Sentences with phrase «organizes curatorial projects»

Since 2008, Pesanti has served as Curator at the Albright - Knox Art Gallery, where she has organized curatorial projects including Bad Habits (2009); Artists in Depth: Picasso, Braque, Léger, and Delaunay (2011), and, most recently, Surveyor (2011).

She has organized curatorial projects and public programs at the Barcelona Museum of Contemporary Art (MACBA); University Museum of Contemporary Art (MUAC), Mexico City; Hessel Museum of Art at Bard College, the Judd Foundation, the International Studio & Curatorial Program, and the Consulate General of Argentina, all New York; and Fundación Proa, Buenos Aires.

They have organized curatorial projects such as Word of Mouth for the 3rd Athens Biennale, Athens; THE PUBLIC SCHOOL in Athens; BYOB London, The Woodmill, London; and Full / Operational / Toolbox, M21, Athens (kerneloperations.com).

To date, the DESTE Foundation has collaborated with a number of internationally acclaimed curators and leading artists to showcase current important artistic innovations and to organize curatorial projects and special events that reflect the global trends in contemporary art.

She is assistant curator at The Drawing Center New York City and has organized curatorial projects and public programs at Hessel Museum, New York; Fundación PROA, Buenos Aires; Judd Foundation, New York City; Consulate General of Argentina in New York; and Peña, Buenos Aires.

To date, the DESTE Foundation collaborates with a number of internationally acclaimed curators and leading artists to showcase the most important artistic innovations and to organize curatorial projects and special events that reflect the global trends in contemporary art.

She has organized curatorial projects and public programs at the Barcelona Museum of Contemporary Art (MACBA); University Museum of Contemporary Art (MUAC), Mexico City; Hessel Museum; Judd Foundation; International Studio & Curatorial Program; Consulate General of Argentina, all New York; Fundación Proa; and Peña, both Buenos Aires.

Not exact matches

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Species is an Atlanta - based curatorial project organized by artists Erin Jane Nelson and Jason Benson.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

The Sunroom Project Space is organized by Gabriel de Guzman, Curator of Visual Arts, who curated Call & Response with the assistance of Alida Jekabson, Curatorial Intern.

Hammer Projects: Lily van der Stokker is organized by senior curator, Anne Ellegood with MacKenzie Stevens, curatorial assistant.

Hammer Projects: Mary Reid Kelley is organized by Hammer curatorial associate Emily Gonzalez - Jarrett.

As a curator, she has organized exhibitions with BAND Gallery, Wedge Curatorial Projects, Sheridan College, and the National Music Centre.

Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.

Her unbridled creative energy has most recently been channeled into curatorial projects for Facebook, where she organizes site - specific installations for the tech giant's campuses across the country.

NYC Makers: The MAD Biennial is organized by the Museum of Arts and Design and curated by Jake Yuzna, Director of Public Programs, assisted by Samantha De Tillio, Curatorial Assistant and project manager for the exhibition.

Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklcuratorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, BrooklCuratorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.

Hammer Projects: Kevin Beasley is organized by Anne Ellegood, senior curator, with MacKenzie Stevens, curatorial assistant.

In Real Life: Lara Schnitger is a Public Engagement project organized by Connie Butler, Chief Curator, Anne Ellegood, Senior Curator, and January Parkos Arnall, Curatorial Associate, Public Engagement.

Hammer Projects: Marwa Arsanios is organized by Aram Moshayedi, curator, with MacKenzie Stevens, curatorial assistant.

Hammer Projects: Lauren Bon and the Metabolic Studio is organized by Allison Agsten, curator, Public Engagement with January Parkos Arnall, curatorial assistant, Public Engagement.

Hammer Projects: Pedro Reyes is organized by senior curator Anne Ellegood and MacKenzie Stevens, curatorial assistant.

In Real Life: Women's Center for Creative Work is a Public Engagement project organized by January Parkos Arnall, Curatorial Associate, Public Engagement.

Sanromán has been awarded the 2012 Warhol Foundation Curatorial Fellowship for Citizen Culture: Art and Architecture Shape Policy, an exhibition and research project organized by the Santa Monica Museum of Art for September 2014.

Hammer Projects: Avery Singer is organized by curator Aram Moshayedi with MacKenzie Stevens, curatorial assistant and January Parkos Arnall, curatorial assistant.

He began his curatorial career at the Harvard University Art Museums, organizing Mel Bochner: Photographs, 1966 — 1969 (2002) and Huyghe + Corbusier: Harvard Project (2004, with Linda Norden).

States of Incarceration is organized for the Tang Teaching Museum by Rachel Seligman, Assistant Director for Curatorial Affairs, Tang Teaching Museum, and Eric Morser, Associate Professor of History, Skidmore College with Skidmore College students from the course «Adventures in Public History: The Prison Project.»

The Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, where she has worked since 2013, Heather Pesanti has organized monographic exhibitions and outdoor commissions of work by John Bock, Anya Gallaccio, Lionel Maunz, Wangechi Mutu, Monika Sosnowska, Robert Therrien, and Marianne Vitale, as well as the current exhibition of work by Rodney McMillian and a forthcoming project by Abraham Cruzvillegas (2019).

Prior to arriving in Los Angeles in 1995, Zelevansky was a curatorial assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York where she organized Projects shows for artists such as Gabriel Orozco (1993) and Cildo Meireles (1990), and curated Sense and Sensibility: Women Artists and Minimalism in the Nineties (1994).

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spaceCuratorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition spacecuratorial beyond exhibition space - proper.

Currently he is the Director / Senior Curator for the Torrance Art Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exCuratorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exCuratorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up excuratorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.

CURATORIAL COLLABORATION Our Project Curate program engages students fully in the curatorial process with a professional emerging curator to plan, organize, and mount an eCURATORIAL COLLABORATION Our Project Curate program engages students fully in the curatorial process with a professional emerging curator to plan, organize, and mount an ecuratorial process with a professional emerging curator to plan, organize, and mount an exhibition.

A conference organized by Thomas Keenan, Suhail Malik, and Tirdad Zolghadr in conjunction with the LUMA Foundation and the Bard Center for Curatorial Studies & Human Rights Project in Arles, France.

The International Studio & Curatorial Program announces Leaps and Bounds, an exhibition in ISCP's Project Space, organized in collaboration with the Center for Curatorial Studies, Bard College.

He will also serve as the curatorial liaison for projects organized in collaboration with the University of Houston School of Art and the Cynthia Woods Mitchell Center for the Arts, designed to foster interdisciplinary collaboration across the performing, visual, and literary arts.

The spring semester continues the first year practicum and includes hangs of works from the Hessel Collection organized in pairs; collaboratively produced curatorial projects; and writing and research workshops.

This commissioned project was organized by Kemper Museum of Contemporary Art and curated by Erin Dziedzic, director of curatorial affairs.

This exhibition is organized by HATCH Projects curatorial resident, Teresa Silva.

In her presentation she will discuss two recent projects organized by curatorial office Rivet.

She has organized exhibitions and events at venues such as MoMA, PS1, Queens, NY; ICA, Philadelphia, PA; Mattress Factory, Pittsburgh, PA; Wexner Center for the Arts, Columbus, OH; Hyde Part Center, Chicago, IL; Schema Projects, Brooklyn, NY; Dorsky Curatorial Programs, LIC, NY; SIGNAL, Brooklyn, NY; Interstate Projects, Brooklyn, NY; and Present Company, Brooklyn, NY.

With recent projects like curator Germano Celant's recent show «When Attitudes Become Form: Bern 1969 / Venice 2013» at Venice's Fondazione Prada — a dramatic re-staging of the 1969 exhibition organized by Harald Szeemann that introduced conceptual art to Europe — there's suddenly widespread interest in examining the curatorial history of certain exhibitions that are considered major milestones in contemporary art's development.

ANNANDALE - ON - HUDSON, NY, March 2, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) commences its 20th anniversary year schedule of exhibitions with Matters of Fact, a collaborative project organized by CCS Bard Executive Director Tom Eccles; CCS Bard Curatorial and Program Associate Nathan Lee; and CCS Bard graduate students Suzy M. Halajian and Alicia Ritson, with reinstallations of historic exhibitions by CCS Bard alumnus Kelly Taxter and CCS Bard co-founder, Marieluise Hessel.

Machine Project — The Platinum Collection (Live by Special Request) is organized by Rachel Seligman, Assistant Director for Curatorial Affairs, in collaboration with Machine Project, and is supported by the Friends of the Tang.

EFA Project Space is pleased to present Resonance and Repetition, a group exhibition featuring work by 10 artists organized by curatorial office Rivet.

This exhibition is organized by Ann Temkin, The Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture, and Claire Lehmann, Project Curatorial Assistant, Department of Painting and Sculpture.

In the Curatorial Research Lab at the back of the gallery, don't miss «Signs on the Road,» a three - part installation organized by Workroom G and curated by Gogue Projects (Phase 1), Cathouse FUNeral (Phase 2), Camel Collective (Phase 3).