Sentences with phrase «organized early exhibitions»

At the Moderna Museet Mr. Hulten organized early exhibitions of Pop Art and kinetic art and presented surveys of Claes Oldenburg, Edward Kienholz and Andy Warhol as well as retrospectives of Jackson Pollock, Lucio Fontana, Jean Fautrier and Joseph Beuys.

Through New Work, SFMOMA has organized early exhibitions with artists such as Matthew Barney, Marilyn Minter, Kara Walker, and Christopher Wool, all of whom received their first solo museum shows through the New Work series.

When he moved the gallery to San Francisco in 1990, he organized early exhibitions by the likes of Raymond Pettibon, Erwin Wurm, and Rirkrit Tiravanija.

Michael Auping, the Modern Art Museum's chief curator, who organized an early exhibition of the Wall of Light paintings in Mexico and South America in 2001, remarks, «The Wall of Light paintings are a remarkable group of works.

Not exact matches

Many of these early exhibitions sought to bring visibility to artists of color or were organized around the most urgent political concerns of the day, including racism, Apartheid, and the US government's intervention into Central America.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

The nine established and emerging artists were picked from a pool of 40 artists who were showing in a group exhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier texhibition organized by the AAAL, «Invitational Exhibition of Visual Arts,» which opened in New York earlier tExhibition of Visual Arts,» which opened in New York earlier this month.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).

The conversations of the 2016 Summit built on the dialogues on U.S. - China museum partnerships and exchanges that were the focus of three earlier conferences: «Meeting the West: Exhibitions from American Museums» (Nanjing, 2014), organized by the American Federation of Arts and the Nanjing Museum, and the «U.S. - China Museum Leaders Forum» (Shanghai and Hangzhou, 2014) and «U.S. - China Museum Directors Forum» (Beijing, 2012), both organized by Asia Society and the Chinese People's Association for Friendship with Foreign Countries.

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

In this, the eighth of our interviews, we talk with Nigerian - born Okwui Enwezor who, after a distinguished early career as curator in the United States, organized exhibitions in Europe, where now he is director of the Haus der Kunst, Munich.

In a busy period between 1968 and 1971, he organized 21 projects, according to MoMA, which holds a collection of his papers that it presented in an exhibition earlier this year.

This will be the first public exhibition of this series of paintings — the artist's earliest mature body of work — since a retrospective exhibition was organized by the Ringling Museum of Art in 1968.

She began her work at the non-profit in 2015 as adjunct curator, organizing exhibitions such as «Nina Beier: Anti-Ageing,» (2015) «Nancy Lupo: Parent and Parroting,» (2016) «Alex Baczynski - Jenkins: Us Swerve,» (2016) and «Olga Balema: Early Man» (2016).

The exhibitions she organized include one - person shows featuring early mavericks Nam June Paik, Bill Viola, Steina Vasulka, Joan Jonas, Shigeko Kubota, Peter Campus, Gary Hill, VALIE EXPORT, Steve McQueen, and Laurie Anderson.

This book was published on the occasion of the exhibition Early Work or How I Became A Painter, organized by Mike McGee at the Nicholas and Lee Begovich Gallery at California State University, Fullerton and on view from September 12 - December 12, 2015.

This PDF shows the letter as it was reproduced in the 1991 catalogue for the exhibition Robert Rauschenberg: The Early 1950s, organized by Walter Hopps.

It was first shown publicly in 1970, when it was presented as one of Rauschenberg's earliest prints in exhibitions organized by the Institute of Contemporary Art, Philadelphia, and the Minneapolis Institute of Arts. 8 Though it has continued to be referred to as a monoprint, 9 the work's status as a print has fallen into the background over time, with scholarly interest instead focused on Rauschenberg's use of the direct imprint or indexical mark.

The LACMA exhibition is organized in two parts: early works and later works.

In the early 1990s, Rikrit Tiravanija began organizing exhibitions around cooking Thai food.

Gagosian Gallery has dedicated itself to organizing important exhibitions of contemporary art, while presenting earlier works of art from the modern era.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition of roughly a hundred paintings and drawings, charting the early development of the pioneering modernist, who conceived of abstraction in purely visual terms, quite distinct from the spiritual motivations of early nonobjective artists such as Kandinsky and Mondrian.

Over the past twenty years, scholarship on Robert Rauschenberg's early artistic development has been largely informed by the exhibition and monograph organized in 1991 by Walter Hopps for the Menil Collection in Houston.

This survey exhibition, organized by the Museum of Modern Art, New York, covers four decades of the artist's remarkable, unique practice, from the early 1960s through the late 1990s.

Earlier solo exhibitions include the Walker Art Center, Minneapolis and Nelson - Atkins Museum of Art, Kansas City which co-organized and exhibited Joel Shapiro: Outdoors, the first major outdoor exhibition of the artist's bronzes (1995 - 96); Joel Shapiro organized by IVAM Centro Julio Gonzalez, Valencia, Spain that later traveled to the Louisiana Museum of Modern Art, Denmark, Kunsthalle Zurich and Musee des Beaux - Arts, Calais, France (1990 - 91); Joel Shapiro, an exhibition of drawings and sculpture, was organized by the Stedelijk Museum, Amsterdam and later exhibited at the Kunsthaus Düsseldorf and Staatliche Kunsthalle, Baden - Baden, Germany (1985 - 86); a major mid-career survey organized by The Whitney Museum of American Art, New York with subsequent venues at the Dallas Museum of Fine Arts, the Art Gallery of Ontario, Toronto and San Diego Museum of Contemporary Art (1982 - 84); and Joel Shapiro: Sculpture and Drawing at The Whitechapel Art Gallery, London that later traveled to the Museum Haus Lange, Krefeld, Germany and Moderna Museet, Stockholm (1980).

Celebrating his life as an artist, this expansive exhibition (organized by Douglas Fogle, former chief curator at the Hammer Museum in Los Angeles) presents a selection of Mr. Melotti's work, featuring his early, somewhat - surreal figurative ceramics and his later abstract, brass sculptures, which portray political and theatrical subjects.

Spring: helps organize and install what will be her last exhibition at The Downtown Gallery, Georgia O'Keeffe: Recent Paintings and Drawings, which opens in early April.

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled

«Painting is perhaps more vital today than any time since the heyday of the New York School in the late 1940s and early 1950s, and Amy Sillman is one of its most influential, contemporary practitioners,» said Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art / Boston, who organized the exhibition.

The museum is especially noted for organizing important exhibitions of contemporary art that are locally relevant and internationally significant, including the first surveys of Vija Celmins (1980), Chris Burden (1988), and Tony Cragg (1990), as well as early exhibitions of seminal work by Lari Pittman (1983), Gunther Forg (1989), Charles Ray (1990), Guillermo Kuitca (1992), Bill Viola (1997), Iñigo Manglano - Ovalle (2003), and Catherine Opie (2006).

For the museum, she also organized a three - part exhibition series Modernist Art from India (2011 - 13) and, with Rahaab Allana of the Alkazi Foundation, co-organized Allegory and Illusion: Early Portrait Photography from South Asia (2013).

Conceived and organized over fifteen months, the exhibitions present bold, original arguments, and take the form of focused solo exhibitions, thematic group shows, and even ambitious reconsiderations of earlier movements or artistic tendencies.

This major traveling exhibition originated at The Phillips Collection in Washington, D.C., which also «organized an installation of Scully «s early paintings, pastels, watercolors, and photographs to place the large - scale Wall of Light paintings in a larger context and demonstrate Scully «s great proficiency in varied media.»

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled Fifteen Americans, which also featured the work of William Baziotes, Jackson Pollock, Mark Rothko, and Clyfford Still.

From 1995 to 2003 Bajac was the associate curator in the Photography Department at the Musée d'Orsay in Paris, where he organized a number of exhibitions on 19th - and early - 20th - century photography.

«It evoked an earlier time when artists, rather than institutions, organized the central exhibitions of the avant - garde,» he wrote.

So here we are in 2015, with a group of abstract artists in a show that, contrary to those early embattled years of the American Abstract Artists, seems to embrace the messiness, even as the singular form of the circle has been forwarded by curator Rachel Nackman as the organizing principle for the exhibition.

The exhibition is organized in sections that run from her early years, when O'Keeffe crafted a signature style of dress that dispensed with ornamentation; to her years in New York, in the 1920s and 1930s, when a black - and - white palette dominated much of her art and dress; and to her later years in New Mexico, where her art and clothing changed in response to the surrounding colors of the Southwestern landscape.

While its building is temporarily closed for construction from the summer of 2013 to early 2016, SFMOMA will present a dynamic slate of jointly organized and traveling exhibitions; outdoor and specially commissioned projects; and newly created education programs throughout the Bay Area and beyond.

His work had already been shown earlier that year in the first large global exhibition of Chinese contemporary art, «China's New Art, Post-1989» — organized by the ubiquitous Hong Kong curator, art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 1997.

The inaugural show, «Syria: Into the Light,» is a group exhibition organized by the Atassi Foundation, featuring never - before - seen works of Syrian art from the early 20th century to the present.

His work was the focus of several exhibitions and retrospectives during the early 2000s, including the 2006 exhibition «Ettore Sottsass» organized by the Los Angeles County Museum of Art, which was the first major retrospective on Sottsass» work presented in the United States, and the 2007 «Ettore Sottsass — Work in Progress» exhibition mounted at the Design Museum.

The extent of her early success can be measured by her inclusion in the group exhibition «Challenge to the Critics» organized by Howard Putzel at his newly opened gallery in New York.

In 2009 the museum organized the first iteration of the New Museum Triennial, an exhibition of early - career artists from around the world.

Many of these early exhibitions sought to bring visibility to artists of color or were organized around the most urgent political concerns of the day, including racism, Apartheid, and the US government's interventions in Central America.

Following the successes of «Imagine there's no country, Above us only our cities» curated by Jims Lam Chi Hang in 2015 and of «That Has Been, and May Be Again» curated by Leo Li Chen and Wu Mo in 2016, we are now organizing an open call for proposals by curators in the early stages of their professional careers for an exhibition to be shown at Para Site in the summer of 2017.

His earliest cross-disciplinary work, Twenty Minutes for the Twentieth Century (2000), a harbinger of the concerns the artist would explore in his later works in relation to the immateriality of performance and the museum, was presented in 2001 in the exhibition I'll Never Let You Go, organized by the Moderna Museet in Stockholm, Sweden.

This exhibition is organized by Vivien Greene, Curator, 19th - and Early 20th - Century Art, Solomon R. Guggenheim Museum.