Sentences with phrase «organizes important exhibitions»

By emphasizing seminal artists and artworks from the twentieth and twenty - first centuries, the museum organizes important exhibitions both from their holdings and from the collections of individuals and institutions worldwide.

Gagosian Gallery has dedicated itself to organizing important exhibitions of contemporary art, while presenting earlier works of art from the modern era.

The museum is especially noted for organizing important exhibitions of contemporary art that are locally relevant and internationally significant, including the first surveys of Vija Celmins (1980), Chris Burden (1988), and Tony Cragg (1990), as well as early exhibitions of seminal work by Lari Pittman (1983), Gunther Forg (1989), Charles Ray (1990), Guillermo Kuitca (1992), Bill Viola (1997), Iñigo Manglano - Ovalle (2003), and Catherine Opie (2006).

Bonami, who directed and curated the Venice Biennale and the Whitney Biennial, has organized important exhibitions at Whitechapel Art Gallery, the Hayward Gallery and the Pinault Foundation, among many others.

The Wittliff Collections at Texas State University organized this important exhibition — and the bilingual monograph that accompanies it — by drawing from our extensive and significant holdings of Rodrigo Moya's gelatin silver prints.

Following long tradition, the Miami museums organized important exhibitions including Yinka Shonibare at the Miami Art Museum; Anri Sala at the Museum of Contemporary Art; «Possibility of an Island» (Mungo Thomson, Peter Coffin, and others) for MOCA at the Goldman Warehouse; «Russian Dreams...» at the Bass Museum of Art; and both «American Streamlined Designed: The World of Tomorrow» and «Democrazy: An Installation by Francesco Vezzoli» at The Wolfsonian - FIU.

Not exact matches

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

During his lifetime, Felix Gonzalez - Torres (1957 - 1996) was the subject of several important museum exhibitions, including Felix Gonzalez - Torres: Traveling (1994) at the Museum of Contemporary Art, Los Angeles, the Hirshhorn Museum and Sculpture Garden, Washington D.C. and The Renaissance Society at the University of Chicago, and a retrospective organized by the Solomon R. Guggenheim Museum, New York (1995), which traveled to the Centro Galego de Arte Contemporánea, Santiago de Compostela, and ARC - Musée d'Art Moderne de la Ville de Paris.

Published in conjunction with a traveling exhibition organized by SFMOMA, this volume introduced new work by Jasper Johns, one of the most important artists of the contemporary period.

Important retrospective exhibitions have been organized posthumously at institutions around the world, including the Museum of Contemporary Art, Chicago; Badischer Kunstverein, Karlsruhe, Germany; IVAM Centro Julio Gonzalez, Valencia, Spain; the Whitney Museum of American Art, New York; and the Museum of Contemporary Art, Los Angeles.

His historic gesture, and its reverberations over the past 50 years, will be explored in this important exhibition organized by the High Museum of Art.

I've had the pleasure of working with Connie in the past few years, especially during the period she helped organize the important «Witness: Art and Civil Rights in the Sixties» exhibition that included a number of works from my collection.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

In addition to exhibiting and placing art works in important public and private collections, the gallery nurtures the careers of its artists, working closely with institutions to organize exhibitions, collaborations, publications, and special projects.

The exhibition, organized thematically and including important rarely loaned works by both artists, plus a new painting by Saville, will illuminate aspects of each artist's work that might otherwise go unnoticed outside of this context.

In organizing the exhibition it was important that each artist have her own space within the gallery.

Initially rejected from the most important commercial show of the time, the government - sponsored Paris Salon, the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon.

In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

NARRATOR: The exhibition is organized thematically around [Edward] Hopper's most important paintings, which are shown alongside related drawings.

The beautiful new and greatly expanded museum space enabled the Museum of Art to organize major scholarly exhibitions of contemporary and historic artists, from significant solo shows to thematic group shows that investigate ideas important to disciplines across the liberal arts curriculum, and permanent collection exhibitions, supported by scholarly publications.

«We pride ourselves in being an artist - centric institution, giving artists important opportunities through commissions and organizing major exhibitions at both our downtown museum and at our lakeside sculpture park.

In addition to her participation in 2 major exhibitions organized by the Canadian Museum of Civilization, In the Shadow of the Sun in 1988 and Indigena in 1992, important group shows have occurred in Brooklyn, Los Angeles, Vancouver, Phoenix, Toronto and Montréal.

Charlotte Sherman is a frequent museum curator and has organized important museum exhibitions.

At the Museum of Modern Art, where he became associate curator in 1968, he initiated the innovative Projects series and has organized some of the museum's most important exhibitions, including the early survey of conceptual art, Information (1970); exhibitions of Marcel Duchamp (1973), Joseph Cornell (1980), and Andy Warhol (1989); The Museum as Muse: Artists Reflect (1999); Edvard Munch: The Modern Life of the Soul (2006); Richard Serra Sculpture: Forty Years (2007).

On the verge of recognition, Dawson participated in two important exhibitions: «The Fourteen,» organized by Davies and Pach, which presented work by fourteen modern American artists; and «Painting and Sculpture in the Modern Spirit,» a one - man exhibition organized by the Milwaukee Art Center.

Luke played an important role in organizing the Canadian Abstract Exhibition that opened at Oshawa's YWCA Adelaide House that same year.

Curated by Dr. Xiaobing Tang, Helmut F. Stern Professor of Modern Chinese Studies at the University of Michigan and organized by UMMA with the assistance and cooperation of the China Academy of Art in Hangzhou, China, this exhibition - the largest examination of contemporary Chinese prints in the US since 2000 - will provide an important framework for understanding both contemporary art from China and contemporary Chinese society.

The exhibition Rêverie as a solo exhibition of YAN Lei, one of the important Chinese contemporary artists, organized by Red Brick Art Museum from April 25th to July15th, 2015.

Although the 2014 Whitney Biennial is effectively organized as three individual exhibitions — curators Stuart Comer, Anthony Elms, and Michelle Grabner each installed and programmed a single floor of the Museum — tracing the connections between artworks on all floors of the Museum can point towards the important questions and concerns that engage today's artists.

The following year, NOMA organized the first museum exhibition for David Butler, which helped establish his reputation as one of the most important voices in American art.

Opened in 2005, the Merz Foundation in Turin houses an important collection of artworks by the Arte Povera master Mario Merz, at the same time tits supports contemporary art by organizing temporary exhibitions and cultural events.

Hausammann Gallery has organized personal and collective exhibitions of some of the most important graffiti writers from Italy and has recently been part of the last edition of the Stroke Art Fair in Munich.

The Serpentine Sackler Gallery is a contemporary art center in London, located in the Kensington Gardens, which organizes important temporary exhibitions

[8] An important Realist movement beyond France was the Peredvizhniki or Wanderers group in Russia who formed in the 1860s and organized exhibitions from 1871 included many realists such as genre artist Vasily Perov, landscape artists Ivan Shishkin, Alexei Savrasov, and Arkhip Kuindzhi, portraitist Ivan Kramskoy, war artist Vasily Vereshchagin, historical artist Vasily Surikov and, especially, Ilya Repin, who is considered by many to be the most renowned Russian artist of the 19th century.

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled

The exhibition was organized to complement the Museum of Contemporary Art's concurrent exhibition of H. C. Westermann's sculptures, providing an unparalleled opportunity to compare the relationships in style, subject, and theme between the prints and the sculptural objects of this important artist.

Other exhibitions include Thierry Goldberg gallery, Smithumenta organized by Bruce High Quality Foundation and Important Projects, Oakland.

Although Morandi rarely traveled outside of Italy and never beyond Europe, his work was exhibited internationally and was included in a number of landmark presentations in the United States beginning in the late 1940s, such as Twentieth - Century Italian Art, organized by Alfred H. Barr, Jr. and James Thrall Soby at The Museum of Modern Art, New York, in 1949; the important exhibition Painting in Post-War Italy, 1945 - 1957, at the Casa Italiana at Columbia University, New York; and The New Renaissance in Italy at the Pasadena Art Museum, California — both in 1958, which captivated an American audience.

An important American painter who first came to prominence in the early 1950s, Joseph Glasco's career began with his inclusion in a groundbreaking exhibition organized by the Museum of Modern Art entitled Fifteen Americans, which also featured the work of William Baziotes, Jackson Pollock, Mark Rothko, and Clyfford Still.

Numerous exhibitions that have focused exclusively on works from the collection have been organized by SFMOMA and the CCA Wattis Institute for Contemporary Arts, another institution to which the Logans have been important benefactors.

A leading figure in the British Black Art Movement of the 1980s, she organized important group exhibitions at public institutions in London.

In addition to exhibitions at the gallery, Butler organized important shows off - site, such as 18» 6» ³ x 6» 9» ³ x 11» 2-1/2» ³ x 47» ³ x 11-3/16» ³ x 19» 8-1/2» ³ x 31» 9-3/16» ³ held at the San Francisco Art Institute in 1969.

Important solo exhibitions include a retrospective organized by the Albright - Knox Art Gallery, Buffalo that traveled to the Hirshhorn Museum, Washington, D.C.; The Saint Louis Art Museum; Museum of Contemporary Art, Chicago; Seattle Art Museum; and the Dallas Museum of Art (1992 - 1994); a retrospective at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996); «Susan Rothenberg: Paintings from the 90's» at The Museum of Fine Arts, Boston (1999); and an exhibition of paintings and drawings at the Museum of Art at Cornell University that traveled to The Contemporary Museum in Honolulu and the Museum of Fine Arts, Santa Fe (1998 - 99).

The Hopper painting, Road and Trees, an important late work from 1962, last appeared publicly in a 2013 exhibition organized by the Whitney Museum of American Art.

Bearden also organized several important exhibitions including Contemporary Art of the American Negro in Harlem in 1966 at what is now the site of the Studio Museum in Harlem, and in 1967, with art historian Carroll Greene, he organized «The Evolution of Afro American Artists: 1800 — 1950» at City College in New York.

However, there are important precedents for DIS's approach, especially in the exhibitions organized by Britain's Independent Group, such as «This Is Tomorrow» (1956), where images of Robbie the Robot and Marilyn Monroe mingled with surrealist - inflected sculptures.

In 1966, Fleming was also included in the important exhibition at the Solomon R. Guggenheim Museum in New York, «Systemic Painting», organized by Lawrence Alloway.

Looking In: Robert Frank's The Americans, an exhibition organized by the National Gallery of Art, is the most comprehensive and in - depth exploration of the single most important book of photographs published since World War II.