Sentences with phrase «organized gallery programs»

Korek is a member of the Los Angeles County Arts Commission, has organized gallery programs as part of the Getty Foundation's Pacific Standard Time initiative and is founder of ForYourArt, an L.A. - based arts organization that staged artist projects, exhibitions and events.

Not exact matches

Gray Matters is the first exhibition organized by Michael Goodson since he assumed the role of Senior Curator of Exhibitions at the Wex, and the survey enriches a calendar year of programming in which every artist featured in our galleries is a woman.

In one of the campus galleries, after my lecture, the California State University Long Beach Painting and Drawing Program undergrads had organized a reception where a sampling of their work was on display.

This annual program is open to NADA Gallery Members and is organized in collaboration with Young Artists» Society, Oslo (UKS) and with generous support from the Norwegian Consulate General in New York.

Apart from its exhibition program, Vartai organizes exhibitions representing Lithuania at art events such as the Venice Biennale 2009, where the gallery presented Å 1/2 ilvinas Kempinas» installation Tube (2008) in the Scuola Grande della Misericordia.

During this period he also organized projects as part of the Serpentine Gallery's public program, including La Commune in 2006.

So it seems fitting that you may actually recoil when you step off the elevator into the first gallery of «Jeff Koons: A Retrospective,» the lucid, challenging, brilliantly installed exhibition organized by Scott Rothkopf, the Whitney's associate director of programs.

«The loosely coordinated events — including gallery closings, the temporary removal of artworks from gallery walls, memorial services, performances and educational programs about AIDS — were organized by a group of arts professionals called Visual AIDS.

Prospect.1.5, an interim - year program focused on artists from or working in New Orleans, was organized in collaboration with public art centers and museums, schools, alternative spaces, and commercial galleries in New Orleans.

The booth will be organized into sections underscoring the figurative, conceptual and abstract aspects of the gallery's program.

2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York

As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).

Open the door, turn on the light, install a work and become the curator you've always imagined you could be by organizing your own personal gallery program.

The tiny gallery's exhibition program and artistic experimentations are conceptualized and directed by Maurizio Cattelan, Ali Subotnick and Massimiliano Gioni, and so far they have organized over 30 exhibitions featuring works by Lawrence Weiner, Elizabeth Peyton, Paul McCarthy and many more.

Seven is a collective project organized by the galleries BravinLee programs, Hales Gallery, Pierogi Gallery, Postmasters, P.P.O.W., Ronald Feldman Fine...

The exhibition Victoria Sambunaris: Taxonomy of a Landscape originated at the Albright - Knox Art Gallery in Buffalo, New York and was organized by Christie Mazuera Davis, Program Director, Contemporary Art and Public Programs at the Lannan Foundation, and Albright - Knox Curator for the Collection Holly E. Hughes.

The showroom opens up the possibility to organize exhibitions independently of the gallery program and the art fair calendar.

Goldschmied & Chiari in «Chrématistique III» curated by Jérémie Gaulin et Fabien Vallos at CNEAI, Paris, thru November 9 http://www.cneai.com/evenement/#!/article-2124 John Haber's review of Scott Alario: What We Conjure in Haberarts.com 7/16/14 http://www.haberarts.com/2014/07/do-you-believe-in-magic/ Josh Slater in «my eyes can't focus and my brain is talking: A Film Program in Two Parts,» organized by Warren Ng in conjunction with «Eric's Trip,» curated by Cynthia Daignault and Mark Loiacono, Lisa Cooley, NY, July 24, 2014, 7 - 10 pm http://www.lisa-cooley.com/events/my-eyes-cant-focus-and-my-brain-is-talking-a-film-program-in-two-parts Josh Slater in «Decade of Decadunce» at Cinders Gallery, Brooklyn, http://cindersgallery.com/holy-sht-exhibition/ Loring Knoblauch's review, «Scott Alario: What We Conjure @kristenlorello» in COLLECTORDAILY.com http://collectordaily.com/scott-alario-what-we-conjure-kristen-lorello/

This will be a companion volume to the original catalogue published by Tacoma Art Museum and the University of Washington Press, and will highlight the additional works added for the Chicago presentation as well as the extensive programming organized by Alphawood Gallery during the exhibition.

Produced by the Department of Exhibition Programs, the film follows the career of Virginia Dwan, who opened her first art gallery in Los Angeles in 1959 and went on to organize dozens of exhibitions of remarkable range, representing movements as diverse as abstract expressionism, pop art, minimalism, conceptualism, and land art.

As part of this program six German Kunstvereine will be organizing sessions at an Amsterdam - based gallery or project space, that draw attention to artistic talent and experimentation.

Jay Levenson, Director, International Program; Astrid Persans, Programs Associate; and Amy Horshak, Museum Educator at The Museum of Modern Art have also organized the African Museum Professionals Workshop, an important initiative that will provide fifteen curators and educators from sub-Saharan Africa an opportunity to experience institutional practices in New York, while establishing relationships with museums and galleries in New York City, Washington D.C., and Los Angeles.

During this exhibition, the gallery will also collaborate with the alumni artists to organize undergraduate - specific programming.

The exhibition is part of an expanding program of the New York Studio School of Drawing, Painting and Sculpture that is organized by Jilaine Jones as an initiative to take advantage of the gallery space within the Dumbo studios in Brooklyn.

Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.

Art Nova, organized around the perimeter of the large hall, is a platform for emerging and smaller galleries with adventurous programs.

Second Place: «Other Voices, Other Rooms: Max Cole, Marcia Hafif, Winston Roeth, Fred Sandback, and David Simpson,» organized by Dorsky Gallery Curatorial Programs, Long Island City, New York, curated by Steven Evans.

During her six years at the Laguna Art Museum, Kook - Anderson organized nearly 30 exhibitions, including the creation and curation of the ex.pose contemporary art program, a space dedicated to a single artist that has strong parallels to the Portland Art Museum's APEX gallery, which she will manage.

A native of Los Angeles, Korek has organized the Participating Gallery program for the Getty's Pacific Standard Time initiatives and is a member of the Los Angeles County Arts Commission.

In 1984 when BAR was offered a space in Willesden Library, to be known as «The Artist's Gallery», he was a full time member of the team managing the exhibition program, running workshops and outreach for adults and children, organizing shows for BAR members at the London Artist's Book, and Participation in «Artists» Concept Book» European Touring Exhibition for Produzione Editoriali Aprile S.P.A.

30: A Brooklyn Salon has been organized to celebrate BRIC Rotunda Gallery's status as Brooklyn's oldest continuously operating contemporary art space and to offer a look back at the wealth of artists who shaped the character of our exhibition program over three decades.

VCU is also home to the Anderson Gallery, which for 35 years has organized and presented exhibitions, programs and publications that explore a broad range of currents in contemporary art and design.

Besides well - curated exhibitions, the gallery organizes free education programs and initiatives.

Dziedzic organized exhibitions of contemporary art and accompanying programs at the Savannah College of Art and Design (SCAD) at SCAD Museum of Art and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, France.

She has curated and organized exhibitions and programs at Fons Welters Gallery and Stedelijk Museum in Amsterdam, Tent in Rotterdam, and Museum De Hallen, Haarlem.

As Art Program Director for the ICRY, Andrews organizes a Youth Day at the Harlem State Building Gallery, 1977

A native of Los Angeles, she has organized the Participating Gallery program for the Getty's Pacific Standard Time initiatives and is a member of the Los Angeles County Arts Commission.

After completing her master's, she moved to Boston and worked briefly as director of the cooperative space Boston Sculptors Gallery and then as exhibitions curator at the Boston Center for the Arts, where she organized shows featuring both emerging and established artists and launched a site - specific, large - scale installation program.

Locally, they have performed at Capital Fringe Festival; programmed a monthly performance series — Soapbox — at Hillyer Art Space; organized exhibitions Delicious Spectacle, 87FLORIDA, Studio 1469, Hole in the Sky, and Gallery 102 at George Washington University; and curated the 2013 Supervova Performance Art Festival in Rosslyn, Va..

3 «$ «6 pm Opening in the Museum's Community Partnership Gallery: An Inclusive World, a group exhibition organized by COPE NYC, a program that examines how art transforms the lives of those with a wide array of needs and abilities, including those deemed «$ Outsider Artists.»

He has organized exhibitions and programs for Mixed Greens Gallery; Driscoll Babcock Galleries; 101 Exhibit; Edward Tyler Nahem Fine Art; bitforms gallery; Koki Arts, Tokyo; the Museum of Contemporary African Diasporan Arts (MoCADA); and The University of North Carolina, Chapel Hill; among Gallery; Driscoll Babcock Galleries; 101 Exhibit; Edward Tyler Nahem Fine Art; bitforms gallery; Koki Arts, Tokyo; the Museum of Contemporary African Diasporan Arts (MoCADA); and The University of North Carolina, Chapel Hill; among gallery; Koki Arts, Tokyo; the Museum of Contemporary African Diasporan Arts (MoCADA); and The University of North Carolina, Chapel Hill; among others.

For this program, Tracers organizes an in - gallery panel discussion in response to the exhibition Anne Collier.

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

Curriculum Structured Gallery Programs, or CSGPs, are specially crafted course visits to the Gund Gallery organized by the museum's education staff working in close collaboration with Kenyon faculty members.

Produced while at Gridchinhall Artist Residency, Moscow, Russia September 2011 to January 2012, organized by Salamatina Gallery, with the support of the Fulbright Program, Institute of International Education.

During this time he organized several projects as part of the Serpentine Gallery's public program series.

For more information on upcoming exhibitions and programs that will be organized by the National Gallery in the 17th Street building, the community is encouraged to subscribe to the National Gallery's monthly electronic newsletter at http://www.nga.gov/subscribe.

The Emerging Curator Program offers an opportunity for an individual or curatorial collective to organize a conceptually cohesive group show at the NARS Foundation Gallery.

In addition to organizing exhibitions and public programming, Watson oversees the gallery component of the Advanced Certificate in Curatorial Studies at Hunter College.

During his decade - long career, he has organized exhibitions and programs at dozens of museums and galleries including the Contemporary Art Museum (CAM) Raleigh, The California African American Museum, The Museum of Contemporary African Diasporan Arts (MoCADA), 101 / EXHIBIT gallery, Edward Tyler Nahem Fine Art, bitforms gallery, Koki Arts gallery (Tokyo), and The Third Line Gallery (gallery, Edward Tyler Nahem Fine Art, bitforms gallery, Koki Arts gallery (Tokyo), and The Third Line Gallery (gallery, Koki Arts gallery (Tokyo), and The Third Line Gallery (gallery (Tokyo), and The Third Line Gallery (Gallery (Dubai).