Sentences with phrase «organized numerous art»

He has also organized numerous art exhibitions, including the first retrospective of the work of Frida Kahlo at the Whitechapel Gallery (1982), The Situationist International at the Centre Pompidou (1989), and Global Conceptualism at the Queens Museum (1999).

Not exact matches

Throughout the summer, Kivotos in Mykonos Greece organizes numerous social and business events in its dedicated premises, which have flexible layouts, boast state - of - the - art audiovisual equipment, and are fully air - conditioned, spacious, airy and bright.

Roth has organized numerous exhibitions and film series, including Scotiabank Photography Award: Mark Ruwedel (2015); Edward Burtynsky: Oil (2009), Richard Avedon: Portraits of Power (2008), Sally Mann: What Remains (2004), and I... Dreaming: The Visionary Cinema of Stan Brakhage (National Gallery of Art, 2002).

Since she joined the MCA in 2011, she has organized numerous highly acclaimed exhibitions including the group show The Freedom Principle: Experiments in Art and Music, 1965 to Now in 2015; Homebodies in 2013, and Color Bind: The MCA Collection in Black and White in 2012.

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

As curator at the Delaware Center for the Contemporary Arts in 2008 - 09, she organized numerous group and solo exhibitions.

She has organized numerous exhibitions including The Comfort of Strangers (MoMA / PS1, New York, 2010); boundLES (at numerous venues in the Lower East Side, New York); ONLYCONNECT (Bloomberg Headquarters with Art in General, New York, 2008); and Things Fall Apart All Over Again (Artists Space, New York, 2005).

Lives and works in New York City) has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective organized by JoAnne Northrup at the San Jose Museum of Art.

His work has been included in numerous group exhibitions including the ground - breaking «New Realists» show at the Sidney Janis Gallery, New York (1962), «Dokumenta IV» and «Dokumenta VI» (1968, 1977), the Venice Biennale (1988), and «Pop Art» (1991 - 1993) organized by the Royal Academy of Arts, London.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

Endless Editions has organized twenty exhibitions; established a residency program, The Copy Shop Residency, which has hosted numerous artists from around the world; and held educational seminars at The Metropolitan Museum of Art, New York; Queens Museum of the Arts, New York; Pioneer Works, New York; the School of Visual Arts, New York; The Royal Academy of Art, Stockholm, Sweden; and the Museum of Arts and Design, New York.

Focusing on art education, the collective has organized numerous artist residencies in museums across the United States and abroad.

Bradford's work has been the subject of numerous exhibitions, including a traveling survey of his work organized by the Wexner Center for the Arts in 2010, which traveled to Boston's Institute of Contemporary Art, the Museum of Contemporary Art Chicago, the Dallas Museum of Art, and a co-presentation at the San Francisco Museum of Modern Art and Yerba Buena Center for the Arts.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

He has participated in numerous exhibitions including Raze; Revert, Repeat, Pepin Moore Gallery, Los Angeles, 2012, Made in L.A., The Hammer Museum, The Los Angeles Municipal Art Gallery, LA, CA, 2012, Picture Industry (Goodbye to All That), organized by Walead Besthy, Regen Projects, 2010, Art Multiple 2008, Ke Center for Contemporary Arts, Shanghai China, 2008.

Over a decade at the Whitney, she organized numerous groundbreaking exhibitions, including Black Male: Representations of Masculinity in American Art, in 1994.

Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Tate Gallery, London (1982); Kunsthalle Düsseldorf, Düsseldorf (1987); Centre Georges Pompidou, Paris (1987); Whitney Museum of American Art, New York (1987); Musée d'Art Contemporain, Nîmes (1989); Palais des Beaux - Arts, Brussels (1989); Museum of Contemporary Art, Chicago (1989); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Nacional Centro de Arte Reina Sofía, Madrid (2004); Museo di Capodimonte, Naples (2009); The Art Gallery of Ontario, Toronto (2010); Museo Correr, Venice (2011); J.F. Willumsens Museum, Frederikssund (2013); Dairy Art Centre, London (2014); Museu de Arte de São Paulo, São Paulo (2014); and Aspen Art Museum, Aspen (2016).

Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

During her tenure at the High Museum of Art, Schleuning organized and curated numerous dynamic and acclaimed exhibitions, including serving as co-organizing curator for the nationally touring Iris van Herpen: Transforming Fashion, which broke attendance records at the High Museum of Art, making it the eighth most - attended show; the exhibition was on view this past summer at the DMA.

Since then, Anderson has engaged with the artists represented in the Foundation's collection, organizing numerous exhibitions including Souls Grown Deep: African - American Vernacular Art of the South (1996) presented in conjunction with the Atlanta Olympic Games at Michael C. Carlos Museum at City Hall East, The Quilts of Gee's Bend (2002) while director at the Whitney Museum of American Art, and Hard Truths: The Art of Thornton Dial (2011) at the Indianapolis Museum of Art.

Works from the Souls Grown Deep collection have been featured in numerous exhibitions, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which travelled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, among others; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; and Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to New Orleans Museum of Art, the Mint Museum, and the High Museum of Art.

Her work has been featured in numerous juried exhibitions organized by curators including the Whitney Museum of American Art, the MOMA, LACMA.

He has also organized numerous thematic exhibitions, including; The Architectural Unconscious: James Casebere and Glen Seater; Vanishing Presence (Walker Art Center, 1989); and On the Line: The New Color Photojournalism.

Among numerous solo and group exhibitions in the United States and world - wide, Gaines» work was recently included in Blues for Smoke, organized by the Museum of Contemporary Art, Los Angeles, and seen at the Whitney Museum of American Art, New York; Under the Big Black Sun: California Art 1974 - 1981, at the Museum of Contemporary Art, Los Angeles; Human Nature, Los Angeles County Museum of Art, Los Angeles; both exhibitions All of This and Nothing and Now Dig This!

HUGO BOSS Global Arts Program Within its global arts program HUGO BOSS has organized numerous notable exhibitiArts Program Within its global arts program HUGO BOSS has organized numerous notable exhibitiarts program HUGO BOSS has organized numerous notable exhibitions.

From 1983 to 1999, she was a curator at The Museum of Contemporary Art, Los Angeles, where she organized numerous exhibitions in the visual arts and architecture.

She has organized numerous events to benefit the arts community, including: panels on Women in the Arts in Miami, London & Paris, 2014 & 2015; a panel on the «Legacy of Gordon Parks» at artMRKT San Francisco with Julian Cox (Founding Curator of Photography for the Fine Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 2arts community, including: panels on Women in the Arts in Miami, London & Paris, 2014 & 2015; a panel on the «Legacy of Gordon Parks» at artMRKT San Francisco with Julian Cox (Founding Curator of Photography for the Fine Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 2Arts in Miami, London & Paris, 2014 & 2015; a panel on the «Legacy of Gordon Parks» at artMRKT San Francisco with Julian Cox (Founding Curator of Photography for the Fine Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 2Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 20Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 20art walks in San Francisco and Chelsea 2010 - 2012.

Kimberly Brooks» work has been featured in numerous juried exhibitions organized by curators from the Whitney Museum of American Art, Museum of Modern Art and California Institute of the Arts among others.

Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Whitney Museum of American Art, New York (1987); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Correr, Venice (2011); and Brant Foundation Art Study Center, Greenwich, Connecticut (2013).

Kimberly Brooksʼ work has been featured in numerous juried exhibitions organized by curators from the Whitney Museum of American Art and the Museum of Modern Art.

Gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together from 1995 on, the book is introduced by art theorist and friend of the artist Max Wechsler, who followed West's work closely for many years, and whose illuminating foreword begins: «Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis and eccentric par excellence.»

She has had numerous exhibitions in museums throughout the world, including traveling exhibitions organized by the Museum of Modern Art Oxford and the Japan Society in New York.

From the mid-1960s until Ossorio's death in 1990, his work was included in numerous exhibitions in the United States and abroad, including Documenta III in Kassel, Germany (1964); Contemporary American Sculpture at the Whitney Museum of American Art, New York (1966); Dada, Surrealism, and their Heritage, atraveling exhibition organized by the Museum of Modern Art in New York (1968); 30 Years of American Art at the Whitney Museum (1977); and Alfonso Ossorio 1940 - 1980 at the Guild Hall Museum in East Hampton (1980).

Mary Frank has had numerous solo museum and gallery exhibitions over the years, including two retrospectives at the Neuberger Museum in Purchase, NY (2000 and 1979), and the show Natural Histories, organized by the DeCordova Museum, in Lincoln, MA, (1988), which traveled to the Pennsylvania Academy of the Fine Arts, Philadelphia, and the Everson Museum of Art, Syracuse, NY.

Colo's work has been exhibited at numerous venues, most recently as part of the exhibition Radical Presence, organized at the Contemporary Art Museum, Houston, and which traveled to the Walker Art Center, the Yerba Buena Center for the Arts in San Francisco, and the Studio Museum in Harlem (2013 - 2015).

As a curator, Sussman has organized numerous national and international exhibitions, like her recent William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008, a four venue international tour, closing at the Los Angeles County Museum of Art.

Mary Frank has been the subject of numerous museum exhibitions, including a retrospective organized by the Neuberger Museum in Purchase, New York in 1978; an in - depth look at her Persephone Series at the Brooklyn Museum in 1988; and Natural Histories, organized by the DeCordova Museum in 1988 which traveled to the Pennsylvania Academy of the Fine Arts and the Everson Museum of Art.

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

He has organized numerous exhibitions on architecture and design for the Walker Art Center and has authored essays and served as editor for several accompanying publications, including: Strangely Familiar: Design and Everyday Life (2003); Worlds Away: New Suburban Landscapes (2008), and Graphic Design: Now in Production (2011).

In 1980, the Museum of Contemporary Art in Chicago organized a retrospective, and by that time videos, photographic documentations and other works of his had entered numerous important public collections, including those of the Museum of Modern Art and the Whitney Museum of American Art.

Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

He was formerly Curator of the Whitney Museum of American Art, New York, where he organized numerous Biennial Exhibitions of contemporary art, and many seminal one - artist and group exhibitioArt, New York, where he organized numerous Biennial Exhibitions of contemporary art, and many seminal one - artist and group exhibitioart, and many seminal one - artist and group exhibitions.

He has published numerous essays on modern and contemporary art, including catalog essays for exhibitions organized by the Whitney Museum of American Art, Carnegie Museum of Art, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design Museart, including catalog essays for exhibitions organized by the Whitney Museum of American Art, Carnegie Museum of Art, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design MuseArt, Carnegie Museum of Art, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design MuseArt, Japan Society, Fundacion Juan March, Arthur M. Sackler Gallery, and Vitra Design Museum.

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

The exhibition curator Simon Njami (b. 1962) has organized numerous exhibitions of contemporary African art, among them «Africa Remix» (2004 — 2007).

Dziedzic organized exhibitions of contemporary art and accompanying programs at the Savannah College of Art and Design (SCAD) at SCAD Museum of Art and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, Franart and accompanying programs at the Savannah College of Art and Design (SCAD) at SCAD Museum of Art and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, FranArt and Design (SCAD) at SCAD Museum of Art and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, FranArt and numerous galleries at the college's four locations in Savannah, Atlanta, Hong Kong, and Lacoste, France.

A critic and curator, Kelley writes for art and music journals and has organized numerous exhibitions incorporating his own work, work by fellow artists, and non-art objects that exemplify aspects of nostalgia, the grotesque, and the uncanny.