Sentences with phrase «organized crime shows»
One attendee made the point that the most effective mediation she had seen on TV occurred on the Sopranos or on other organized crime shows, where older, respected Mafiosos help resolve conflicts between rival gangs.
https://winklerinstitute.ca/ Not exact matches
Mexico declared war on drug cartels and organized crime a decade ago, a conflict that claimed more than 200,000 lives and shows few signs of slowing up.
Many BabyCenter en Español moms and dads found names in telenovelas, TV shows, or movies about organized crime or horror — although they tended to choose the names of celebrities who battled the villains in these stories or fought for a more just world.
Movies and TV shows about organized crime are here to stay, and their popularity continues to grow.
It alleges that Percoco actually took inspiration from the TV show about organized crime, choosing to use the word «ziti» as a code word when demanding bribe payments and, according to the complaint, saying at times, «keep the ziti flowing,» and «don't tip over the ziti wagon.»
It alleges that Percoco actually took inspiration from the TV show about organized crime, using the word «ziti» as a code word when demanding bribe payments and saying at times, «keep the ziti flowing,» and «don't tip over the ziti wagon.»
The trope of becoming a «made man,» or earning trust by performing a task to show loyalty, is central to the existence of organized crime.
When the hero of the show and one of the antagonists have a romantic tone right out in the open, as... Referred to as flash robs, flash mob robberies, or flash robberies by the media, crimes organized by teenage youth using social media rose to international
The Sweeney: The Complete Season One / The Complete Season Two (BFS)-- Britain's bare - knuckle cop show of the seventies stars John Thaw in his pre-Inspector Morse incarnation as the «gruff copper» DI Jack Regan, the take - no - prisoners leader of the rough and tumble Flying Squad, a unit tasked with talking on the organized crime underworld of London.
Informed by a real life gold bullion heist in London, the show centers on a group of twenty - something, up and coming hustlers who stumble upon a truck load of stolen gold bullion and are suddenly thrust into the high - stakes world of organized crime.
Ozark was one of the most streamed shows of the summer, and its plot focusing on suburbanites forced into organized crime probably did well with fans of Breaking Bad.
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
Curated by Locks and Lew — the youngest curators to organize this long - running exhibition to date, and both Asian - American — the show grapples with current social issues and identity politics; its artists depict the horrors of hate crime, police brutality, and gun violence.
Illegal logging activities can also weaken the rule of law — evidence shows that illegal logging is so corruptive that other forms of organized crime often accompany it, such as arms smuggling and human and drug trafficking.