
by Arshile Gorky.
Chinatown Art Brigade
organized two actions in October 2017 against James Cohan
Gallery and their racist exhibit
by artist Omer Fast in Chinatown (at 291 Grand Street).
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated
by Lilly Wei, The Rotunda
Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts
Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated
by Klaus Ottmann, Pratt Manhattan
Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer
Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated
by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated
by Carmen Zita, Room Interior Products, NY Superlounge, curated
by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe,
organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated
by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives:
Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art
Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated
by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul
Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross
Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated
by Debra Wacks, Firehouse Art
Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera
Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival
organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle
Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway
Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
Open Source
Gallery presents Rummage, a month - long series of
artist projects
organized by Whitney Lynn.
Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated
by Vlad Smolkin, Peter Blum
Gallery, New York, NY Pipe Dream, presented
by Night
Gallery and Rachel Uffner
Gallery, 170 Suffolk Street New York, NY
Gallery Artist Group Show, Rachel Uffner
Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea
Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner
Gallery, New York, NY QUALIA, FJORD
Gallery, Philadelphia, PA 2013 The Room and its Inhabitants,
organized by Patrick Howlett, Susan Hobbs
Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated
by Stephen Truax, One River
Gallery, Engelwood, NJ Art on Paper 2012, curated
by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated
by Dushko Petrovich, Boston University Art
Gallery, Boston, MA In Plain Sight,
organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated
by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel
Gallery, New York, NY Exhibition of Work
by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott
Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush,
organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated
by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan
Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated
by Ryan Steadman, 106 Green
Gallery, Brooklyn, NY Cave Painting: Installment # 2,
organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show,
organized by Seth Kelly, Friedrich Petzel
Gallery, New York, NY 2008 The Merits of Silence,
Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA
Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk
Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW
Gallery, New York, NY Crits» Pix, Black and White
Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst
Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith
Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau
Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W.
Gallery, New York, NY Tirana Bienalle 1, National
Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel
Gallery, New York, NY Wight Biennial, UCLA Wight
Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY
The following selection of 57
gallery and museum exhibitions,
organized by opening date, demonstrates whether you are in New York or elsewhere, while there are not nearly enough, there are increasingly more opportunities to see compelling, insightful, and innovative art
by black
artists.
A few observers noted how the exhibitions she
organized — among them, Eccentric Abstraction at the Fischbach
Gallery in 1966 and 557,087 at the Seattle Art Museum three years later — bolstered Lippard's own «creative originality» at the expense of the «explanatory historicism» exemplified
by the
artists she championed.
AFI is an international collaboration
organized by Whitechapel
Gallery, London, that showcases emerging
artists working in video and animation.
A New Subjectivity was
organized in collaboration with Pratt Manhattan
Gallery and curated
by Jason Stopa — an
artist, critic, and professor.
2005 «From the Studio: Wish You Were Here...», Co-dependent:
Artists,
Artist / Curators, & Curators Select
Artists @ The Living Room, Miami, FL,
organized by Franklin Sirmans Remnants and Relics: Reinterpretations in African American Art, Jamaica Center for Arts and Learning, Queens, NY,
organized by Heng - Gil Han (with catalog) Divine, The Cathedral of St. John the Divine and LeRoy Neiman
Gallery, Columbia University, New York, NY,
organized by Bruce W. Ferguson and Milena Honigsberg James E Lewis Museum of Art, Morgan State University, Baltimore, MD) Watershed Kiln Gods,
Gallery 1448, Baltimore, MD)(with catalog)
With the push for recognizing heretofore undervalued black
artists animating museums these days, this exhibition —
organized by Ruth Fine, a former curator at the National
Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his art.
The show was conceived
by Emilio Steinberger, the
gallery's director, and
organized with Linda Norden, an independent art historian and curator, and Peter Ballantine, a Judd specialist who once fabricated the
artist's plywood pieces to exacting specifications.
Seductive Subversion: Women Pop
Artists, 1958 — 1968 was
organized by Sid Sachs for the Rosenwald - Wolf
Gallery of The University of the Arts, Philadelphia.
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated
by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated
by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer
Gallery, New York, curated
by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated
by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When
Artists Say We,
Artists Space, New York,
organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated
by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated
by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated
by Rocio Aranda Moving Time,
Gallery Korea, Korean Cultural Service, New York, curated
by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured
Artist Projects, Center for Book Arts, New York
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints
by African American
Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American
Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld
Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center,
organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld
Gallery LLC, New York, NY
The pinpoint precision that is palpable in «Pavlova's Dawg and Other Works
by Gallery Artists» distinguishes this eight -
artist exhibition from most group shows, whose
organizing principles tend to be based in sloppy approximations, vague similarities and laissez - faire laziness.
Rummage Open Source
Gallery 306 17th Street, Brooklyn, NY 11215 June 6 — June 29, 2015 Reception: June 6, 7 — 9 pm Open Source
Gallery presents Rummage, a month - long series of
artist projects
organized by Whitney...
Daan van Golden, Study H.M., 2004 March 20 — April 19, 2008 Greene Naftali presents the first US exhibition of legendary Dutch
artist Daan van Golden,
organized for the
gallery by Anne Pontegnie.
The 2017 fair will also feature a new themed
gallery section devoted to the legacy of radical feminist
artists,
organized by Alison M. Gingeras (independent curator); and curator Ruba Katrib (SculptureCenter, New York) will co-advise on the Focus section dedicated to emerging
galleries.
The exhibition at Galerie Lelong is concurrent with the
artist's largest exhibition of films in the U.S., Covered in Time and History: The Films of Ana Mendieta,
organized by the Nash
Gallery, University of Minnesota.
The pop up show is
organized and curated
by the four participating
artists: Keith A. Batten, Tim Ebneth, Joseph Stabilito, and Tom McGill in cooperation with
Gallery at 46 Green Street & 46 Green Street Studios.
Curated
by Maitree Siriboon and occasional guest curators, Whitespace
Gallery organizes frequent and rather varied, mainly solo exhibitions of fresh Thai
artists with more of an experimental, avant - garde leaning.
St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing
organized by the Alliance of Black
Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein
Gallery featuring than 60 works from local private collections
by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.
In addition, the
gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese
artist Mr.
by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.
In addition to contemporary works
by the
gallery's stable of international
artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions
organized by Schimmel and other curators.
The show,
organized by the Hayward
Gallery, calls him an «
artist's
artist» — but I think of him as a collector's
artist, from a time of exploding overseas markets and new wealth.