Sentences with phrase «organizes cultural shows»

On top of that, the staff occasionally organizes cultural shows and other fun guest activities.

After all the sacred precessions including ngurek (http://blog.baliwww.com/guides/256) ended in the afternoon, the Pangrebongan committee organizes cultural show just like puppet shadow, arja, and others.

Not exact matches

She showed the group a great short film of a fun bit of cultural disobedience that she'd helped organize for Greenpeace, targeting Kleenex.

Tom Finkelpearl, now the commissioner of cultural affairs for New York City, who organized Hammons's first solo museum show at P.S. 1 Contemporary Arts Center in Queens in 1990, recalled that for years Hammons didn't even have a phone; Cannon's apartment was one of the few places where the artist could reliably be found.

Holding masters degrees from Columbia's prestigious curitorial studies program and the cultural management program at Paris's Sciences Po, Castets has organized group shows around the world, from the Palais de Tokyo to spaces in Milan, Kyoto, and Zürich.

This installation is part of Target Art in the Park, a group show of major new commissions by Navin Rawanchaikul, Teresita Fernandez, and Tobias Rehberger, organized by the Public Art Fund and made possible by Target Stores and New York City Department of Cultural Affairs Challenge, 2001.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Through the years, SOHO20 has: increased emerging artist memberships; continued quality member exhibits, implemented fellowship memberships, featured numerous shows that address crucial social and political issues, organized group shows featuring women from diverse cultural backgrounds, as well as hosting panel discussions about significant art topics.

A reprise of an exhibition organized by the Department of Cultural Affairs in the late 1990s, this group show features the work of seven African American photographers working in Los Angeles since the late 1940s.

Also in 2012: The Cleaners» Late Summer Party with COMME des GARÇONS, a performance commissioned for the Serpentine Gallery's Park Nights series, a Saturday Seminar with the Kensington Gardens - located institution, a group show at Brand New Gallery in Milan and Seven Postures, an exhibition organized by ARTES, the new cultural program of the Manuel Antonio da Mota Foundation, in Porto.

That show was assembled as the result of direct pressure from the Black Emergency Cultural Coalition, a group that organized in 1969 in response to a show of Harlem artists at the Metropolitan Museum of Art.

In lieu of a press release, Berlin - based scholar and critic Diedrich Diederichsen — who organized the show in collaboration with Galerie Buchholz codirector Christopher Müller — provided a feature - length work of art - historical exposition drawing comparisons among historically and geographically disparate cultural phenomena, fleshed out by loosely schematic displays of pertinent art and ephemera.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

1972 Group Show (George Smudge), 112 Greene Street, New York, USA Ice, performance of Carmen Beuchat, 112 Greene Street, New York, USA Food Restaurant, New York, USA (organized a series of Art / Food Performances) Photographic Portraits, Moore College of Art, Philadelphia, USA Documenta 5, Kassel, Germany (Film showing of Freshkill) Profiles (Video presentation), San Fermines (Festival), Pamplona, Spain Making Megalopolis Matter, New York Cultural Center, New York, USA

Selected exhibitions include: turning forty winks into a decade, solo show at BALTIC Centre for Contemporary Art, Gateshead, UK, curated by Emma Dean (2017); lizzie & laura, solo show at The Breeder (2017); Equilibrists at Benaki Museum in Athens, a show organized by New Museum, NY and DESTE Foundation Athens and is curated by Massimiliano Gioni, Gary Carrion - Murayari and Helga Christoffersen, tell me if I am too much, ALMA ZEVI Gallery - Lendi Projects, Celerina, CH (2016); Cuprum (with Talisa Lallai and Marlene Starck), Bank of Cyprus Cultural Center, Nicosia, CY (curated by Clarissa Tempestini)(2016); Aeropagus Königin (group), Parallel Vienna, Vienna, curated by Jelena Seng (2015); The London Project Goes North (group), Yorkshire Sculpture Park, (2013); The London Art Book Fair, Whitechapel Gallery (2011).

Jointly produced by the Asian American Women Artists Association and the Asian Pacific Islander Cultural Center, the juried show was organized by Linda Inson Choy, who worked as a Curatorial Assistant at the Asian Art Museum, San Francisco, form 1996 to 2004, and has since gone one to independently curate exhibitions at Mills College and Incheon Art Platform, Incheon, Korea, as well as organizing panels at the College Art Association Conference for the past four years.