Sentences with phrase «organized by representations»

Not exact matches

Of further note, the conference was joined by Sam Smith of the Progressive Review in Washington, DC; by Mike Feinstein of the California Green Party, who had just helped organize a very successful «Green Parties of the West» conference; by representatives of the Reform Party; by Rob Daniels» «Campaign for a New Tomorrow»; and by the Center for Voting and Democracy, a national organization headed by Rob Richie dedicated to promoting Instant Run - off Voting, Ranked Choice Voting, proportional representation, and electoral reforms supported by many Greens through the Center's FairVote organizing work.

After a three - year organizing effort, a majority of nurses at Albany Medical Center voted to accept representation by the New York State Nurses Association.

Efforts must therefore, be made to ensure a balance in the representation of media houses at the fora organized by the government to enable it send across its achievements and programmes.

The Handbook was originally published in 2002 and has been used by teams at all levels of school organizations to organize themselves, run effective meetings, and understand data through the use of appropriate tools of analysis and representation.

Midnight Publishing is an editing, ghostwriting, and marketing company that can help you to write, organize, edit, and prepare your book for publication in any method you desire; whether it's traditionally by querying agents and publishing houses, a hybrid model where we'd help you to get in touch with an independent and / or small press for possible representation and publication, or with self - publishing through Kindle Direct Publishing, CreateSpace, Lightning Source, and more.

Night Vision is organized chronologically beginning with landscape artists» visions of moonlight, moving to early Modernists» experimental representations of electrified evenings, and concluding with interpretations of the night by American realists and abstract artists.

Less an organized movement than a heterogeneous expression of a zeitgeist, Pictures Generation was connected by an interest in examining the strategies and codes of representation, but also the notions of power and identity in a media - saturated, politically uncertain age.

Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).

Both of these factors complicated the representation of space, the theme chosen for this exhibition, which was organized by University of Chicago students — Corinna Anderson, Rachel Jackson, Amy Li, Brie McGuire, Alessandra Stamper, Jenny Chueh Wang, and Cheng Zong — following the spring 2015 course Invention and Revival in European Prints.

June 11 - August 17, 2014 «Beauty Reigns: A Baroque Sensibility in Recent Painting», organized by René Paul Barilleaux, the McNay Art Museum's Chief Curator / Curator of Art after 1945, assembles the work of thirteen emerging and mid-career abstract painters whose art is characterized in whole or part by high - key color, obsessive layering of surface imagery, use of overall and repeated patterns, stylized motifs, fragments of representation, and a tension between melancholy and the sublime...»

Snap Judgments explores African photography in terms of content and style, organized into four main thematic groups that reflect the issues addressed by African artists today — landscape; urban formations; the body and identity; and history and representation — around which Africa's experimental artists have articulated individual artistic styles and languages.

At the Whitney Museum, Golden organized many exhibitions including the 1993 Biennial Exhibition (directed by Elisabeth Sussman); «Black Male: Representations of Masculinity in Contemporary Art» (1994 - 1995) and «Bob Thompson: A Retrospective» (1998) among others.

In 1988 she moved to the Whitney Museum of American Art, where she made her name by organizing exhibitions such as «Black Male: Representations of Masculinity in Contemporary American Art.»

Considered among the most prestigious contemporary art events in the world, the International Art Exhibition organized by La Biennale di Venezia is the only visual art exhibition to which Canada sends official representation.

[3] She organized many notable exhibitions, including the controversial 1993 Biennial, [4] directed by Elisabeth Sussman; Black Male: Representations of Masculinity in Contemporary Art (1994 — 95); Bob Thompson: A Retrospective (1998); Heart, Mind, Body, Soul: New Work from the Collection (1998); and Hindsight: Recent Work from the Permanent Collection (1999).

Joe never had problems with finding representation either as he always seemed able to find his place in prestigious galleries and prominent museums in the United States — he was the focal point of numerous high - profile exhibitions, crowned with his participation in the 2014 exhibition titled The Forever Now: Contemporary Painting in an Atemporal World, a show organized by The Museum of Modern Art in New York City.

The exhibition is the first organized by the gallery since it commenced representation of the artist's archive in November 2017.

The official U.S. representation at the 55th International Art Exhibition — la Biennale di Venezia, 2013 was organized by The Bronx Museum of the Arts and presented by the Bureau of Educational and Cultural Affairs of the U.S. Department of State; made possible with the collaboration of the Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) and Co-Commissioned by Holly Block, Executive Director, The Bronx Museum of the Arts, and Carey Lovelace, Independent curator and critic.

Many of the artists who show with us go on to be featured in Bay Area Now (an exhibition organized every three years by Yerba Buena Center for the Arts) and the SECA Art Award exhibition (organized every two years by SFMOMA), or are able to secure commercial gallery representation.

NYLPI breaks important new ground by drawing on a range of strengths: community trust; proficient organizing; media savvy; established lobbying channels, effective individual representation; and bold, creative approaches to litigation.