Sentences with phrase «organized numerous artist»

Focusing on art education, the collective has organized numerous artist residencies in museums across the United States and abroad.

Not exact matches

Jeremy Deller (b. 1966, United Kingdom), an artist known for organizing numerous parades, processions, and other collective actions that bring together contrasting swathes of English culture, presents English Magic (2013), the hypnotic video he created as an integral part of his installation for the British Pavilion at the Venice Biennale in 2013.

Sims has organized one - artist exhibitions of numerous artists including Ellsworth Kelly, John Storrs, Jan Matulka, Viola Frey, Fred Wilson, Claire Zeisler, Willie Cole, and Hedda Sterne.

She has organized numerous exhibitions including The Comfort of Strangers (MoMA / PS1, New York, 2010); boundLES (at numerous venues in the Lower East Side, New York); ONLYCONNECT (Bloomberg Headquarters with Art in General, New York, 2008); and Things Fall Apart All Over Again (Artists Space, New York, 2005).

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

Endless Editions has organized twenty exhibitions; established a residency program, The Copy Shop Residency, which has hosted numerous artists from around the world; and held educational seminars at The Metropolitan Museum of Art, New York; Queens Museum of the Arts, New York; Pioneer Works, New York; the School of Visual Arts, New York; The Royal Academy of Art, Stockholm, Sweden; and the Museum of Arts and Design, New York.

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

He also organized numerous experimental exhibitions at the Gallery Azimuth in Milan, which he co-founded with artist Enrico Castellani in 1959.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Since then, Anderson has engaged with the artists represented in the Foundation's collection, organizing numerous exhibitions including Souls Grown Deep: African - American Vernacular Art of the South (1996) presented in conjunction with the Atlanta Olympic Games at Michael C. Carlos Museum at City Hall East, The Quilts of Gee's Bend (2002) while director at the Whitney Museum of American Art, and Hard Truths: The Art of Thornton Dial (2011) at the Indianapolis Museum of Art.

Gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together from 1995 on, the book is introduced by art theorist and friend of the artist Max Wechsler, who followed West's work closely for many years, and whose illuminating foreword begins: «Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis and eccentric par excellence.»

He completed numerous public commissions and exhibited actively in Europe, but it was not until the 1996 traveling exhibition, Explorations in the City of Light: African - American Artists in Paris, 1945 - 65, organized by The Studio Museum in Harlem, that Cousins» work was seen in the United States.

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

She gave numerous artists their first solo museum exhibitions in the U.S. such as Mark Manders, Luc Tuymans, Cristina Iglesias, and Yun - Fei Ji; in Canada she organized the premiere exhibitions of work by Louise Bourgeois, Richard Tuttle, Marlene Dumas, Diana Thater, among many others.

He was formerly Curator of the Whitney Museum of American Art, New York, where he organized numerous Biennial Exhibitions of contemporary art, and many seminal one - artist and group exhibitions.

He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.

Bui served as curatorial advisor at MoMA PS1 from 2007 to 2010 where he organized monographic exhibitions of artists including Robert Bergman, Jonas Mekas, [21] Joanna Pousette - Dart, [22] Tony Fitzpatrick, Harriet Korman, and Jack Whitten, [23] and numerous group exhibitions including Irrational Profusion: Nicole Cherubini, Marc Leuthold, Joyce Robins, Peter Schlesinger [24] and Orpheus Selection: Nicola Lopez & Lisa Sigal.

A critic and curator, Kelley writes for art and music journals and has organized numerous exhibitions incorporating his own work, work by fellow artists, and non-art objects that exemplify aspects of nostalgia, the grotesque, and the uncanny.

The images sing with colour - Architectural Review November 2013 Marie - Therese Pulvenis de Seligny has been curator of the Musee Matisse since 1997, and has organized numerous exhibitions and written extensively on the artist.

In thirty - five years of operation, ICI has organized 116 traveling exhibitions, as well as numerous events, publications, and training opportunities for diverse audiences around the world, profiling the work of more than 3,700 artists.

Prior to joining the Rose, Bedford was Chief Curator at the Wexner Center for the Arts at The Ohio State University in Columbus, where he organized numerous exhibitions including Hard Targets, a multimedia show exploring sports and masculinity, and Mark Bradford, a major mid-career survey of the Los Angeles - based artist.

He previously organized numerous exhibitions as co-founder of the artist - run curatorial initiative, Progress Report and is currently a partner and co-director of Present Company, a Brooklyn - based exhibition and social space.

Sally has organized numerous public programs, including a series of parties welcoming new artists to the city, experimental wine tastings, and projects for Open Engagement and Flux Factory, where she recently joined the Board of Directors.

As a curator at Portikus in Frankfurt am Main she initiated and organized numerous solo exhibitions with artists such as Christian Jankowski, Thomas Hirschhorn, Daniel Buren, Maria Eichhorn, Andreas Siekmann, Manfred Pernice and Elke Krystufek.

Through the years, SOHO20 has: increased emerging artist memberships; continued quality member exhibits, implemented fellowship memberships, featured numerous shows that address crucial social and political issues, organized group shows featuring women from diverse cultural backgrounds, as well as hosting panel discussions about significant art topics.

Martha Henry has written catalogs and organized numerous exhibitions in galleries, universities, museums and public parks with artists including Jay Milder, Jan Müller, Bob Thompson, Robert Murray, Mr. Imagination, and Swoon.

During the past four decades, he has organized numerous exhibitions and written texts about Cuban American Art in the United States, as well as essays about various artists and his own practice.

San Diego artists have participated in numerous group exhibitions organized by MCASD, including the international group exhibitions Weighing and Wanting: Selections from the Collection (2008); Soundwaves: The Art of Sampling (2007); and From Baja to Vancouver (2004).

Mergel has organized numerous exhibitions and artist projects at the ICA, including: Acting Out: Social Experiments in Video (2009), an examination of the complex dynamics of social relationships featuring works by Yael Bartana, Phil Collins, and Javier Téllez; Tara Donovan (2008 — 2009), the sculptor's first museum survey, for which Mergel served as co-curator with Nicholas Baume and coordinated the national tour; and Accumulations (2007 — 2008), an ICA Collection exhibition that considered how artists assemble discrete elements into more than the sum of their parts, with works by Paul Chan, Josiah McElheny, and Cornelia Parker, among others.

Since joining the Gallery in 1986, she has organized, collaborated on, and coordinated numerous exhibitions as well as authored and contributed to various catalogues: Three Centuries of American Prints from the National Gallery of Art (2016), Louise Bourgeois: No Exit (2015), Focus on the Corcoran: Works on Paper: 1860 - 1990 (2015), Yes, No, Maybe: Artists Working at Crown Point Press (2013), Shock of the News (2012), Stanley William Hayter: From Surrealism to Abstraction (2009), Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha (2005), Roy Lichtenstein: A New Gift of Drawings (2005), Drawings of Jim Dine (2004), A Century of Drawings: Works on Paper from Degas to LeWitt (2001), The Unfinished Print (2001), Prints Abound: Paris in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art (2001), Marc Chagall's Early Prints and Drawings (1995), The Great Age of British Watercolors: 1750 - 1880 (1993), Drawings from the O'Neal Collection (1993), Käthe Kollwitz (1992), Master Drawings from the Armand Hammer Collection: An Inaugural Celebration (1989), and English Drawings and Watercolors, 1630 - 1850 (1988).

Kristine has an active life in the arts, previously teaching art history at Antelope Valley College and Pasadena City College, forming an artist collective in Los Angeles and organizing and curating numerous art exhibitions.

About Connie Butler Connie Butler is the Chief Curator at the Hammer Museum, Los Angeles where she has organized numerous exhibitions including the biennial of Los Angeles artists «Made in LA» (2014), «Mark Bradford: Scorched Earth» (2015) and «Marisa Merz: The Sky Is a Great Space» (2017).

He helped to arrange numerous introductions between his favoured artists and buyers like Leo Castelli (1907 - 99), and also helped to organize exhibitions.

Since his first solo exhibition 50 years ago, Mangold's work has been the subject of numerous one artist and retrospective exhibitions throughout the United States and abroad, including Robert Mangold at the Guggenheim Museum, New York (1971); Robert Mangold: Paintings 1971 — 1984, organized by the Akron Art Museum with subsequent venues in New York, Texas and California (1984 — 86); Robert Mangold: The Oberlin Window at the Allen Memorial Art Museum, Oberlin College (1992), which coincided with the unveiling of a stained glass window designed by the artist for Oberlin's historic Finney Chapel by architect Cass Gilbert, Robert Mangold: Painting as Wall, Werke von 1964 bis 1993, organized by the Hallen für neue Kunst with subsequent venues in Paris, Münster and Lisbon (1993 — 95); Robert Mangold: X, Plus and Frame Paintings, Works from the 1980s at the Parasol Unit Foundation for Contemporary Art, London (2009); Robert Mangold, Beyond the Line: Paintings and Project 2000 — 2008 at the Albright - Knox Art Gallery, Buffalo, presented in 2009 in anticipation of commissioned glass windows at the Federal Courthouse Building in Buffalo, unveiled in 2012; and Robert Mangold: Continuity and Discontinuity, Cleveland Institute of Art, Ohio (2011).

Beyond its immediate artistic program, the gallery has regularly organized projects, published numerous artist books and printed limited edition posters.