It is planned to
organize an international museum tour of the Collection, accompanied by a major publication.
Not exact matches
The Tampa
Museum of Art is the only American venue on the
international tour of Photorealism: 50 years of Hyperrealistic Painting,
organized by the Institut für Kulturaustausch in Tübingen, Germany.
She has received several
international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous
international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions»
organized by Asia Society
Museum.
Landers» work has been included in numerous
museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New
museum exhibitions including: «Slightly Unbalanced,»
organized by the Independent Curators
International, «Superconscious, Automatisms Now,» at the Contemporary Arts
Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New
Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.
Enter «High Times, Hard Times: New York Painting, 1967 - 1975,» a brave if deficient exhibition
organized by Independent Curators
International, which concludes its three - stop tour at the National Academy
Museum.
Her writings have been included in many publications, among them Patti Smith: 9.11 Babelogue, published in conjunction with her exhibition at Hunter College; Cai Guo - Qiang: I Want To Believe, published by the Solomon R. Guggenheim
Museum, New York; entries in the Benezit Dictionary of Asian Artists and The Grove Dictionary of Art, Oxford University Press; Greater New York, the 2003 exhibition
organized by PS1 and The
Museum of Modern Art; and Artforum
International.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts
Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney
Museum Art Party Benefit Auction, Whitney
Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and
Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition,
Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher
Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany
International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky
Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor,
organized by Grey Area COLLECTIONS Norton
Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
Laura Hoptman was recently appointed Curator of Contemporary Art and the Carnegie
Museum of Art and will
organize the 54th installation of the Carnegie
International in fall 2004.
She has
organized exhibitions at
international art spaces and institutions including the Virginia Commonwealth University Gallery, Qatar; the Arab American National
Museum, USA; and the Beirut Exhibition Center, Lebanon.
David Cronenberg: Transformation: Candice Breitz, James Coupe, Marcel Dzama, Jeremy Shaw, Jamie Shovlin, Laurel Woodcock Through Dec 29, 2013
Museum of Contemporary Canadian Art (MOCCA),
organized by MOCCA and the Toronto
International Film Festival
Since 1987 Carsten Nicolai has been in over 50
international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus
organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the
Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari
Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD
Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood
Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim
Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe,
organized by Hitomi Iwasaki, Queens
Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer
Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies
Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk
Museum Voor Actuele Kunst and the Bijloke
Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC
Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th
International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art
Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival
organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
Curator and writer Marvin Heiferman
organizes projects about photography and visual culture for institutions including the -
Museum of Modern Art, Smithsonian Institution,
International Center of Photography, Whitney
Museum of American Art, and the New
Museum.
Other
international venues which have
organized solo shows include Van Abbemuseum, Eindhoven, The Netherlands; Kunsthalle Nürnberg, Nuremberg, Germany (both 1998); Deichtorhallen Hamburg, Germany (1999);
Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna (2002); Le Magasin — Centre National d'Art Contemporain de Grenoble, France (2005); and Centro de Arte Contemporáneo de Málaga, Spain (2006).
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney
Museum of American Art Independent Study Program Exhibition, Chelsea
Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival
international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York,
organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for Contemporary Art at the Anna Akhmatova
Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City
Museum, Jersey City, NJ, curated by Rocio Aranda Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book Arts, New York
The exhibition is
organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The
Museum of Contemporary Art, Los Angeles, and
organized as a traveling exhibition by Independent Curators
International (ICI).
Each exhibition will be
organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of
International Programming Lara Pan, in collaboration with
museum curators from across the region.
He has also
organized numerous art exhibitions, including the first retrospective of the work of Frida Kahlo at the Whitechapel Gallery (1982), The Situationist
International at the Centre Pompidou (1989), and Global Conceptualism at the Queens
Museum (1999).
«High Times, Hard Times: New York Painting 1967 — 1975»,
organized by Independent Curators
International, New York, NY, USA [Traveled to: Weatherspoon Art
Museum, Greensboro, NC, USA; Katzen Arts Center, American University, Washington, D.C., USA; National Academy
Museum, New York, NY, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM
Museum of Contemporary Art, Karlsruhe, Germany]
Upcoming shows
organized by the foundation will be at Berlin's Martin - Gropius - Bau (March 21 - June 8, 2015) and Amsterdam's Stedelijk
Museum (July 4 - November 8, 2015), at once extending the movement's legacy and exemplifying the network's
international footprint.
In addition to contemporary works by the gallery's stable of
international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be
museum - grade exhibitions
organized by Schimmel and other curators.
Thirty years later, the San Francisco
Museum of Modern Art
organized the first
international traveling retrospective of her photographs.
She has curated various exhibitions including The Heard and the Unheard: Soundscape Taiwan, Collateral Event at the 54th
International Art Exhibition of La Biennale di Venezia (2011),
organized by the Taipei Fine Arts
Museum of Taiwan, Re-envisioning Society (2011 - 2013).
MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show
organized by the
International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices: Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. /
Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn
organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21
Don't Look Back, Contemporary Fine Arts, Berlin Nomadic Images, 16th
International Vilnius Painting Triennial,
organized by the Lithuanian Artists» Association,
Museum of Applied Art and Design in Vilnius, Lithuania «Various are the lines of life...», Galerie Bernard Ceysson, Windhof, Luxemborg The Present Order, Galerie für Zeitgenössische Kunst Leipzig, Germany Sammlung Viehof: Internationale Kunst der Gegenwart, Deichtorhallen Hamburg, Germany Landscapes after Ruskin: Redefining the Sublime, curated by Joel Sternfeld, The Hall Art Foundation, Reading, VT [cat.]
Over the next two decades the Pasadena Art
Museum earned an
international reputation for
organizing and presenting critically acclaimed exhibitions of 20th century art.
In October, one of her sculptures will be featured in the 57th Carnegie
International, an exhibition
organized by Pittsburgh's Carnegie
Museum of Art.
Recognized for
organizing the first solo
museum exhibitions in the United States of
international artists such as Erwin Wurm, The Bass also presents major exhibitions by influential artists such as El Anatsui, Isaac Julien, Eve Sussman, and Piotr Uklański.
Her work has been part of various
international group exhibitions including L'Autre visage: Portrait & expérimentations photographiques, Centre photographique - Pôle Image Haute - Normandie, Rouen, France (2016); Out of Obscurity, Flowers Gallery, London (2016); A Verdant Summer, Taymour Grahne Gallery, New York (2016); Art Bandini, Los Angeles (2016); Metamorphosis, Flowers Gallery, London (2015); Any Human Measure, M+B Gallery, Los Angeles (2015); Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University, Boca Raton (2015); Me and Benjamin, Galerie Xippas, Paris (2014); Foam Talent 2014, East Wing Gallery, Dubai (2014); Aggregate Exposure, George Lawson Gallery, San Francisco (2014); Foam Talent 2014, Westergasfabriek, Amsterdam (2014); Foam Talent 2014, l'Atelier Néerlandais, Paris (2014); One Step Beyond, Galerie Christophe Gaillard, Paris (2014); Fixed Unknowns, Taymour Grahne Gallery, New York (2014); Soft Target, M+B Gallery, Los Angeles (2014); Big Pictures, Public - art exhibition
organized by the Cincinnati Art
Museum (2014); Surface (s) / Prise (s), Galerie Christophe Gaillard, Paris (2014).
While the group
organized several shows in their own gallery space in the mid-1960s, they also had exhibitions at New York's
International Center for Photography and the Studio
Museum in Harlem.
Beauty Reigns, which is
organized by Rene Paul Barilleaux for the McNay Art
Museum in San Antonio, features works by artists both national and
international perspectives.
Philip - Lorca diCorcia, known for creating images poised between documentary and theatrically staged photography, has had a dynamic career with acclaimed
international exhibitions, including a major survey of» his work
organized by the Schirn Kunsthalle Frankfurt in 2013 that traveled to the De Pont
Museum in Tilburg, Netherlands, and The Hepworth Wakefield in England.
The gallery
organizes extensive solo and group exhibitions, often accompanied by comprehensive publications, not only in its own premises, but also in collaboration with major
international museums and other non-commercial art institutions.
He has
organized curatorial workshops and seminars and published extensively in
international art magazines as well as
museum catalogs and anthologies of contemporary art.
About KMD — Kunsthalle Marcel Duchamp The Forestay
Museum of Art KMD was founded in 2009 as an artistic project by Caroline Bachmann and Stefan Banz with the aim of
organizing a symposium and an
international event devoted to Marcel Duchamp and the Forestay Waterfall.
Currently he is the Director / Senior Curator for the Torrance Art
Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which
organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.
Jay Levenson, Director,
International Program; Astrid Persans, Programs Associate; and Amy Horshak,
Museum Educator at The
Museum of Modern Art have also
organized the African
Museum Professionals Workshop, an important initiative that will provide fifteen curators and educators from sub-Saharan Africa an opportunity to experience institutional practices in New York, while establishing relationships with
museums and galleries in New York City, Washington D.C., and Los Angeles.
Retrospectives were
organized in 1978 by the
International Center of Photography in New York, and in 1984 by the
Museum of fine Arts in Houston.
As a curator, Sussman has
organized numerous national and
international exhibitions, like her recent William Eggleston: Democratic Camera, Photographs and Video, 1961 - 2008, a four venue
international tour, closing at the Los Angeles County
Museum of Art.
Since 2005 Fogle has been the curator of contemporary art at the Carnegie
Museum of Art in Pittsburgh where he
organized Life on Mars, the 55th Carnegie
International in 2008.
Jackson's work was included in the 2006 Whitney Biennial, and he was later featured in The Old, Weird America: Folk Themes in Contemporary Art at the Contemporary Arts
Museum, Houston,
organized by Toby Kamps (the juror for NAP edition # 90), winner of the prestigious award for «Best Thematic
Museum Show Nationally» from the U.S. section of the
International Art Critics Association (AICA / USA).
Sammlung Christian Kaspar Schwarm, Weserburg
Museum für moderne Kunst, Bremen, Germany Children's Games, ADN Collection, Bolzano, Italy WheredoIendandyoubegin — On Secularity, 9th Göteborg
International Biennial for Contemporary Art (GIBCA), Göteborg, Sweden Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand Wither the Winds, The Malmö Art Academy, at the occasion of Lund University's 350th Jubilee, Lundskonsthal, Lund, Sweden Duett mit Künstlerin,
Museum Morsbroich, Leverkusen, Germany Wherever the Wind Carries, Lunds Konsthall, Lund, Sweden Medusa — Bijoux et tabous, Musée d'Art Moderne de la Ville de Paris, France California - Pacific Triennial: Building As Ever, Orange County
Museum of Art, Newport Beach, USA MIDTOWN,
organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA Göteborg
International Biennial of Contempoary Art (GIBCA 2017), Göteborg, Sweden Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand Duet with Artist.
Astrup Fearnley
Museum of Modern Art has a long tradition in cooperating with various
international institutions,
organizing international exhibitions and lending works from the collection to the leading
museums and exhibition sites around the world.
URS FISCHER is
organized by The
Museum of Contemporary Art, Los Angeles, and curated by Jessica Morgan, Curator,
International Art, Tate Modern.
Prior to joining the Brooklyn
Museum, she taught contemporary art history at Tufts University, wrote art criticism for Art in America, and
organized a number of
international exhibitions as an independent curator.
Marshall had recently
organized international exhibitions of Louise Bourgeois (Museo de Arte Contemporaneo, Monterrey, Mexico; and Contemporary Art
Museum, Seville, Spain); Edward Ruscha (Museo Nacional de Arte Reina Sofia, Madrid); Alexander Calder (Japan Art and Culture Association, Tokyo); Robert Mapplethorpe (Mitsukoshi
Museum, Tokyo); Jean - Michel Basquiat (Serpentine Gallery, London); Joan Mitchell (Instituto Valenciano de Arte Moderno, Valencia, Spain) Georgia O?Keeffe (Irish
Museum of Modern Art, Dublin; and Vancouver Art Gallery, British Columbia); and Jack Pierson (Irish
Museum of Modern Art, Dublin).
About the Juror: Curator and writer Marvin Heiferman
organizes projects about photography and visual culture for institutions including the
Museum of Modern Art, Smithsonian Institution,
International Center of Photography, Whitney
Museum of American Art, New
Museum and the Hillman Photography Initiative at the Carnegie
Museum of Art.
The Oklahoma City
Museum of Art presents three to four
Museum -
organized exhibitions and national /
international traveling exhibitions in its first floor gallery annually.
In 1974, he participated in Color as Language curated by Kynaston McShine and
organized by the
International Council of the
Museum of Modern Art, which traveled throughout Central and South America, including to the Museo de Arte Moderno, Bogota, Colombia; Museo de Arte Moderno de Sao Paulo, Brazil; Museo de Arte Moderno, Rio de Janeiro, Brazil; Museo de Bellas Artes, Caracas, Venezuela; and Museo de Arte Moderno, Mexico City, Mexico.
Jointly
organized by the Macau
Museum of Art (MAM), the Cultural Affairs Bureau and Albergue SCM, the exhibition «Women Artists — 1st
International Biennial of Macao» features artworks by 132 female artists from 23 countries and regions.