Sentences with phrase «organized such exhibitions»

Cameron, based in New York since 1979, has also organized such exhibitions as Kenny Scharf (MARCO, Museo de Arte Contemporaneo de Monterrey, 1996); Modern Detour (Vienna Secession, 1990); What is Contemporary Art?

He organized such exhibitions as Harry Callahan: Eleanor (2007), Road to Freedom: Photographs of the Civil Rights Movement, 1956 — 1968 (2008), The Portrait Unbound: Photographs by Robert Weingarten (2010) and Signs of Life: Photographs by Peter Sekaer (2010), accompanied by critically acclaimed scholarly publications.

Prior to MoMA, Ms. Temkin was the curator of modern and contemporary art at the Philadelphia Museum of Art from 1990 to 2003, where she organized such exhibitions as Barnett Newman (2002), Constantin Brancusi (1995), and Thinking is Form: The Drawings of Joseph Beuys (1994).

Sandra S. Phillips is senior curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of John Gutmann.

She added, «It takes a special kind of curator to successfully organize such an exhibition, and we are delighted to have Ingrid on board.

Not exact matches

The Second Life community has also organized a number of special events themselves, such as art exhibitions and parties.

«I realized it was such an interesting topic that it's a question I raised with other artists I knew, and it had a great impact on my own encounters with art,» says Garrels, who went on to organize the exhibition, which included Grotjahn, Amy Sillman, Charline von Heyl, Mary Heilmann, Wade Guyton, and Christopher Wool.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

Ms. MacAgy organized such definitive exhibitions as The Disquieting Muse: Surrealism, The Sphere of Mondrian, and Totems Not Taboo: Primitive Art.

Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicago.

The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).

In addition, Hollein has organized a number of major exhibitions in modern and contemporary art, larger survey shows, and special projects such as the American pavilion at the Seventh Venice Architecture Biennale (2000) and the Austrian pavilion at the Venice Art Biennale (2005).

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A

Apart from its exhibition program, Vartai organizes exhibitions representing Lithuania at art events such as the Venice Biennale 2009, where the gallery presented Å 1/2 ilvinas Kempinas» installation Tube (2008) in the Scuola Grande della Misericordia.

Yvon Lambert has organized seminal exhibitions by many leading international artists such as Carl Andre, MiquelBarceló, Robert Barry, Berlinde de Bruyckere, Nan Goldin, Douglas Gordon, Jenny Holzer, Richard Jackson, Joan Jonas, On Kawara, Anselm Kiefer, Barbara Kruger, Louise Lawler, Sol Lewitt, Glenn Ligon, Richard Long, Brice Marden, Allan McCollum, Andres Serrano, Tony Smith, Lawrence Weiner and Tom Wesselman.

It's opportunities such as these that give students vital exposure to the local art scene and experience in applying their growing knowledge and expertise to the pragmatics of organizing exhibitions.

Working with such institutions as the Carnegie Museum of Art, the Los Angeles County Museum of Art, The Metropolitan Museum of Art and the Museum of Applied Arts, Vienna, he organized more than 20 exhibitions, including «Modern Opulence in Vienna: The Wittgenstein Vitrine» (2015), «Form / Unformed» (2013), «Gustav Stickley and the American Arts and Crafts Movement» (2010), and «Modernism in American Silver: 20th - Century Design» (2005).

She began her work at the non-profit in 2015 as adjunct curator, organizing exhibitions such as «Nina Beier: Anti-Ageing,» (2015) «Nancy Lupo: Parent and Parroting,» (2016) «Alex Baczynski - Jenkins: Us Swerve,» (2016) and «Olga Balema: Early Man» (2016).

Caroline Bourgeois is the curator of the Pinault Collection in Paris and has organized numerous exhibitions around the world, such as Passage du temps (2007) at Lille's Tripostal, Un certain état du monde (2009) at the Garage Center for Contemporary Culture in Moscow, Qui a peur des artistes?

Arning was formerly the curator at MIT's List Center for eight years where he organized such critically acclaimed exhibitions as America Starts Here — Ericson and Ziegler (2006).

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

He has organized major projects such as Paul Chan's Waiting for Godot in New Orleans and the multi-phase national exhibition Democracy in America: The National Campaign.

Founded in 1983, Gana Art has organized over 600 exhibitions of modern and contemporary art such as painting, sculpture, video art, installation, and contemporary photography.

Further involvements include organizing outreach programs such as the International Print Symposium in Boston and co-curating a major exhibition and print exchange for the First Africus Biennial in Johannesburg, South Africa.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

She organized past exhibitions such as The Grace Jones Project (2016), Where is Here (2017) and The Ease of Fiction (2017).

Recognized for organizing the first solo museum exhibitions in the United States of international artists such as Erwin Wurm, The Bass also presents major exhibitions by influential artists such as El Anatsui, Isaac Julien, Eve Sussman, and Piotr Uklański.

From 2005 to 2011, he was Director of the internationally renowned Kunsthalle Bern in Switzerland where he organized solo exhibitions by artists such as Santu Mofokeng, Anne - Mie Van Kerckhoven, Owen Land, Oscar Tuazon, Jutta Koether, Allan Kaprow, and Corey McCorkle.

An active exhibition schedule includes works form the permanent collection and scholarly shows, such as American Modern: Abbott, Evans, Bourke - White, organized with the Amon Carter Museum of Art in Fort Worth, Texas, and presented in 2010 - 2011.

ExLucis operates as an advocate for the photography program and organizes activities such as professional exhibitions of student work on campus and in the city, guest artist workshops and lectures, fundraising events, and field trips to museums and conferences outside the city.

Previously, he worked at the Studio Museum in Harlem for seven years where he organized exhibitions such as Kalup Linzy: If it Don't Fit, VideoStudio, Fore, and When the Stars Begin to Fall: Imagination and the American South.

1965 - 1975», hosted on the ground floor of the Podium, has been conceived as an in - depth analysis of the artists active throughout the 60's and 70's, who were featured in shows that questioned traditional exhibition set - up and presentation conventions, such as «Hairy Who» (1966 - «67), «False Image» (1968 - «69), «Nonplussed Some» (1968 -» 69), organized at the Hyde Park Art Center in Chicago, and itinerant exhibition «Made in Chicago», first presented at the São Paulo Biennial in 1973.

Solo exhibitions of Richter's work have been organized by major museums such as the Museum of Modern Art in San Francisco (1989), Tate Gallery in London (1991), Museo Nacional Centro de Arte Reina Sofía in Madrid (1994), Martin - Gropius - Bau in Berlin (1997), Deutsche Guggenheim in Berlin (2002), Museum of Modern Art in New York (2002), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (2003), Kunst Museum in Bonn (2004), National Museum of China in Beijing (2008), and National Portrait Gallery in London (2009).

She has organized monographic exhibitions of the work of Karen Kilimnik, Barry Le Va, Jess, Jason Rhoades, and Anne Tyng, among others, and thematic group shows such as Deep Storage, The Photogenic, The Puppet Show, Queer Voice, and Dirt on Delight: Impulses that Form Clay.

Beyond solo and group exhibitions A.F.A. also welcomed renowned guest curators to organize thematic exhibitions, such as Collins & Milazzo («Modern Sleep,» 1986), Ralph Rugoff («Just Pathetic,» 1992), James Meyer («What Happened to the Institutional Critique?»

The faculty of the Fort Worth School of Fine Arts organized an exhibition program and brought to Fort Worth the first show of such School of Paris artists as Pablo Picasso, Henri Matisse, Georges Braque, and André Derain.

From 2011 to 2016 Hafner has been the artistic and managing director of the Kunstverein für die Rheinlande und Westfalen, where he has organized monographic exhibitions with artists such as Tim Berresheim, Charlotte Prodger, Josephine Pryde, Rosa Sijben, Dominik Sittig and Walter Swennen and thematic exhibitions such as «Das Beste vom Besten «on art's differentiating economies, «Zum Beispiel «Les Immatériaux ««co-curated by Christian Kobald with reference to Jean - François Lyotard's seminal «philosophical «exhibition «Les Immatériaux «from 1985 or «Die Kunst der Türken / The Art of the Turks / Türklerin Sanati ``, co-curated by Manuel Graf; in 2012 and 2013 Hafner also presented the first museum survey of the artistic oeuvre of Henry Flynt in Düsseldorf and ZKM Karlsruhe.

The Pompidou may largely be closed but it's not idle: Among recent undertakings, it has organized this exhibition of roughly a hundred paintings and drawings, charting the early development of the pioneering modernist, who conceived of abstraction in purely visual terms, quite distinct from the spiritual motivations of early nonobjective artists such as Kandinsky and Mondrian.

Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.

There he organized such as exhibitions as Jasper Johns: An Allegory of Painting, 1955 - 1965; Mark Rothko; and Cy Twombly: The Sculpture.

These international curators will discuss their individual experiences organizing the exhibition for such varied institutions, as well as how this presentation differs from a traditional retrospective with its multitude of influences and affinities that have shaped Trockel's work to create an exhibition as artist portrait.

The exhibition is organized as a series of thematic rooms that explore such ideas as the darker side of advertising, street style and the punk aesthetic, and the artist as celebrity.

Occasionally, Collection has been given new contexts in special exhibitions such as Aesthetics of Graffiti, a 1978 show organized by Rolando Castellón that examined the parallel but sometimes conflicting aesthetics of street graffiti and graffiti - influenced fine art.

Through New Work, SFMOMA has organized early exhibitions with artists such as Matthew Barney, Marilyn Minter, Kara Walker, and Christopher Wool, all of whom received their first solo museum shows through the New Work series.

She gave numerous artists their first solo museum exhibitions in the U.S. such as Mark Manders, Luc Tuymans, Cristina Iglesias, and Yun - Fei Ji; in Canada she organized the premiere exhibitions of work by Louise Bourgeois, Richard Tuttle, Marlene Dumas, Diana Thater, among many others.

Specific Objects without Specific Form (2010 — 2011), in addition to organizing solo exhibitions with emerging artists such as Zhana Ivanova, Petrit Halilaj, Leigh Ledare, Klara Lidén, and Tris Vonna - Michell.

She has organized exhibitions and events at venues such as MoMA, PS1, Queens, NY; ICA, Philadelphia, PA; Mattress Factory, Pittsburgh, PA; Wexner Center for the Arts, Columbus, OH; Hyde Part Center, Chicago, IL; Schema Projects, Brooklyn, NY; Dorsky Curatorial Programs, LIC, NY; SIGNAL, Brooklyn, NY; Interstate Projects, Brooklyn, NY; and Present Company, Brooklyn, NY.