Sentences with phrase «organizing art exhibits»

Myint Zaw became the creative engine in a public awareness campaign about the Irrawaddy River, organizing art exhibits to showcase its environmental, social, and cultural significance — and what Myanmar stood to lose from the Myitsone Dam.

She has organized art exhibits during Art Basel of over 300 pieces in 2013 and 2014.

Not exact matches

The interfaith Thanksgiving celebration and art exhibit on Sunday is being organized by Councilman Ydanis Rodriguez.

Included: The teachers who've created Canada's first «MicroSociety» school, two teachers who organized an «Andy Warhol Art Exhibit» at an elementary school, and the explosive energy of a teacher of Mandarin Chinese!

It could be as simple as asking students to organize an exhibit of their art work to be displayed at a pancake dinner or as involved as analyzing the school district report card required under the No Child Left Behind Act.

For example: n Organize a weekend «trunk show» at a high - end furniture showroom or an interior design firm n Display art at a home and garden show n Buy a booth at a trade show n Set up a «mini» art exhibit at an opera, ballet or symphony performance

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

Exhibited widely, in 2008 the Kunstmuseum Wolfsburg organized a retrospective survey The Life of Forms in Art: Paintings 1980 — 2008.

Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)

Additionally, she has organized, curated and juroies more than 100 fine art exhibits, She remains actively engaged in supporting the careers of local, emerging artists and teaches an intensive six hour business and marketing seminar, «Success as an Artist.»

She currently lives and works in Los Angeles, exhibiting art nationally and abroad as well as organizing to create an active and resistant cultural discourse through information exchange, either in art, pedagogy or organizing artist and educators.

Chinatown Art Brigade organized two actions in October 2017 against James Cohan Gallery and their racist exhibit by artist Omer Fast in Chinatown (at 291 Grand Street).

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to base his artistic practice in community organizing, and to reflect on the relevance of activism and the labor movement to the creation of art.

«The Art of Alice Neel,» a traveling exhibit organized by the Philadelphia Museum of Art and opening at the Whitney on June 29, stands to reveal the painter not just as an idiosyncratic voice but an influential one.

Since the 1980s, Feher has exhibited poetic sculptures and installations made from everyday, recognizable materials: his 25 year survey show organized by the Blaffer Art Museum at the University of Houston just concluded its five city tour.

The exhibition comes with the acquisition of more than 100 pieces of art from the Gilbert and Lila Silverman Fluxus Collection Gift and was organized, in part, by Klaus Biesenbach, MoMA's chief curator at large who also worked on the museum's upcoming Björk exhibit.

In addition to exhibiting and placing art works in important public and private collections, the gallery nurtures the careers of its artists, working closely with institutions to organize exhibitions, collaborations, publications, and special projects.

Long overdue, this exhibit was organized in partnership with the Parrish Art Museum in Water Mill, N.Y. and the Barnes Foundation in Philadelphia, where it will also travel.

Hélio Oiticica's installation Cosmococa C1 (1973/2010), made in collaboration with Neville D'Almeida, is featured in the exhibition Suprasensorial: Experiments in Light, Color and Space, organized and previously exhibited by The Museum of Contemporary Art, Los Angeles and on view until May 13th at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.. His famous installation Tropicália (1967) is currently being exhibited in From Revolt to Postmodernity (1962 - 1982) at the Museo Nacional Centro de Arte Reina Sofia in Madrid.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

The works will be exhibited on the site of the festival in a pop - up exhibition organized by the contemporary art gallery White Cube.

After one year in grad school, in 1959, McShine was hired in the Museum of Modern Art (MoMA)'s public information department, then moved to its department of circulating exhibitions, organizing a traveling exhibit of work by Robert Motherwell.

Every Breath We Drew will be exhibited as a solo exhibition at Redline in Denver, CO (organized by the Colorado Photographic Arts Center) in March 2017, at the University of Tulsa in Tulsa, OK in September 2017, and at the University of Missouri in St. Louis in the spring of 2018.

Bayne Peterson: Still Life reviewed by Merrily Kerr in Merrily Kerr New York Art Tours, September 19, http://newyorkarttours.com/blog/?p=6883 Kristen Lorello to exhibit at NADA Miami Beach with artist Scott Alario, December 7 - 10, Deauville Hotel, Miami Beach, Florida, https://www.newartdealers.org/fairs/2017/miami-beach Nadia Haji Omar in «Drawer,» organized by Corydon Cowansage / flatfile.

Though «Doris Salcedo» was organized by the Museum of Contemporary Art Chicago, where it was first exhibited, Damian said, «I think it puts PAMM on the map for doing something this sophisticated and global.

Additionally, she has orchestrated, organized, curated and juried more than 100 fine art exhibits.

The exhibit was originally organized by the Art Institute of Chicago, which offers a... Continue reading →

In 1971, female artists picketed the Corcoran Biennial in Washington D.C. for excluding women artists, and New York Women in the Arts organized a protest against gallery owners for not exhibiting women's art.

May 21, 2011 Artist talk and Gallery Tour led by Katherine Wolf: A dialogue between the Artists on exhibit begins in the Galerie oqbo, to be concluded with artist talk in the Projektraum at the Deutsche Künstlerbund, as part of a nationwide event organized by the German Culture Council to promote the arts.

Then, in 1962, at what was then called the Pasadena Art Museum, a young genius curator named Walter Hopps organized an exhibit called «New Painting of Common Objects.»

Her work is often exhibited in Canada and abroad, and major solo exhibitions include «Voyage dans le monde des choses», organized by the Musée d'art contemporain de Montréal in 1986, «Les Fleuves invisibles», produced by the Musée d'art de Joliette in 1997 and circulated in Canada and France until 2000, and «Tout embrasser», presented at the Leonard and Bina Ellen Art Gallery of Concordia University as part of Le Mois de la photo à Montréal 2001.

Osborne was the subject of two recent museum surveys — Veils of Color, a traveling exhibited organized by the Michener Art Museum and Elizabeth Osborne: The Sixties at the Delaware Art Museum.

The painting he exhibited at Véhémences confrontées in 1950, a show organized by the art critic Michel Tapié and the painter Georges Matthieu at the Galerie Nina Dausset in Paris, was inspired by a Jackson Pollock painting Tapié described as «amorphique,» meaning formless or purely material.

He is the founder of NKA: Journal of Contemporary African Art, and organized Trade Routes: History and Geography for the Second Johannesburg Biennale in 1997, which exhibited works by 160 artists from 63 countries.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph SzaArt in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

Roszak exhibited extensively during his prolific career, and upon his death from heart failure in 1981, the Whitney Museum of American Art organized a memorial exhibition.

A major touring retrospective was organized by New York's Whitney Museum of American Art in 1986, and Katz has exhibited widely all over the world.

Colo's work has been exhibited at numerous venues, most recently as part of the exhibition Radical Presence, organized at the Contemporary Art Museum, Houston, and which traveled to the Walker Art Center, the Yerba Buena Center for the Arts in San Francisco, and the Studio Museum in Harlem (2013 - 2015).

Presenters — most of whom knew Wong personally — are Sean Corcoran (who also moderates), curator of prints and photographs at the Museum of the City of New York, where he organized a major exhibition of Wong's collection of graffiti and street art; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with hart; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with hArt, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with his.

The international exhibit featuring 75 contemporary artworks from the 1960s to today, includes pieces by Chuck Close, Ai Weiwei, Jasper Johns and Andy Warhol, and was organized by the Walker Art Center in Minneapolis.

Norton Museum of Art: is the largest art museum in Florida and also organizes traveling exhibiArt: is the largest art museum in Florida and also organizes traveling exhibiart museum in Florida and also organizes traveling exhibits.

The show, curated by Beth Giacummo and Loretta Corbisiero, is in conjunction with «Caribbean: Crossroads of the World» organized and presented at El Museo del Barrio (through Jan 6, 2013) with exhibits at the Queens Museum of Art (through Jan 6, 2013) and the Studio Museum in Harlem (now closed).

Mastry is organized by the Museum of Contemporary Art Chicago (MCA), The Metropolitan Museum of Art, New York, (The Met), and MOCA, exhibiting there respectively, and has received critical acclaim from The New Yorker, The Guardian, The New York Times, among others, including the personal admiration of former first lady Michelle Obama.

The Art Center first exhibited her work in 1987 as part of a three - person exhibition also organized by Richard Born who then described her tapestries as «simultaneously utilitarian objects and works of independent beauty intended both for use and appreciation at the same time.»

Above, left - right: Beate Inaya, Daniel LaRue Johnson, Charles White, and Betye Saar at the Negro and Creative Arts Exhibit at the Los Angeles home of actress Diana Lynn, organized by Beate Inaya, August 12, 1962.

The Institute of Contemporary Art in Boston organized Tom Wesselmann: Graphics 1964 - 1977, and he exhibited at the Grand Palais in Pans and at the Galerie Serge de Bloe in Brussels.

As curator, she organized, with Ann Sutherland Harris, the landmark exhibit Women Artists: 1550 - 1950 (1976), Courbet Reconsidered (1988) with Sarah Faunce, and Global Feminisms: New Directions in Contemporary Art (2007) with Maura Reilly.

In 1967, the Whitney mounted her first retrospective exhibition, in 1973, the Walker Art Center in Minneapolis organized a major solo traveling exhibition, and in 1976, she exhibited at the Venice Biennale.

Earlier solo exhibitions include the Walker Art Center, Minneapolis and Nelson - Atkins Museum of Art, Kansas City which co-organized and exhibited Joel Shapiro: Outdoors, the first major outdoor exhibition of the artist's bronzes (1995 - 96); Joel Shapiro organized by IVAM Centro Julio Gonzalez, Valencia, Spain that later traveled to the Louisiana Museum of Modern Art, Denmark, Kunsthalle Zurich and Musee des Beaux - Arts, Calais, France (1990 - 91); Joel Shapiro, an exhibition of drawings and sculpture, was organized by the Stedelijk Museum, Amsterdam and later exhibited at the Kunsthaus Düsseldorf and Staatliche Kunsthalle, Baden - Baden, Germany (1985 - 86); a major mid-career survey organized by The Whitney Museum of American Art, New York with subsequent venues at the Dallas Museum of Fine Arts, the Art Gallery of Ontario, Toronto and San Diego Museum of Contemporary Art (1982 - 84); and Joel Shapiro: Sculpture and Drawing at The Whitechapel Art Gallery, London that later traveled to the Museum Haus Lange, Krefeld, Germany and Moderna Museet, Stockholm (1980).