Sentences with phrase «organized by independent»

Hauser & Wirth put together On the Fabric of the Human Body, a curated show of four artists organized by independent Curator Gianni Jetzer that included work by artists Rita Ackermann, Louise Bourgeois, Isa Genzken, and Paul McCarthy.

The show is organized by independent curator Vivian Endicott Barnett, author of volumes of Vasily Kandinsky's catalogue raisonné and expert on German and Russian modern art.

do it is a traveling exhibition conceived and curated by Hans Ulrich Obrist, and organized by Independent Curators International (ICI), New York.

From a smart contingent of Mexico City avant - garde galleries organized by independent curator Leslie Moody Castro to the It - twins of the design world, aka The Haas Brothers, there's a dose of importance and edge that makes year five really travel - worthy.

The exhibition, organized by independent curator Elizabeth Devlin at the Boston Center for the Arts» Mills Gallery, makes no romance of solitude.

Neuhaus's declaration provided the springboard for «Treble,» a group show at SculptureCenter organized by independent curator Regine Basha.

2000 Un siècle d'innocence: le monochrome blanc, Centre Rooseum pour l'art contemporain Painting Zero Degree, traveling exhibition organized by Independent Curators International, Cranbrook Museum of Art, Bloomfield Hills; Fred Jones Jr..

From February 28 through March 1, Julian will participate as a Seminar Leader in the inaugural Curatorial Seminar organized by Independent Curators International (ICI).

Florence Lynch Gallery, New York Camera Works: The Photographic Impulse in Contemporary Art, Marianne Boesky Gallery, New York Walk Ways, traveling exhibition organized by Independent Curators International.

1975 Opening Exhibition, Holly Solomon Gallery, New York, USA Artists Make Toys, The Clock Tower, New York, USA Art in Landscape, Travelling exhibition organized by Independent Curators, Inc., Washington D.C., USA (travelled to: Illinois State University; Normal, Fine Arts Gallery; University of California, Irvine; Missoula Museum of the Arts; Earlham College, Richmond, Indiana; Alberta College of Art, Calgary, Canada) Conical Intersect and Cuisse de Boeuf, 9ième Biennale de Paris, France

2003 Preparatory Drawings, Pierogi, Brooklyn, US Global Networks, a traveling exhibition organized by Independent Curators

Project 35 Volume 2 is organized by Independent Curators International (ICI), and assembled in collaboration with the Sri Lanka Archive of Contemporary Art, Architecture & Design.

Part of an exhibition tour organized by Independent Curators International (ICI), Axis Mundo will be on view June 22 through August 19, 2018 simultaneously at two of Hunter College's exhibition venues: 205 Hudson Gallery, located in Soho, and the Berta and Karl Leubsdorf Gallery, located at Hunter College's main campus on the Upper East Side.

It is the second «sneak peek» exhibition hosted by MARQUEE PROJECTS and organized by independent curators by way of a preview to its official opening in June.

Mendez is also included in the fair's outdoor, sculpture park - like Public sector in Collins Park, which is organized by independent curator Philipp Kaiser.

Young participated in «High Times, Hard Times: New York Painting 1967 — 1975,» the traveling survey of overlooked post-Minimal abstraction organized by Independent Curators International, which closed last month at New York's National Academy Museum, and P.S. 1 now presents this retrospective of some twenty - five works made between 1963 and 1980.

A survey exhibition organized by independent curator Todd Levin provides an overview of work by 37 African American female artists from over the last two centuries.

VOLTA NY has announced the participating artists in The Aesthetics of Matter, the third iteration of the critically acclaimed Curated Section — a thematic exhibition within the fair, organized by an independent curator — occurring at the fair's eleventh edition in the city and fourth year at PIER 90, from March 7 - 11, 2018.

VOLTA NY has announced the participating artists in The Aesthetics of Matter, the third iteration of the critically acclaimed Curated Section — a thematic exhibition within the fair, organized by an independent curator — occurring at the fair's eleventh edition in the city and fourth year at PIER 90

Archive Bound, organized by Independent Curator Karen E. Jones, examines methodologies within the presentation, documentation, historiography, and exhibition display of non-object based and site - specific artworks.

, organized by Independent Curator Yulia Tikhonova.

The tour is organized by Independent Curators International (ICI), New York.

The exhibition was organized by independent curator Raymond Foye and Senior Curator Jennifer McGregor at the Wave Hill botanical garden and cultural center in New York City, where this exhibition first originated and was on view from April to June, 2011.

Project 35 is a video program, organized by Independent Curators International (ICI), New York, in which 35 selected international curators have each chosen one single - channel video work by an artist that they think is important for audiences around the world to experience today.

Also in Basel, the gallery is proud to exhibit Siberian Salt Grinder (1974) a painting spotlighted in the landmark exhibition High Times, Hard Times: New York Painting 1967 - 1975, organized by Independent Curators International (curated by Katy Seigel) that completed its international tour in 2008.

Traveled to: Sogo Museum of Art, Yokohama, January 29 — February 16, 1992; Tokushima Modern Art Museum, Tokushima, February 22 — March 29, 1992; The Museum of Modern Art, Shiga, April 4 — May 17, 1992; Kochi Prefecture Museum of Folk Art, May 23 — June 17, 1992 (Catalogue) The Portrait Tradition: Master Printmakers, Pace Editions, New York, October 25 — November 30, 1991 Accent on Paper: 15 Years at Dieu Donné Papermill, Lintas: Worldwide, New York, October 2, 1991 — January 10, 1992 Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida, National Gallery of Art, Washington, D.C., September 15, 1991 — January 5, 1992 (Catalogue) Departures: Photography 1923 — 1990 (organized by Independent Curators Incorporated, New York), Iris & B. Gerald Cantor Art Gallery, College of Holy Cross, Worcester, Massachusetts, September 12 — October 20, 1991.

Pier 18 consisted of a series of ephemeral artworks organized by independent curator, activist, and publisher Willoughby Sharp and executed by 27 (all male) artists at a derelict West River pier in New York in February / March 1971.

The Ocean After Nature is an exhibition curated by Alaina Claire Feldman and organized by Independent Curators International (ICI), New York.

Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators, Inc., New Gallery of Contemporary Art, Cleveland; traveled to Long Beach Museum of Art, Long Beach, California; Contemporary Arts Center, New Orleans, Louisiana Group Exhibition, Paula Cooper Gallery, New York.

But there is also an entire section, new to the fair just for this edition, called «Sex Work: Feminist Art & Radical Politics,» organized by the independent curator Alison M. Gingeras.

The Conversations, organized by independent curator Douglas Fogle, will offer visitors multiple intellectual perspectives on the use of images by bringing together notable curators and contemporary artists for a discussion of the practice of image - making.

This is the 10th Biennial exhibition at the PMA and the second organized by an independent curator who spent nearly a year visiting artist studios — this Biennial was curated by Nat May, former executive director of Portland's SPACE Gallery.

«We'll Make Out Better than Okay,» The Charlotte Street Foundation la Esquina Gallery, Kansas City, MO, October 25 — December 20, 2013 «Etched in Collective History,» Birmingham Museum of Art, Birmingham, AL, August 18 — November 17, 2013 «The Spirit of Utopia,» Whitechapel Art Gallery, London, UK, July 4 — September 5, 2013 «Labour and Wait,» Santa Barbara Museum of Art, Santa Barbara, CA, July 2 — September 22, 2013; catalogue «Sculpture in the Close,» Jesus College, Cambridge, MA, June 24 — September 22, 2013 «BNKUDRWTR,» Art Basel Unlimited 2013, Basel, Switzerland, June 13 — 16, 2013 «Transforming the Known: Works from The Bert Kreuk Collection,» Gemeente Museum, The Hague, Netherlands, June 8 — September 24, 2013; catalogue «Prima Materia,» Punta della Dogana, Venice, Italy, May 30, 2013 — February 15, 2015; catalogue «Do It,» curated by Hans Ulrich Obrist, organized by Independent Curators International (ICI), Socrates Sculpture Park, New York, NY, May 12 — July 7, 2013; traveled to Gund Gallery at Kenyon College, Gambier, OH, May 12 — August 25, 2013; tranzit, Budapest, Hungary, May 17 — May 19, 2013; MU artspace, Eindhoven, Netherlands, May 17 — July 19, 2013; Manchester Art Gallery, Manchester, UK, July 5 — September 22, 2013; Samek Art Gallery, Lewisburg, PA, September 23 — December 12, 2013; Handwerker Gallery, Ithaca, NY, September 30 — November 1, 2013; Stacion — Center for Contemporary Art Prishtina, Prishtina, Kosovo, November 15, 2013 — January 14, 2014; Utah Museum of Contemporary Art, Salt Lake City, UT, January 17 — May 31, 2014; Musée de la danse, Rennes, France, April 1 — May 17, 2014; Garage Center for Contemporary Culture, Moscow, Russia, May 1 — July 6, 2014; The Episcopal Academy, Newtown Square, PA, September 3, 2014 — April 3, 2015; Michaelis School of Fine Art, University of Capt Town, Cape Town, South Africa, September 4 — 13, 2014; The Galleries at Moore College of Art & Design, Philadelphia, PA, September 13 — December 6, 2014; Denler Art Gallery, Saint Paul, MN, October 16 — November 13, 2014; Anne & Gordon Samstag Museum of Art, Adelaide, Australia, February 13 — April 24, 2015; KKW Kunst Kraft Werk, Leipzig, Germany, May 22 — July 9, 2015; Napa Valley Museum, Yountville, CA, June 19 — August 30, 2015; Kunsthal Rotterdam, Rotterdam, Netherlands, July 4 — August 30, 2015; Numu — El Nuevo Museo de Arte Contemporáneo, Guatemala City, Guatemala, August 8 — October 18, 2015; Kunsthal Aarhus, Aarhus, Denmark, October 2 — November 29, 2015; Bowling Green State University, Bowling Green, OH, October 21 — November 19, 2015; Tallina Kunstihoone, Tallinn, Estonia, November 24, 2015 — January 10, 2016; Verge Center for the Arts, Sacramento, CA, January 9 — March 20, 2016; Galerie de l'UQAM, Montréal, Québec, Canada, January 14 — February 20, 2016; Galerija Umjetnina, Split, Croatia, January 30 — December 31, 2016; Frac des pays de la Loire / HAB Galerie, Nantes, France, February 5 — April 17, 2016; Art Museum of the University of Memphis, Memphis, TN, March 1 — May 10, 2016; Blue Star Contemporary, San Antonio, TX, March 3 — May 8, 2016; Ulrich Museum of Art, Wichita, KS, April 23 — August 28, 2016; Montclair Art Museum, Montclair, NJ, September 9, 2016 — January 1, 2017; catalogue

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

The tour is organized by Independent Curators International (ICI), New York, and is made possible, in part, by the Andy Warhol Foundation for the Visual Arts, the Horace W. Goldsmith Foundation, Video Data Bank, Electronic Arts Intermix (EAI), and with the generous support of Robert Redd, LLC, and the ICI Board of Trustees.

Curated by sound and media artist Stephen Vitiello and organized by Independent Curators International (ICI), With Hidden Noise is titled after Marcel Duchamp's ready - made of a ball of string containing a mysterious sound - making object hidden in its folds.

Whitten's work was included in the 1969 and 1972 Whitney Annuals, the landmark 1971 exhibition, «Contemporary Black Artists in America» at the Whitney Museum, «Energy / Experimentation: Black Artists and Abstraction 1964 — 1980» at the Studio Museum in Harlem (2006); and «High Times Hard Times: New York Painting 1967 - 1975», organized by Independent Curators International (2006).

The Sense of Self: From Self - Portrait to Autobiography, Neuberger Museum of Art, State University of New York, Purchase, NY, a traveling exhibition organized by Independent Curators Incorporated, curated by Nina Sundell, (catalogue)

At the Threshold of the Visible: Miniscule and Small Scale Art, 1964 - 1996, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, organized by Independent

This exhibition is organized by independent curator Tina Kukielski.

In 2010, Stein participated in the Curatorial Intensive training program organized by the Independent Curators International, New York.

Housed at the original address of the museum she helped launch in 1968, and organized by independent curator Souleo, Blayton's first solo show since her death in 2016 began to mend this imbalance.

Janet Biggs: Echo of the Unknown is organized by independent curator Janet Phelps.

Artists: Laura Aguilar, Jerri Allyn, Carlos Almaraz, Skot Armstrong, David Arnoff, Steven Arnold, Asco, Judith F. Baca, Alice Bag, Tosh Carrillo, Monte Cazazza, Edward Colver, Vaginal Davis, DIVA TV, Jerry Dreva, Tomata Du Plenty, Simon Doonan, Tomata du Plenty, Elsa Flores, Anthony Friedkin, Harry Gamboa Jr., Roberto Gil de Montes, Gronk, Jef Huereque, Louis Jacinto, Ray Johnson, Alison Knowles, Robert Lambert, Robert Legorreta (Cyclona), Zoe Leonard, Les Petites Bonbons, Scott Lindgren, Mundo Meza, Judy Miranda, Ray Navarro, Nervous Gender, Graciela Gutiérrez Marx and Edgardo Antionio Vigo, Richard Nieblas, Dámaso Ogaz, Pauline Oliveros, Ferrara Brain Pan, Genesis Breyer P - Orridge, Clemente Padín, Phranc, Ruby Ray, Albert Sanchez, Teddy Sandoval, Joey Terrill, Cosey Fanni Tutti, Patssi Valdez, Ricardo Valverde, Jack Vargas, Gerardo Velázquez, Johanna Went, Faith Wilding Exhibition tour is organized by Independent Curators International (ICI).

The exhibition then shifts focus to New York; it includes their documentation of Yayoi Kusama's astonishing Happenings of the late 1960s and selections from Pier 18, a project conceived and organized by independent curator Willoughby Sharp, for which Shunk - Kender photographed works by 27 artists.

«High Times, Hard Times: New York Painting 1967 — 1975», organized by Independent Curators International, New York, NY, USA [Traveled to: Weatherspoon Art Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy Museum, New York, NY, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM Museum of Contemporary Art, Karlsruhe, Germany]

Alchemy & Inquiry is organized by independent curator Raymond Foye and Wave Hill Senior Curator Jennifer McGregor.

An exhibition, «Performing Franklin Furnace,» organized by Independent Curators International, will showcase 30 historic events that took place at Franklin Furnace.

The exhibition accompanies Citizen Culture: Artists and Architects Shape Policy, organized by independent curator Lucía Sanromán.

This is the 10th Biennial exhibition at the PMA and the second Biennial that will be organized by an independent curator, who will spend nearly a year visiting artist studios.