Sentences with phrase «organized his presentation as»

Yoder argues, however, that «behind this posture of humble nonnormative objectivity... Niebuhr has so organized his presentation as to indicate a definite preference for «transformation.»»

Not exact matches

an indigenous past has led the otherwise magnificent Anthropological Museum in Mexico City to organize its presentation so as to «culminate» with the Aztecs.

I also learned quite a lot about marketing, presentation skills, thinking in a more customer - focused way, building relationships, managing contacts — aspects for which in the past I hadn't really been as organized.

In addition, a very practical «desk manual» on how to organize these workshops was developed to be passed down within the Postdoctoral Association, so that as interest in the association waxed and waned, there still would be some procedural memory permitting the presentation of such workshops in the future.

Using their star power and connections, the foursome have pushed their ideas on conspicuous occasions, a number of which they created themselves: a session at the National Academy of Sciences» annual meeting that Varmus described as «heated;» a briefing by Krischner, Tilghman, and Varmus at the President's Council of Advisors on Science and Technology; a meeting at the Howard Hughes Medical Institute that «brought together some senior... influencers to talk about the problem;» a new paper about that meeting that will soon appear in PNAS; and a presentation by Kirschner at the Future of Research symposium organized by Boston - area postdocs in October.

PBE is jointly organized by FESBP and EPSO, as a result of a merger between the previous individual EPSO and FESPB conferences.With a multidisciplinary approach to plant science in a global context, the conference aims to collect speakers and presentations that cover wide ranging scientific and policy related themes within plant science, thereby showcasing state - of - the - art scientific developments and contributions to policy shaping towards plants science at the European and national levels.Plant Biology Europe is the biggest of its kind in Europe.

This ultra-powerful field becomes better organized and forms two outwardly directed funnels along the new black hole's rotational axis, which then creates the two bi-polar jets of particles moving near the speed of light that are detected as a short GRB (NASA news release; Seil Collins, New Scientist, April 13, 2011; and Rezzolla et al, 2011; and more discussion and images from Bruno Giacomazzo's presentation).

You already know that practicing presentations will relax you, as will arriving early to organize the setting and troubleshoot any technologies that will be used.

This online resource is a highly organized repository of pacing calendars, classroom - tested lesson plans, presentations, and activities shared by teachers throughout the district, as well as 40 other partner districts and charter schools across the state.

And by organizing group work visually, students will develop valuable presentation skills while working creatively as a part of their team.

Students need to learn that multimedia presentations should be used to highlight their important points, clarify concepts through well - designed or well - chosen graphics, and as a means of helping organize their talk in the audience's mind.

This review defines PBL as involving projects that are complex tasks, which typically results in a realistic product, event, or presentation, which is central to the curriculum, and which is organized around a driving question that leads to central principles or concepts of a discipline.

They work directly with the drama departments at those Universities to organize events in which Audibles producers, joined by seasoned narrators, offer a presentation about the challenging and creative medium of audiobook narration, how to find work as an audiobook narrator, and performance tips.

The dive center itself organizes regular events, such as marine life presentations and social evenings for divers.

«After - after Tears» is organized as part of CHR's Museum as Hub residency and gallery presentation by the same title (on view from May 22 — July 7, 2013).

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

As newcomers to the material themselves, they sensed that a presentation organized geographically might not mean much to most visitors, so they laid out the show thematically; an introductory gallery is followed by sections on «the Dreaming» — a belief system connecting «all objects, lands, life forces, and beings — the land, ceremony, and mortality.»

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

In conjunction with the presentation of Axis Mundo: Queer Networks in Chicano L.A. as a part of Pacific Standard Time: LA / LA, ONE Archives at the USC Libraries and MOCA, Los Angeles have organized related programs including a panel discussion with the curators, performances, and screenings.

The video will screen nightly in Times Square from 11:57 p.m. to midnight throughout January 2017 as part of Times Square's Midnight Moment, a monthly presentation organized by the Times Square Advertising Coalition (TSAC) and curated by Times Square Arts.

Her artistic practice and pedagogical bent — she is an esteemed professor of painting at the School of the Art Institute of Chicago, a position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor of the Whitney, which she has organized as a sort of visual curriculum on various artistic processes and approaches to materials.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

1965 - 1975», hosted on the ground floor of the Podium, has been conceived as an in - depth analysis of the artists active throughout the 60's and 70's, who were featured in shows that questioned traditional exhibition set - up and presentation conventions, such as «Hairy Who» (1966 - «67), «False Image» (1968 - «69), «Nonplussed Some» (1968 -» 69), organized at the Hyde Park Art Center in Chicago, and itinerant exhibition «Made in Chicago», first presented at the São Paulo Biennial in 1973.

This will be a companion volume to the original catalogue published by Tacoma Art Museum and the University of Washington Press, and will highlight the additional works added for the Chicago presentation as well as the extensive programming organized by Alphawood Gallery during the exhibition.

Exhibitions she organized include Realisms, the second part of The Cinema Effect: Reality, Illusion, and the Moving Image (2008); Refract, Reflect, Project: Light Works from the Collection (2007); and The Uncertainty of Objects and Ideas: Recent Sculpture (2006) as well as solo presentations with Terence Gower, Amy Sillman, and Jim Lambie.

These international curators will discuss their individual experiences organizing the exhibition for such varied institutions, as well as how this presentation differs from a traditional retrospective with its multitude of influences and affinities that have shaped Trockel's work to create an exhibition as artist portrait.

Unlike typical retrospectives, this presentation is organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

Although Morandi rarely traveled outside of Italy and never beyond Europe, his work was exhibited internationally and was included in a number of landmark presentations in the United States beginning in the late 1940s, such as Twentieth - Century Italian Art, organized by Alfred H. Barr, Jr. and James Thrall Soby at The Museum of Modern Art, New York, in 1949; the important exhibition Painting in Post-War Italy, 1945 - 1957, at the Casa Italiana at Columbia University, New York; and The New Renaissance in Italy at the Pasadena Art Museum, California — both in 1958, which captivated an American audience.

Originally published in 2010 on the occasion of Dumas» first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted in 2014 to coincide with the artist's European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel traveling through 2015.

As Branch Director and Curator of the former Whitney Museum at Altria, she was responsible for organizing exhibitions and commissioning more than fifty new projects by emerging artists for both solo and thematic presentations.

König never earned a college degree, but «Von hier aus» and «Westkunst,» a presentation of more than 800 works from 1949 to the exhibition's present by some 200 American and European artists that he organized at a trade hall in Cologne in 1981, served as his bona fides.

Hoffmann organized the 2010 Max Wasserman Forum the Massachusetts Institute of Technology, titled Parody, Politics, and Performativity, a forum to address critical issues in contemporary art and culture through arts professionals and which included presentations by artists Tino Sehgal, Tania Bruguera, Joan Jonas, and Claire Fontaine as well as art historians Dorothea von Hantelmann and Frazer Ward.

As a curator, her exhibitions explored archival studies, pan-historical blockbusters, format - based artistic presentations, and organized solo exhibitions.

In conjunction with the final presentation of the exhibition Martha Wilson in New York, Martha Wilson and ICI's Alaina Claire Feldman have organized a series of performances, which capture the spirit of Franklin Furnace as a physical space.

From 1997 to 2001 she initiated and organized independent exhibition projects, as well as a number of video and film presentations in Berlin and at international art venues.

Its inaugural presentation in New York marked a watershed moment for public art and generated universal enthusiasm for large - scale outdoor sculpture, the significance of which persists today.Indiana's «ONE through ZERO» articulates the artist's fascination with numbers as the most fundamental organizing principles of the world.

Her retrospective exhibition CIVIC RADAR, organized and produced in 2014 by the ZKM (Center for New Media Art), Karlsruhe, Germany, acknowledged her contribution to the global new media arts community and was enthusiastically received as it evolved into other museum presentations including Modern Art Oxford, the Lehmbruck Museum, and the Deichtorhallen Hamburg / Sammlung Falckenberg.

As Branch Director and Curator of the former Whitney Museum at Altria, Momin was responsible for organizing exhibitions and commissioning new work by emerging artists for both solo and thematic presentations.

That means that wild experimentation is not on offer, and even the more punk galleries, such as Berlin's Galerie Buchholz and New York's Maccarone, have organized more classical presentations of paintings, sculpture and a bit of photography, streamlined and saleable.

He has also directed the Capp Street Project artist residency program, working with artists such as Tim Lee, Beatriz Santiago Muñoz, and Mario Ybarra Jr., and he has organized various solo exhibitions, including an ongoing presentation by Tino Seghal.

Recent group presentations include The Invisible Hand: Curating as Gesture, 2nd CAFAM Biennale, CAFA Art Museum, Beijing (2014); Geestverwanten (Kindred Spirits), Rabo Art Collection, Utrecht, The Netherlands (2013 - 2014); Station to Station organized by Doug Aitken (2013), When Attitudes Became Form Become Attitudes: A Restoration / A Remake / A Rejuvenation / A Rebellion, CCA Wattis Institute for Contemporary Arts, San Francisco (2012), and Intense Proximity: La Triennale 2012, Palais de Tokyo, Paris, 2012 (group).

Penn's Kislak Center Special Collections Curator Lynne Farrington, who, together with ICA's Alex Klein, organized AVANT - GARDEner, was on hand, as was David Diao, whose presentation of color field painting was also on view in the galleries.

Mel Chin: Rematch February 21 — May 25, 2014 The most expansive presentation of conceptual artist Mel Chin's work to date, Mel Chin: Rematch, organized by the New Orleans Museum of Art, features the artist's sculptures, video, drawings, paintings, land, and performance art, as well as rarely seen materials from the last four decades.

Material, form, texture and display comprise a sophisticated vocabulary of presentation organized to draw attention to immigrant plight and the social conditions of displacement, as well as to distinct modes of viewing and viewer - object seperation as determined by exhibition environments.

The exhibition Millennium Magazines organized by Rachael Morrison and David Senior of the MoMA Library, explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text, since 2000.

The BEER sessions are, as the acronym implies, happy hour sessions held in an informal bar setting to facilitate networking, but complemented with substantive presentations on current energy and environmental topics from members within BEN or externally, as organized by Brendan and myself.

Collecting and organizing information to help develop data segmentation and presentations as required by different departments at NYSERDA

Travelling from one guidepost or «waymark» to the next, you will learn how to take all the bits and pieces of paper you now think of as you case and turn them into an organized presentation in court.

At times overlapping with procedural assistance (above), hearings coaching would include: explaining the expectations that a judge or master has of the parties, such as when they will be asked to speak, how they should address the third party, how to organize and present materials, how to structure an oral presentation, how to dress for the hearing, and so on.

Ms. Weiss has organized dozens of programs and panels and delivered presentations to industry groups such as the California Society of CPAs and The Alternative Board.